Stylistically uneven, and a bit rough around the edges, this film still gets points for proposing a rather unusual, and interesting, moral dilemma, sensitively tackling some tough emotional subjects, and marvellous, if somewhat one-dimensional, performances from the entire cast. Particularly notable is Bill Pullman, as a morally corrupt sleazy drunkard realtor. There is some truly great dialogue, though the humour is a bit flat and heavy-handed throughout. It is during the dramatic parts that the film redeems itself, and feels genuine and authentic. The second and third acts are tighter than the first - or, perhaps, one just gets used to the quirkiness of it by then.
Miss Leoni's hair looks especially terrific, and some of the San Francisco shots are quite beautiful.
Miss Leoni's hair looks especially terrific, and some of the San Francisco shots are quite beautiful.