A bat drools blood on the smouldering corpse of its master to revive him from the dead, where Dracula causes terror to the locals and passing travellers. A young man Paul fleeing from the authorities, disappears when he drops by Dracula's castle. Soon his brother Simon and his finance Sarah have gone looking for him, where they encounter unwelcoming locals and learn that Paul has passed through to Dracula's castle.
Out of the Hammer Dracula films I've watched (which would be Horror of Dracula, Dracula - Prince of Darkness, Dracula Has Risen from the Grave, Taste the blood of Dracula and The Legend of the 7 Golden Vampires), this particular entry (the sixth) would have to be the weakest, but not entirely bad. What stands out is how sadistic it is in its nauseating actions and grisly make-up, where the red, red blood runs freely and the shocks are explicit. Also flesh and sexual activity is more fruitful. There's no denying this is one dark and mean-spirited Gothic film, held together by its scorchingly sombre atmosphere and some sensationally brooding set-pieces of striking suspense and images. These effective moments mainly derived from the original novel. Director Roy Ward Baker does a sound job, even though it can get patchy. However the main problem is that basic story and wilted script doesn't really build upon anything and it gets rather repetitive, senseless and creates drawn out feel. The ending is somewhat anti-climatic too. It's hard to escape the cheap look, as the sets are a mixture of cardboard structures, nice oil paintings as background features from the castle and plenty of rubber bats dangling from strings. While the woodlands surrounding the castle where forebodingly captured. The intrusive flair seems to be lurking there, but not with the same energy. Clocking in is a routine, frenzy music score. Christopher Lee seems to be going through the motions with a called in performance, but his presence features strongly to forgive that. The supporting cast are capable in their deliveries. Christopher Mathews, Dennis Waterman, and a stunning Jenny Hanley are likable in their parts. Patrick Troughton, Wendy Hamilton, Michael Ripper and Michael Gwynn also are terrific.
Bloody, nasty and dread-filled, but due to its languid pace it nothing more than a modest attempt.
Out of the Hammer Dracula films I've watched (which would be Horror of Dracula, Dracula - Prince of Darkness, Dracula Has Risen from the Grave, Taste the blood of Dracula and The Legend of the 7 Golden Vampires), this particular entry (the sixth) would have to be the weakest, but not entirely bad. What stands out is how sadistic it is in its nauseating actions and grisly make-up, where the red, red blood runs freely and the shocks are explicit. Also flesh and sexual activity is more fruitful. There's no denying this is one dark and mean-spirited Gothic film, held together by its scorchingly sombre atmosphere and some sensationally brooding set-pieces of striking suspense and images. These effective moments mainly derived from the original novel. Director Roy Ward Baker does a sound job, even though it can get patchy. However the main problem is that basic story and wilted script doesn't really build upon anything and it gets rather repetitive, senseless and creates drawn out feel. The ending is somewhat anti-climatic too. It's hard to escape the cheap look, as the sets are a mixture of cardboard structures, nice oil paintings as background features from the castle and plenty of rubber bats dangling from strings. While the woodlands surrounding the castle where forebodingly captured. The intrusive flair seems to be lurking there, but not with the same energy. Clocking in is a routine, frenzy music score. Christopher Lee seems to be going through the motions with a called in performance, but his presence features strongly to forgive that. The supporting cast are capable in their deliveries. Christopher Mathews, Dennis Waterman, and a stunning Jenny Hanley are likable in their parts. Patrick Troughton, Wendy Hamilton, Michael Ripper and Michael Gwynn also are terrific.
Bloody, nasty and dread-filled, but due to its languid pace it nothing more than a modest attempt.