4/10
SAMSON AND DELILAH (TV) (Nicolas Roeg, 1996) **
8 April 2007
This is the third version of the Biblical tale that I've watched - or fourth, if you include the peplum SAMSON (1961); the best of the lot, clearly, remains Cecil B. De Mille's 1949 spectacular.

Since this is part of a series of made-for-TV films highlighting famous stories from the Bible, one is surprised to find a celebrated and talented director such as Nicolas Roeg involved - though they all managed to attract a vast array of international and upcoming stars. That said, Roeg's career has been steadily on a downhill slide ever since the mid-80s - surely one of the saddest declines in recent memory! This film was actually written by the director's frequent collaborator Allan Scott (including the masterpiece DON'T LOOK NOW [1973]), but the magic is seldom in evidence on this particular occasion - and the end result is as bland as its TV origins suggest...

Even so, it's not entirely worthless if clearly overly-padded at a length of nearly 3 hours: while the look of the film is curiously drab, the star cast offers compensations - best of all, perhaps, are Dennis Hopper (as a prescient Philistine General), Michael Gambon (the Philistine ruler) and Daniel Massey (as a learned Jewish elder). Still, though Liz Hurley is ideally cast as Delilah, her performance is too modern - and, consequently, the character's ultimate redemption lacks conviction; as for Eric Thal's Samson, the script may have made him more conflicted than Victor Mature's take in the De Mille version - but again, rather than evoke the traits one should associate with this Biblical character, the actor's boyish looks merely bring to mind the pumped-up heroes of juvenile sword-and-sorcery films and TV series of recent vintage...

Incidentally, I only rented this because my father had been whining about "The Bible Collection" on DVD for months (I brought him MOSES [1995] at the same time but, even if it featured Ben Kingsley, Frank Langella and Christopher Lee, opted not to watch it myself); eventually, he too - who had caught many of Hollywood's classic historical epics when new - was ultimately unimpressed, and readily admitted that these newer incarnations offered no competition!
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