It's interesting that this movie had a Scotland Yard connection, one might have expected Sherlock Holmes to make an appearance. Mr. Moto (Peter Lorre) assumes the identity of a Japanese houseboy to Parisian criminal Paul Brissac following their escape from a Devil's Island prison camp. Once situated in London, Moto begins his investigation into an international 'League of Assassins', who have targeted industrialist Anton Darvak (Henry Wilcoxon) for his newly developed steel formula.
Moto manages to dodge Scotland Yard detectives as well as nasty League henchmen in order to uncover the head of the assassins. In one of those films where the least likely character turns out to be the criminal mastermind, you have to wonder why Frensham (Erik Rhodes) allowed himself to be positioned under the murder weapon, hostage to Moto in one of his many disguises. Say, didn't he remind you of Arte Johnson's dirty old man character from 'Rowan and Martin's Laugh-In"?
Now just over half way through watching the Mr. Moto films, I'm impressed as to how consistently better they seem to be compared against those of the other Oriental detective of the era, Charlie Chan. The Chan stories relied on repeated use of the old lights out trick and other ruses on the way to solving the mystery, whereas the Moto stories are a lot more physical, even violent, with Moto engaging in a fair share of the action. In this one, Moto delivers some crisp judo throws and takes some wild flying leaps tackling bad guy Brissac in the finale. Elsewhere on this board I learned that Lorre's stuntman for the martial arts sequences was a gentleman named Harvey Parry.
Even though they're nearly seventy years old, it's still a kick to watch any of these old time detective mystery films. Peter Lorre is a blast as Mr. Moto, and any movie in the series from Twentieth Century Fox is recommended for fans of the genre.
Moto manages to dodge Scotland Yard detectives as well as nasty League henchmen in order to uncover the head of the assassins. In one of those films where the least likely character turns out to be the criminal mastermind, you have to wonder why Frensham (Erik Rhodes) allowed himself to be positioned under the murder weapon, hostage to Moto in one of his many disguises. Say, didn't he remind you of Arte Johnson's dirty old man character from 'Rowan and Martin's Laugh-In"?
Now just over half way through watching the Mr. Moto films, I'm impressed as to how consistently better they seem to be compared against those of the other Oriental detective of the era, Charlie Chan. The Chan stories relied on repeated use of the old lights out trick and other ruses on the way to solving the mystery, whereas the Moto stories are a lot more physical, even violent, with Moto engaging in a fair share of the action. In this one, Moto delivers some crisp judo throws and takes some wild flying leaps tackling bad guy Brissac in the finale. Elsewhere on this board I learned that Lorre's stuntman for the martial arts sequences was a gentleman named Harvey Parry.
Even though they're nearly seventy years old, it's still a kick to watch any of these old time detective mystery films. Peter Lorre is a blast as Mr. Moto, and any movie in the series from Twentieth Century Fox is recommended for fans of the genre.