The very word "warrior" has us anticipating a non-stop action movie, but from the opening credits with the beautifully balanced composition of the gnarled tree, sand, sky and the warrior practicing his sword work in a manner that looks like dance--the music reinforcing the peaceful flowing sensation--we know right away that this movie is not about blood and guts.
I believe that is why some people call this movie "boring." It all has to do with expectations. People who are looking for a warrior in the style of Mortal Kombat or Ong Bak will be sorely disappointed. I didn't know what to think when I saw it the first time, but I was so intrigued I watched it again.
One of the most intriguing aspects of the film is its timelessness. This movie transcends a historical time period; it transcends culture. The story may be a samurai folk tale reworked to fit India of centuries past, but the story is universal. Some reviewers complain that the plot is too simplistic. But what is new under the sun? Certainly not a storyline. It is the presentation of the same old material that creates the interest, the beauty.
The gorgeous photography is compelling. The story of human connection and personal salvation is captivating. I teach the Hero's Journey in my high school movie class and that journey is always about Transformation which is at the heart of this film. Usually, the mentor, the guide, into the world of transformation is older and wiser. In this case, the warrior's guide is his young son, Katibah.
Beautiful film.
When my high school students saw it, I asked them how they like it. Many were bored, but a few were mesmerized.
I believe that is why some people call this movie "boring." It all has to do with expectations. People who are looking for a warrior in the style of Mortal Kombat or Ong Bak will be sorely disappointed. I didn't know what to think when I saw it the first time, but I was so intrigued I watched it again.
One of the most intriguing aspects of the film is its timelessness. This movie transcends a historical time period; it transcends culture. The story may be a samurai folk tale reworked to fit India of centuries past, but the story is universal. Some reviewers complain that the plot is too simplistic. But what is new under the sun? Certainly not a storyline. It is the presentation of the same old material that creates the interest, the beauty.
The gorgeous photography is compelling. The story of human connection and personal salvation is captivating. I teach the Hero's Journey in my high school movie class and that journey is always about Transformation which is at the heart of this film. Usually, the mentor, the guide, into the world of transformation is older and wiser. In this case, the warrior's guide is his young son, Katibah.
Beautiful film.
When my high school students saw it, I asked them how they like it. Many were bored, but a few were mesmerized.