Not bad but not so great either, "The Great New Wonderful" suffers from IIS: Insufferable Indie Syndrome. In trying to serve up a few slices of life in post 9/11 New York, the director of the truly wonderful comedies "Dude, Where's My Car?" and "Harold and Kumar" tries awful hard to be Subtle, Tasteful, and Artistic. The problem is, the results are way TOO Subtle, Tasteful, and Artistic. So much so that there are practically no emotions, no connections, no dramatic effect. Even a handful of very good performances can't save the underwritten script and lackluster direction.
Memo to the Director: GO BACK TO COMEDY! (It actually takes a lot more skill and creativity to produce a clever comedy than to churn out another clichéd indie drama.)
Memo to the Director: GO BACK TO COMEDY! (It actually takes a lot more skill and creativity to produce a clever comedy than to churn out another clichéd indie drama.)