Director Don Chaffey had enjoyed such a box office success with One Million Years B.C that the folks at Hammer entrusted him with this intentionally campy adventure flick set in Roman Britain. Once again, Chaffey is called upon to provide semi-naked women, bloodthirsty battles, woefully inaccurate history and sensationalised plotting, all in the name of entertainment. Alas, the trick doesn't work twice and The Viking Queen emerges a curious historical folly, more memorable for the wrong reasons (stupid dialogue, continuity errors, over-the-top acting, etc.) than the right ones.
In Celtic times, a dying king of the Britons makes a final wish that his daughter Salina (Carita) should take control of the Iceni tribe after he has passed away. His request is for Salina to forge an alliance with the honourable and honest Roman, Justinian (Don Murray). As requested, Salina tries to uphold her father's dying wish. indeed, she even finds herself falling in love with the Roman. However, the druids - who believe it is their right to advise and guide Salina in her decisions - are not pleased by this growing bond between Iceni and Roman forces, and forbid them to consummate their relationship via marriage. Similarly, some of the more aggressive and attack-minded Romans are just as troubled by Justinian's actions, so they too try to set up obstacles in the path of his plans of love. Octavian (Andrew Keir) in particular is hell-bent on preventing a meaningful comradeship between the two tribes, and he does everything he can to stir trouble. While Justinian is away fighting a battle in Anglesey, the Romans take advantage of his absence to abuse and mistreat the Iceni people. Ultimately things come to a head and much blood is shed as Salina is forced to put the pride and passion of her people before everything else. She leads her tribe into a fatal battle against the Romans, sacrificing her chance of love in order to protect their way of life..
The fact that Salina is actually a Celtic queen, living in an era some 700 years before the Vikings had any meaningful link with British history, is a sore point that has been discussed by other reviewers already. Not that script-writer Clarke Reynolds seems particularly bothered by it, evading the issue by adding a half-line to explain that her mother was a Viking and therefore she is, technically, of Viking ancestry. The attractive photography (by Stephen Dade) on Irish locations is one of the film's few pleasures. Bad movie as it is, it still looks colourful and eye-catching throughout. The over-the-top acting is also enjoyable in a cruel and twisted way (I guess it's that idea of revelling in the misfortune of others - taking pleasure in watching good actors in terrible trouble and all that). Donald Houston is perhaps the guiltiest of all, giving a performance that is embarrassingly unrestrained as the trouble-making druid Maelgan. Carita, on the other hand, is an amateurish non-actor given the responsibility of carrying the picture when, in actual fact, she is simply incapable of doing so (she never starred in another film). See The Viking Queen if you're a fan of Hammer and you don't mind history that is camp and inaccurate. avoid it if you want something serious, enlightening and believable.
In Celtic times, a dying king of the Britons makes a final wish that his daughter Salina (Carita) should take control of the Iceni tribe after he has passed away. His request is for Salina to forge an alliance with the honourable and honest Roman, Justinian (Don Murray). As requested, Salina tries to uphold her father's dying wish. indeed, she even finds herself falling in love with the Roman. However, the druids - who believe it is their right to advise and guide Salina in her decisions - are not pleased by this growing bond between Iceni and Roman forces, and forbid them to consummate their relationship via marriage. Similarly, some of the more aggressive and attack-minded Romans are just as troubled by Justinian's actions, so they too try to set up obstacles in the path of his plans of love. Octavian (Andrew Keir) in particular is hell-bent on preventing a meaningful comradeship between the two tribes, and he does everything he can to stir trouble. While Justinian is away fighting a battle in Anglesey, the Romans take advantage of his absence to abuse and mistreat the Iceni people. Ultimately things come to a head and much blood is shed as Salina is forced to put the pride and passion of her people before everything else. She leads her tribe into a fatal battle against the Romans, sacrificing her chance of love in order to protect their way of life..
The fact that Salina is actually a Celtic queen, living in an era some 700 years before the Vikings had any meaningful link with British history, is a sore point that has been discussed by other reviewers already. Not that script-writer Clarke Reynolds seems particularly bothered by it, evading the issue by adding a half-line to explain that her mother was a Viking and therefore she is, technically, of Viking ancestry. The attractive photography (by Stephen Dade) on Irish locations is one of the film's few pleasures. Bad movie as it is, it still looks colourful and eye-catching throughout. The over-the-top acting is also enjoyable in a cruel and twisted way (I guess it's that idea of revelling in the misfortune of others - taking pleasure in watching good actors in terrible trouble and all that). Donald Houston is perhaps the guiltiest of all, giving a performance that is embarrassingly unrestrained as the trouble-making druid Maelgan. Carita, on the other hand, is an amateurish non-actor given the responsibility of carrying the picture when, in actual fact, she is simply incapable of doing so (she never starred in another film). See The Viking Queen if you're a fan of Hammer and you don't mind history that is camp and inaccurate. avoid it if you want something serious, enlightening and believable.