I saw the DVD in a store and bought it on the strength of Gail O'Grady starring in it as I had liked her work on NYPD Blue. I have seen it perhaps three times and it is, on its own terms, better than average made for TV fare. Three things bothered me about the story, though. First, since our heroine Maggie's son has a band and she claims to believe in his singing talent, why does she never ask Deacon to listen to his demo tape or help him in any way at all? Second, where are the lawyers? Even if Deacon was only planning to use Maggie's voice behind (more like in front) of Sunni's when he started out at that first recording session, he would know that he needed a signed release from her even if she was not to be put under contract. Not doing so might (ought to) have made Maggie suspicious. Besides, he doesn't have much money at that point and her fee would be a business expense if he could document it. The story could reach the concert conclusion by way of legal maneuvering rather than hijacking the control room. Third, and last, it doesn't quite ring true that Maggie would have been able to instantly cast off her fear of singing in public quite so easily at the end. When Deacon introduces her to the crowd and the film cuts to her view through that sheer drape, right before she steps in front of it on the stage, I expected her to start singing from there where the audience couldn't see her except perhaps in silhouette.
Review of Out of Sync
