3 NEEDLES as written and directed by Thom Fitzgerald (The Hanging Garden, The Wild Dogs, Blood Moon, Beefcake) is a powerful statement about the insidious spread of AIDS throughout the world, taking us to places we the viewers would rarely visit from the news media emphasis on the disease. The film is three stories in three countries told in tandem not unlike the technique so successfully used in BABEL, CRASH, and TRAFFIC. Employing cinematography of enormous talent and a cast of terrific actors, Fitzgerald manages to share his stories with such sensitivity that every viewer will feel involved in the tragedy that is rotting away our globe.
The film opens with a ceremony in Africa (supposedly South Africa) where young boys undergo ritualistic circumcision, learn the fighting tricks of manhood, and move into society as Men. This single portion of the film is intensely beautiful in its non-voyeuristic observation of an ages old ritual, so beautiful to watch that it calls for Pause/Replay! From Africa we go to rural China where Jin Ping (Lucy Liu, speaking Mandarin only) is the very pregnant force who runs an underground blood bank which while serving the donors with some cash also contaminates the population with HIV virus (we discover that Jin Ling is HIV positive, carrying a baby at risk, and supporting her HIV husband). The trials she encounters in her shady business are nothing to the moment of personal anguish when she delivers her baby without assistance in a cornfield.
Moving to Canada we meet Denys (Shawn Ashmore), a porn star who is HIV positive but steals blood from his ill father for his frequent 'tests' required by the porn director to hide his positive status in order to continue making porn movies to support his family. His mother Olive (Stockard Channing) discovers his status, hears about AIDS patients' ability to cash in on life insurance early, and infects herself so that she can take advantage of the early insurance cash to provide a life of comfort in the small time they both now have for herself and her now fatherless son.
And we return to South Africa where three nuns - Sister Clara (Chloë Sevigny), Sister Hilde Francis (Olympia Dukakis) and Sister Mary John (Sandra Oh) - set up a clinic to treat the villagers, finding only that acts of tremendous self-sacrifice can stave off the spread of the gore of AIDS. The Men we have watched in the beginning of the film walk into the life that faces a world crippled by HIV and the contrast is powerful.
3 NEEDLES' cinematographer Tom Harting deserves awards for the sheer magnificence of his images he captures on film, not only the majestic vistas of Africa and China but also the intimate moments such as Jin Ping's birthing. The musical score by Christophe Beck and Trevor Morris manages to find the atmosphere of each of the three stations of the cross Fitzgerald examines. The acting cast, both the gifted well-known actors as well as the smaller roles by unknowns in each location, is magnificent. If the film has a flaw it is in the unfortunate arena of avoiding preaching: watching and hearing the events is so very powerful that words of summation feel superficial and even insulting. But that is a small flaw in a film of wonder. Highly recommended. Grady Harp
The film opens with a ceremony in Africa (supposedly South Africa) where young boys undergo ritualistic circumcision, learn the fighting tricks of manhood, and move into society as Men. This single portion of the film is intensely beautiful in its non-voyeuristic observation of an ages old ritual, so beautiful to watch that it calls for Pause/Replay! From Africa we go to rural China where Jin Ping (Lucy Liu, speaking Mandarin only) is the very pregnant force who runs an underground blood bank which while serving the donors with some cash also contaminates the population with HIV virus (we discover that Jin Ling is HIV positive, carrying a baby at risk, and supporting her HIV husband). The trials she encounters in her shady business are nothing to the moment of personal anguish when she delivers her baby without assistance in a cornfield.
Moving to Canada we meet Denys (Shawn Ashmore), a porn star who is HIV positive but steals blood from his ill father for his frequent 'tests' required by the porn director to hide his positive status in order to continue making porn movies to support his family. His mother Olive (Stockard Channing) discovers his status, hears about AIDS patients' ability to cash in on life insurance early, and infects herself so that she can take advantage of the early insurance cash to provide a life of comfort in the small time they both now have for herself and her now fatherless son.
And we return to South Africa where three nuns - Sister Clara (Chloë Sevigny), Sister Hilde Francis (Olympia Dukakis) and Sister Mary John (Sandra Oh) - set up a clinic to treat the villagers, finding only that acts of tremendous self-sacrifice can stave off the spread of the gore of AIDS. The Men we have watched in the beginning of the film walk into the life that faces a world crippled by HIV and the contrast is powerful.
3 NEEDLES' cinematographer Tom Harting deserves awards for the sheer magnificence of his images he captures on film, not only the majestic vistas of Africa and China but also the intimate moments such as Jin Ping's birthing. The musical score by Christophe Beck and Trevor Morris manages to find the atmosphere of each of the three stations of the cross Fitzgerald examines. The acting cast, both the gifted well-known actors as well as the smaller roles by unknowns in each location, is magnificent. If the film has a flaw it is in the unfortunate arena of avoiding preaching: watching and hearing the events is so very powerful that words of summation feel superficial and even insulting. But that is a small flaw in a film of wonder. Highly recommended. Grady Harp