This is the kind of thriller you'd expect Alfred Hitchcock to do with someone like James Stewart or Cary Grant as everyman.
Here we have STEVE GUTTENBERG as the man in big trouble after witnessing a murder from his lover's bedroom window. He's having an affair with the boss' wife and nobly tells her that he'll give details of the assailant (which she saw) to keep their affair hidden from her husband. So far, so good. The story is stylishly photographed with the appropriate menacing mood and atmosphere.
But he soon becomes the man suspected of the crime and it's from that point on that the plot contrivances become just a little too implausible, straining credibility until the very suspenseful ending. Too bad. Otherwise, it's a tricky piece of entertainment and well worth watching.
ISABELLE HUPPERT has a little trouble getting her lines across with her French accent being quite a handicap but she's beautiful to look at. ELIZABETH McGOVERN does a nice job as Guttenberg's partner in finding the real killer.
It moves quickly under writer/director CURTIS HANSON's direction. While many consider it "counterfeit Hitchcock", it's still worth a look.
Here we have STEVE GUTTENBERG as the man in big trouble after witnessing a murder from his lover's bedroom window. He's having an affair with the boss' wife and nobly tells her that he'll give details of the assailant (which she saw) to keep their affair hidden from her husband. So far, so good. The story is stylishly photographed with the appropriate menacing mood and atmosphere.
But he soon becomes the man suspected of the crime and it's from that point on that the plot contrivances become just a little too implausible, straining credibility until the very suspenseful ending. Too bad. Otherwise, it's a tricky piece of entertainment and well worth watching.
ISABELLE HUPPERT has a little trouble getting her lines across with her French accent being quite a handicap but she's beautiful to look at. ELIZABETH McGOVERN does a nice job as Guttenberg's partner in finding the real killer.
It moves quickly under writer/director CURTIS HANSON's direction. While many consider it "counterfeit Hitchcock", it's still worth a look.