... and this state of mind is Chris' (Christian Bale) concern throughout the film - it is about not going anywhere or doing anything, but being stuck in Suburbia with a wife and baby in 1970s Midlands. In particular, this is Chris' childhood friend's concern for him as he visits his old friend and sees what rut he appears to be in. Chris gradually starts to reflect on his younger years with the help from his mate Toni and remembers what a rebellious spirit he once was. This flashback device is efficient for the film as it further emphasizes the tediousness of Metroland by contrasting it to Chris' dreams and idealism as a young man.
Metroland greatly showcases Christian Bale's versatility as an actor, stripping him of whatever traces of superhero glamour from Batman Begins that was left in his image. Here we can recognize his ability to portray a character that is a downright loser and we enjoy it. There is plenty of Bale-goodies in this film, not just in his acting performance. Credit should also go to the lovely Emily Watson as Chris' little Suburbian wife.
Metroland is a fairly cute low-budget English film that occasionally borders on being severely depressing. Yet, this is compensated for by including the punk edge of the 1970s that takes the form of a disdain for the bourgeoisie and a rebellious attitude. All the Paris segments that Chris recalls are well-made and entertaining and by far the more memorable parts of this film. Everything else is nice, but forgettable. 7/10
Metroland greatly showcases Christian Bale's versatility as an actor, stripping him of whatever traces of superhero glamour from Batman Begins that was left in his image. Here we can recognize his ability to portray a character that is a downright loser and we enjoy it. There is plenty of Bale-goodies in this film, not just in his acting performance. Credit should also go to the lovely Emily Watson as Chris' little Suburbian wife.
Metroland is a fairly cute low-budget English film that occasionally borders on being severely depressing. Yet, this is compensated for by including the punk edge of the 1970s that takes the form of a disdain for the bourgeoisie and a rebellious attitude. All the Paris segments that Chris recalls are well-made and entertaining and by far the more memorable parts of this film. Everything else is nice, but forgettable. 7/10