7/10
A flickering light leads to the kiss of death.
20 June 2006
Jack the Ripper's young daughter Anna; witness the grisly murder that her father committed against her mother. Many years have past and she been adopted by an old lady who fakes being a medium with the help of the girl. But one night these traumatic memories of her mother's death and her father kissing her cause to enter a trance because of a glittering light and she murders whoever decides to kiss her. A psychiatrist - Dr John Pritchard is an idealist that decides to take her in, as he believes he can discover and eventually cure the girl's unstable condition.

Like father… daughter will follow. Well, the voices in her head made sure. After watching this - I couldn't believe director Peter Sasdy went from this credible Hammer flick to the ridiculously monstrous "I Don't Want to Born" that I watched only a fortnight ago. Um, "Hand of the Ripper" is quite a big step up. "Taste the blood of Dracula" is even better. This Hammer production takes on the Jack the Ripper legend with a quite different and cerebral angle. Amongst psychological edge -- there's even a slasher touch about it. But those looking for high camp might be slightly disappointed. The skillful direction by Sasdy conjures up some flair, outlandishly violent deaths and a hauntingly, harrowing conclusion. The workman like production injects a very detailed and quite realistic backdrop of the grimy period. The empowering, but professionally orchestrated score is hard to shake as it works around with the moods effectively. Acting from the cast was very solid even if they had somewhat stilted characters. Eric Porter gave a strong performance as the determined doctor who has his own personal agenda and the ravishing Angharad Rees is naturally good as (daddy's little girl) Anna. Now onto the weakest points. The muddled story is fuelled by many ideas, but still it has some illogical aspects and certain reasoning's that just don't rub off. The script probably does ponder on with some unusual turns, being flooded with scientific jargon and unconvincing relationships that don't really lead anywhere. For some the pacing could be quite slow and while; I didn't find it spectacular and filled with such excitement, but there was enough going on to keep me watching.

Hammer's latter day effort is a above-average and polished presentation that receives more ticks than crosses.
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