Review of Jalsaghar

Jalsaghar (1958)
7/10
My brief review of the film
18 September 2005
There is quite a bit that I admired about this Indian film, however there are also a number of aspects that, whether it be for objective or subjective reasons, I did not particularly about it. On the positive side, what the film has to say about excessive pride is interesting, as are the motivations of the main character. The photography is fascinating, not only because of the shots with mirrors but the general panning is effective too, capturing well the excellent sets. Music is an element that I found applied very effectively at times to establish the mood, however at other times it seemed inserted with little reason behind it. The high contrast prints are good for certain scenes, such as the fireworks, but the feel they generally provide is graininess, which makes the film rather uncomfortable to look at. One of the aspects that I did not like at all was the way in which the story was told. The film is mostly collection of images threaded together, rather than a series of connecting events. Some scenes, such as the main character's son riding an elephant or watching a painter, tend to disturb the flow of the plot. Another point is the supporting characters, all of whom are either silly or just lightly developed, but at least there is a good character at the center of the plot. It might also be a bit hard for those not familiar with Indian culture to decipher certain events. The last thing that I would complain about is however the final few minutes of the film in which performance is treated as more important than the character's reactions. So overall, what can I say? Some seem to believe that this is a masterpiece, and maybe it is, but I myself simply cannot agree with that charge. I do however think that it is a good piece of cinema, and I agree that it is deserving of respect. Even if one may not enjoy it, there is enough to be appreciated here to make it a worthwhile watch.
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