I was dragged to this movie by my son, knowing of Anime only Totoro, the Cartoon Network Anime shows, and passing things from the web.
I was astounded by the superb quality of the graphics, especial the CGI macro shots, throughout the film. I found myself thinking of people seeing early Disney features in the 1930's. The visuals looking through various magnifying lenses were absolutely incredible!
I was surprised to see how the setting in Victorian England had given me such an easier time visually comprehending familiar scenes, vehicles, etc instead of the usual anime Asian or Space-Age themes I had come to expect. In this way, I feel I was finally able to visually appreciate the quality of the artistry for the first time. Wow! The English dubbing was great, and again helped me appreciate the film. And the storyline was a perfect "Perils of Pauline" tied to a gone-bad "Mad Scientist" tale as seen in Frankenstien, the Invisible Man or any of 1,000 such movies.
I don't understand complaints of the ending "dragging on". *spoiler<?>* If not for the extra-twists in the list 30 min, we would all be complaining that the plot was flat and the ending dragged out of a dustbin. As it was, I burst out laughing at the twist and thought it clever, along with the two more twists including the one just before final credits. If you were taking yourself (as Monday Morning Quarterback) a little less seriously, you would see it was poking fun at the notion of a hero's "heroic moment".
Of course it was a comic book style plot, blowing up the famous historic buildings at the Victorian Exhibition using steam power! I easily accepted and enjoyed the diabolical plot twists for what they were. How can one accept the presence of a 20,000 foot tall steam powered flying rocket (built by a mad scientist and stuffed with secret weapons) and not expect escape bays, rocket packs, secret pods, and trap doors? Lighten up! Doesn't one certainly imply the other?
I was astounded by the superb quality of the graphics, especial the CGI macro shots, throughout the film. I found myself thinking of people seeing early Disney features in the 1930's. The visuals looking through various magnifying lenses were absolutely incredible!
I was surprised to see how the setting in Victorian England had given me such an easier time visually comprehending familiar scenes, vehicles, etc instead of the usual anime Asian or Space-Age themes I had come to expect. In this way, I feel I was finally able to visually appreciate the quality of the artistry for the first time. Wow! The English dubbing was great, and again helped me appreciate the film. And the storyline was a perfect "Perils of Pauline" tied to a gone-bad "Mad Scientist" tale as seen in Frankenstien, the Invisible Man or any of 1,000 such movies.
I don't understand complaints of the ending "dragging on". *spoiler<?>* If not for the extra-twists in the list 30 min, we would all be complaining that the plot was flat and the ending dragged out of a dustbin. As it was, I burst out laughing at the twist and thought it clever, along with the two more twists including the one just before final credits. If you were taking yourself (as Monday Morning Quarterback) a little less seriously, you would see it was poking fun at the notion of a hero's "heroic moment".
Of course it was a comic book style plot, blowing up the famous historic buildings at the Victorian Exhibition using steam power! I easily accepted and enjoyed the diabolical plot twists for what they were. How can one accept the presence of a 20,000 foot tall steam powered flying rocket (built by a mad scientist and stuffed with secret weapons) and not expect escape bays, rocket packs, secret pods, and trap doors? Lighten up! Doesn't one certainly imply the other?