This little-seen Colombia horror film from 1944 is a pretentious, but still interesting film.
It stars George Macready, in one of his first films, as a good doctor who is on his deathbed. His wife, played by a solid Jeanne Bates, wishes at the family fireplace for any force from heaven or hell to save him as she has lost faith with her god. Her wish is instantly granted by an unseen Satan as Rose Hobart plays a sort of 'Soul Master' who coldly arrives on the scene and saves Macready. Her action, of course, has a price.
Without revealing too much, this seems to have tried to copy the Val Lewton formula, which was popular at the time. The film opens and closes with a narrative quote. The direction is adequate. There is a long "chase" scene in the middle that seems to go on forever. The two characters walk as if elderly people on prozac. It is meant to be suspenseful, but it's just too darned long to keep up the suspense.
The film has very few "horror" moments, but some nice cinematic ones. There are shadows aplenty, but the best touch is the arrival and departure of Rose Hobart's character. The film changes to a negative image and then back to positive. I hadn't seen that technique used before in a classic horror film and there were some effective dutch angles that did a good job of building the suspense.
A decent film that unfortunately is just never too interesting, it's worth viewing for hard core classic horror buffs only. 5/10
It stars George Macready, in one of his first films, as a good doctor who is on his deathbed. His wife, played by a solid Jeanne Bates, wishes at the family fireplace for any force from heaven or hell to save him as she has lost faith with her god. Her wish is instantly granted by an unseen Satan as Rose Hobart plays a sort of 'Soul Master' who coldly arrives on the scene and saves Macready. Her action, of course, has a price.
Without revealing too much, this seems to have tried to copy the Val Lewton formula, which was popular at the time. The film opens and closes with a narrative quote. The direction is adequate. There is a long "chase" scene in the middle that seems to go on forever. The two characters walk as if elderly people on prozac. It is meant to be suspenseful, but it's just too darned long to keep up the suspense.
The film has very few "horror" moments, but some nice cinematic ones. There are shadows aplenty, but the best touch is the arrival and departure of Rose Hobart's character. The film changes to a negative image and then back to positive. I hadn't seen that technique used before in a classic horror film and there were some effective dutch angles that did a good job of building the suspense.
A decent film that unfortunately is just never too interesting, it's worth viewing for hard core classic horror buffs only. 5/10