This film, while obviously not a major work of art, is more than a Beatles biopic or a time piece for the mid-60's. Its sheer energy, the ease with which we can relate with the characters (even for those of us who have ever played in a band), the beauty of Liv Tyler and the natural flow of music bring it to a highly enjoyable level.
Most of all, what makes it interesting is the quite subtle way it handles the themes of hope and disillusion: Guy's hopes for a session in a studio, Lenny's hopes of stardom, Faye's hopes of everlasting love. But as characters shake away their illusions, they are not left bitter or empty: on the contrary, this film shows that to work through this (and it is clearly a piece of work) enables them to build stronger and truer desires.
Despite its agreeable lightness, this film can thus be seen as a moral fable going somewhat deeper than the classic 'from success to failure' story. The acting and reproduction of 60's sets are flawless throughout. And two moments of the film strike me as unforgettable, which is more than you can say for many movies:
When the Oneders's tune goes on the radio for the first time, Hanks films first of all the bass player trying to adjust to the right channel, then Faye losing it as she hears it in the street as well. They both meet and go berserk with joy, running and shouting in an exhilarating - thanks to the youthful grace of Liv Tyler - moment, ending up in Guy's store where everybody just dances madly with joy. Rarely has a moment of accomplishment and sheer happiness been captured with such apparent spontaneity on film.
Finally, Hanks delivers one of the most devastating lines I've heard, when he answers the egoistic lead singer after his breakup with Faye.
Jimmy: I should have dumped you in Pittsburgh! Which one of you butts said we were engaged?
Hanks: Same one who said you had class, Jimmy.
That's what you get, and deserve, from 'dumping' Liv Tyler - poor move if I ever saw one!
Most of all, what makes it interesting is the quite subtle way it handles the themes of hope and disillusion: Guy's hopes for a session in a studio, Lenny's hopes of stardom, Faye's hopes of everlasting love. But as characters shake away their illusions, they are not left bitter or empty: on the contrary, this film shows that to work through this (and it is clearly a piece of work) enables them to build stronger and truer desires.
Despite its agreeable lightness, this film can thus be seen as a moral fable going somewhat deeper than the classic 'from success to failure' story. The acting and reproduction of 60's sets are flawless throughout. And two moments of the film strike me as unforgettable, which is more than you can say for many movies:
When the Oneders's tune goes on the radio for the first time, Hanks films first of all the bass player trying to adjust to the right channel, then Faye losing it as she hears it in the street as well. They both meet and go berserk with joy, running and shouting in an exhilarating - thanks to the youthful grace of Liv Tyler - moment, ending up in Guy's store where everybody just dances madly with joy. Rarely has a moment of accomplishment and sheer happiness been captured with such apparent spontaneity on film.
Finally, Hanks delivers one of the most devastating lines I've heard, when he answers the egoistic lead singer after his breakup with Faye.
Jimmy: I should have dumped you in Pittsburgh! Which one of you butts said we were engaged?
Hanks: Same one who said you had class, Jimmy.
That's what you get, and deserve, from 'dumping' Liv Tyler - poor move if I ever saw one!