Jean Seberg is an absolute joy. I just wanna give her a big fat hug and kiss... well that's just two things anyway. What makes Otto Preminger's film so wonderful is that Seberg is the right age to play the part of a spoiled rich girl coming of age. Also the film is given an authenticity and heart because it was written by Françoise Sagan when she was the same age as Cecile (Seberg). That's right, this amazing and brilliant work was penned by a 17-year old.
The plot is fairly standard. A young girl living with her playboy father becomes jealous of his new love and when marriage is proposed she does her best to break it up. Gee nothing remarkable there. What is remarkable is the characters and their relationships. They have an extra amount of depth and the situation between Cecile and her father, Raymond (David Niven) borders on the incestuous. This gives it an added dimension and depth when Anne (Deborah Kerr) threatens to "steal" her father away. Another place where it avoids clichés is dealing with Anne. Kerr plays her magnificently and with a warm passion. She is not the wicked step mother here, but a sympathetic and self sacrificing woman who wants to bring love and stability into Cecile and Raymond's morally ambiguous and flighty lifestyle. This film while a modest success in America was a huge hit in Europe and inspired Jean-Luc Godard to work with Seberg.
Bonjour Tristesse also foreshadowed the films dealing with the idle rich that quickly popped up in its wake including two masterpieces, Antonioni's L'avventura and Fellini's La Dolce Vita. Preminger directs Bonjour Tristesse with a sure hand and I love how the flashbacks are in color and the present day scenes are in a somber black and white to fit with the mood. Oh and yes the story is told in flashback for the most part and the technique along with Seberg's narration gives a heightened sense of loss that Cecile and Raymond feel towards the events that transpired concerning Anne. Remarkable film and Seberg is so delightful and hot running around in her bathing suit practically the whole time.
Grade: A
The plot is fairly standard. A young girl living with her playboy father becomes jealous of his new love and when marriage is proposed she does her best to break it up. Gee nothing remarkable there. What is remarkable is the characters and their relationships. They have an extra amount of depth and the situation between Cecile and her father, Raymond (David Niven) borders on the incestuous. This gives it an added dimension and depth when Anne (Deborah Kerr) threatens to "steal" her father away. Another place where it avoids clichés is dealing with Anne. Kerr plays her magnificently and with a warm passion. She is not the wicked step mother here, but a sympathetic and self sacrificing woman who wants to bring love and stability into Cecile and Raymond's morally ambiguous and flighty lifestyle. This film while a modest success in America was a huge hit in Europe and inspired Jean-Luc Godard to work with Seberg.
Bonjour Tristesse also foreshadowed the films dealing with the idle rich that quickly popped up in its wake including two masterpieces, Antonioni's L'avventura and Fellini's La Dolce Vita. Preminger directs Bonjour Tristesse with a sure hand and I love how the flashbacks are in color and the present day scenes are in a somber black and white to fit with the mood. Oh and yes the story is told in flashback for the most part and the technique along with Seberg's narration gives a heightened sense of loss that Cecile and Raymond feel towards the events that transpired concerning Anne. Remarkable film and Seberg is so delightful and hot running around in her bathing suit practically the whole time.
Grade: A