*Spoiler Warning*
Saathiya is a film about a couple who have the courage to follow their heart but discover themselves and each other - that is they mature - as they go along. The film itself has a lot of maturity in how it deals with the subject and for once young adults are shown as intelligent human beings rather than the DTPH, KKHH or DDLJ type plot-driven puppets.
But the film's director Shaad Ali lacks the courage to make a really honest film down to the last reel. The script is an original, the acting is superb and Rahman's music fits in very well with the narrative. Rani Mukherjee's performance in the film reminded me of what she did in Hey Ram. You give this lady a role of substance and she knows how to portray it beautifully. And I am really impressed by Vivek Oberoi as a very secure and mature actor. In Road as well as this film, he very subtly takes a backseat to the more high profile Bajpai and Mukherjee and gives them a chance to feed off of him.
One thing that had me a little ticked off was why couldn't the songs be picturised in continuation with the narrative instead of some fantasy costumes, backup dancers and abstract movements that seemed out of place. Also the Shamita Shetty song was totally out of place and unrequired. But inspite of that, the way the Adi-Suhaani relationship unfolds had me totally glued until the last twenty minutes.
I didn't mind when they used Suhaani's accident as a plot device for the ending. Although they could have done with a 5 minute scene involving some more of the beautiful dialogue of Gulzar and Vivek and Rani's superb chemistry onscreen. Anyways, even if you go along with the accident, why the heck did we need Shahrukh and Tabu all of a sudden. To me it showed that Mr. Shaad Ali was not confident enough of his film standing on its own merit and therefore he needed to add some solid starpower to draw in the audience. Or maybe it was pressure from Yash Chopra or Mani Ratnam. In any case I totally felt betrayed on what had been an almost brilliant film till the last 20 minutes. To Ali's credit though, his use of flashbacks was very well-done.
From seeming like one of the best Bollywood films of the year, Saathiya ends up being an average entertainer. On my part, I will try to delete the last 20 minutes from my memory of the film. 7/10.
Saathiya is a film about a couple who have the courage to follow their heart but discover themselves and each other - that is they mature - as they go along. The film itself has a lot of maturity in how it deals with the subject and for once young adults are shown as intelligent human beings rather than the DTPH, KKHH or DDLJ type plot-driven puppets.
But the film's director Shaad Ali lacks the courage to make a really honest film down to the last reel. The script is an original, the acting is superb and Rahman's music fits in very well with the narrative. Rani Mukherjee's performance in the film reminded me of what she did in Hey Ram. You give this lady a role of substance and she knows how to portray it beautifully. And I am really impressed by Vivek Oberoi as a very secure and mature actor. In Road as well as this film, he very subtly takes a backseat to the more high profile Bajpai and Mukherjee and gives them a chance to feed off of him.
One thing that had me a little ticked off was why couldn't the songs be picturised in continuation with the narrative instead of some fantasy costumes, backup dancers and abstract movements that seemed out of place. Also the Shamita Shetty song was totally out of place and unrequired. But inspite of that, the way the Adi-Suhaani relationship unfolds had me totally glued until the last twenty minutes.
I didn't mind when they used Suhaani's accident as a plot device for the ending. Although they could have done with a 5 minute scene involving some more of the beautiful dialogue of Gulzar and Vivek and Rani's superb chemistry onscreen. Anyways, even if you go along with the accident, why the heck did we need Shahrukh and Tabu all of a sudden. To me it showed that Mr. Shaad Ali was not confident enough of his film standing on its own merit and therefore he needed to add some solid starpower to draw in the audience. Or maybe it was pressure from Yash Chopra or Mani Ratnam. In any case I totally felt betrayed on what had been an almost brilliant film till the last 20 minutes. To Ali's credit though, his use of flashbacks was very well-done.
From seeming like one of the best Bollywood films of the year, Saathiya ends up being an average entertainer. On my part, I will try to delete the last 20 minutes from my memory of the film. 7/10.