6/10
Well, thirteen short conversations
29 January 2003
The title is not very accurate. There is some dialogue in the film, but not more than usual in drama - actually a bit less. That's a pity. People are confronted by twists of fate, so I would have liked to hear them comment more on it, share more of their thoughts and reflections.

Movies today have an exaggerated fear of words. There's a lot of one-liners instead of dialogue. But Shakespeare was not wrong, words words words bear meaning, explore characters, make food for thoughts. It demands excellence from the writer - whether the dialogue is high-brow or not - and maybe that's what's mostly missing.

In this film, the underdeveloped conversations leave the characters a bit superficial, their souls still closed to us, even when disaster strikes them. A pity, since there are some interesting people - like the DA with a conscience doing a sort of Raskolnikov thing, the middle-aged man unable to take any initiative in his life, and others. I'm sure they have more to say, than they do.

Still, the film on the whole is a pleasant poem, where the lines have been mixed around but the meaning remains crystal clear. I'd say that's the one thing: meaning. It is, isn't it?
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