** review may contain mild spoilers **
I saw this film on television recently. Because its subject matter is evocative of the 9/11 attacks (despite being filmed two years prior) and our current terrorism fears, it held my interest longer than I expected it would. But to be sure, in the genre of thrillers this is a "C" movie--definitely not in the "must-see" category. If you are looking for action and suspense, this movie has a little bit of both, but you will have to accept a lot of unrealistic plot details along the way. Indeed, by the end of the movie the cumulative effect of the scarcely believable plot and the uninspired dialogue had me chuckling inside. If you like to laugh at mediocrity, then this movie might do the trick for you.
The performances are decent at times, but mostly forgettable. Flashdance's Jennifer Beals, who plays the heroine, and Jody Thompson, a young female passenger in a minor role, are not bad to look at. Unfortunately, for most of the film they are just shrinking in horror as helpless hostages. Tom Berenger, who plays the villain, does a passable job of Cain-raising as an off-his-rocker terrorist, but his character more often strikes the viewer as silly and stupid rather than scary. Craig Sheffer delivers a bland performance as the hero, a former airplane pilot who became a technician/engineer after a flying accident and now has a chance to redeem himself. Plain-looking techies don't usually make good leading men, and Sheffer's Martin Messerman is no exception.
There are few chances for the actors to shine, as the dialogue that they must recite vacillates between the trite and the ridiculous. And the character development is thin, so there's not much depth or motivation underlying the actions of the major players. There is too little chemistry between the lead actors to provide much fulfillment at the end of their shared experience. The film's few attempts at humor are pathetically unfunny, although many other lines that were not intended to be funny may elicit laughs for their absurdity.
Some of the unbelievable moments in the film have been already mentioned. I will add a few more. As in many films, the villain never can bring himself to kill the person who poses the greatest threat to his mission, despite the inherent logic of that act. Also, the plane is supposed to be flying amid severe atmospheric turbulence throughout (consistent with the title), but for long stretches in the middle of the movie, all rocky movement seems to cease as far as the passengers are concerned. And the toxic agent is alternately described as nerve gas and then anthrax.
The movie includes lots of technical details related to 747's that seem to slow down the story without adding much useful realism. Some airline industry consultants are named in the credits at the end, so apparently the script was vetted by knowledgeable people, but that fact makes the scientifically doubtful moments even less excusable.
If you must see an airplane thriller, see Air Force One. If you've already seen Air Force One, the Airport, Airplane!, and Die Hard series are all superior to this clunker.
I saw this film on television recently. Because its subject matter is evocative of the 9/11 attacks (despite being filmed two years prior) and our current terrorism fears, it held my interest longer than I expected it would. But to be sure, in the genre of thrillers this is a "C" movie--definitely not in the "must-see" category. If you are looking for action and suspense, this movie has a little bit of both, but you will have to accept a lot of unrealistic plot details along the way. Indeed, by the end of the movie the cumulative effect of the scarcely believable plot and the uninspired dialogue had me chuckling inside. If you like to laugh at mediocrity, then this movie might do the trick for you.
The performances are decent at times, but mostly forgettable. Flashdance's Jennifer Beals, who plays the heroine, and Jody Thompson, a young female passenger in a minor role, are not bad to look at. Unfortunately, for most of the film they are just shrinking in horror as helpless hostages. Tom Berenger, who plays the villain, does a passable job of Cain-raising as an off-his-rocker terrorist, but his character more often strikes the viewer as silly and stupid rather than scary. Craig Sheffer delivers a bland performance as the hero, a former airplane pilot who became a technician/engineer after a flying accident and now has a chance to redeem himself. Plain-looking techies don't usually make good leading men, and Sheffer's Martin Messerman is no exception.
There are few chances for the actors to shine, as the dialogue that they must recite vacillates between the trite and the ridiculous. And the character development is thin, so there's not much depth or motivation underlying the actions of the major players. There is too little chemistry between the lead actors to provide much fulfillment at the end of their shared experience. The film's few attempts at humor are pathetically unfunny, although many other lines that were not intended to be funny may elicit laughs for their absurdity.
Some of the unbelievable moments in the film have been already mentioned. I will add a few more. As in many films, the villain never can bring himself to kill the person who poses the greatest threat to his mission, despite the inherent logic of that act. Also, the plane is supposed to be flying amid severe atmospheric turbulence throughout (consistent with the title), but for long stretches in the middle of the movie, all rocky movement seems to cease as far as the passengers are concerned. And the toxic agent is alternately described as nerve gas and then anthrax.
The movie includes lots of technical details related to 747's that seem to slow down the story without adding much useful realism. Some airline industry consultants are named in the credits at the end, so apparently the script was vetted by knowledgeable people, but that fact makes the scientifically doubtful moments even less excusable.
If you must see an airplane thriller, see Air Force One. If you've already seen Air Force One, the Airport, Airplane!, and Die Hard series are all superior to this clunker.