Pseudo-noir saves itself from pretentiousness...
21 September 1999
It would be easy to call this film self-indulgent, pretentious and egocentric but it saves itself from such allegations with some really engaging and witty dialogue - very dry and dark. It is beautifully shot but lacks some pace to what I reluctantly call the story, which is in fact rambling existential angst. I think it is self-conscious enough to know that the under-world of jazz , chain-smoking and greasy hair is instantly cliche ridden and manages, though not all the time, to be inventive enough to avoid inducing embarrassing grimaces or worse, laughs in the wrong places. The lead character you may recognise as Chandler's sinister flatmate in Friends some time ago. I sense him wanting to go down the same path as Vincent Gallo - dying to be an auteur!
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