Director Widerberg could do very well in widely separate genres. He did a few crime stories on cinema, but never just for the 'who dunnit'. There had to be a burning social message, something rotting in the kingdom.
Here it sure is. The Leif GW Persson novel, on which the film is based, is about misuse of power, all the way up. The novel is actually loosely based on a political scandal in Sweden, which Persson was involved in revealing.
Widerberg's movie has got several qualities, way beyond that of creating a thrill. With a very firm grip, of the kind only somebody that skilled as a director can have, he tightens the suspense, intensifies the conflict, broadens the importance of what takes place, until the film becomes an unpleasant, but in its own way accurate, revelation about modern society. And it's a good thrill, too.
A trivia of interest to none but me, I guess, is that one of the locations is my apartment at that time.
Here it sure is. The Leif GW Persson novel, on which the film is based, is about misuse of power, all the way up. The novel is actually loosely based on a political scandal in Sweden, which Persson was involved in revealing.
Widerberg's movie has got several qualities, way beyond that of creating a thrill. With a very firm grip, of the kind only somebody that skilled as a director can have, he tightens the suspense, intensifies the conflict, broadens the importance of what takes place, until the film becomes an unpleasant, but in its own way accurate, revelation about modern society. And it's a good thrill, too.
A trivia of interest to none but me, I guess, is that one of the locations is my apartment at that time.