What a flick. I just bought the widescreen edition and watched it to celebrate the new century. Let me briefly list a few of its many strong points, most of which are essential to the success of the 1970s "Killer Object/Animal" horror subgenre:
1. Colorful small-town (desert, Southwest-y) flavor. A parade or similar celebration (rodeo, picnic) should occur. 2. Quirky dialogue. 3. John Marley acting beligerent. 4. A Panicked Crowd Scene, with folks dashing for their lives as the demonic beast/machine/inanimate object heads their way. 5. A smart-alleck hippie who meets a horrible end.
Seriously, though-- this film isn't "scary" in the traditional sense, but its true power lies when you really start thinking about the car itself. Where did it come from? Is the Devil driving? And is it plaguing our major characters because of their sins? (i.e. Ronny Cox as an alcoholic falling off the wagon, James Brolin as a single parent trying to keep his daughters happy as he dates sexy Kathleen Lloyd.) What I'm saying is at its heart, this is a creepy, unsettling film with some really strange philosophical/religious questions at its core. And how many horror films can claim that? A solid 7/10.
1. Colorful small-town (desert, Southwest-y) flavor. A parade or similar celebration (rodeo, picnic) should occur. 2. Quirky dialogue. 3. John Marley acting beligerent. 4. A Panicked Crowd Scene, with folks dashing for their lives as the demonic beast/machine/inanimate object heads their way. 5. A smart-alleck hippie who meets a horrible end.
Seriously, though-- this film isn't "scary" in the traditional sense, but its true power lies when you really start thinking about the car itself. Where did it come from? Is the Devil driving? And is it plaguing our major characters because of their sins? (i.e. Ronny Cox as an alcoholic falling off the wagon, James Brolin as a single parent trying to keep his daughters happy as he dates sexy Kathleen Lloyd.) What I'm saying is at its heart, this is a creepy, unsettling film with some really strange philosophical/religious questions at its core. And how many horror films can claim that? A solid 7/10.