Thunderbirds is justly remembered as Gerry Anderson's best series, and its mixture of memorable characters, superb production values, strong scripts, and tense action remains enticing. The concept of a "free-lance" rescue organization using highly advanced machinery for rescues in exceptionally dangerous situations hits home immediately, and the characterization (enhanced by the show's one-hour format) adds enormously to the tension and sympathy within the show's 32 episodes.
Anderson recruited a superior voice cast in Peter Dyneley, Shane Rimmer, David Holliday (who regrettably left the show after its first season), Matt Zimmerman, veteran AP Film voices David Graham and Ray Barrett, Christine Finn, Gerry's then-wife Sylvia, and John Tate. Though some of the dialogue can be a bit cheesy, it still works, imbuing each character with sympathy and draw. It all enhances the enjoyably lavish sets, props, and special effects that create the intriuguing mixture of future with circa-1964 present. Adding a sweep and majesty to the procedings is the score of Barry Gray, using a large orchestra and displaying an often clever grasp of its strength, from the opening teaser and main march openings to each episode through the many incidental cues used, employing multiple instruments down to a solo by banjo or guitar to create the proper atmosphere.
When it all comes to conclusion, the show wins on almost every level, making for an immortal series.
Anderson recruited a superior voice cast in Peter Dyneley, Shane Rimmer, David Holliday (who regrettably left the show after its first season), Matt Zimmerman, veteran AP Film voices David Graham and Ray Barrett, Christine Finn, Gerry's then-wife Sylvia, and John Tate. Though some of the dialogue can be a bit cheesy, it still works, imbuing each character with sympathy and draw. It all enhances the enjoyably lavish sets, props, and special effects that create the intriuguing mixture of future with circa-1964 present. Adding a sweep and majesty to the procedings is the score of Barry Gray, using a large orchestra and displaying an often clever grasp of its strength, from the opening teaser and main march openings to each episode through the many incidental cues used, employing multiple instruments down to a solo by banjo or guitar to create the proper atmosphere.
When it all comes to conclusion, the show wins on almost every level, making for an immortal series.