I saw this film a long time ago and was tremendously impressed, almost hynotized, by its technique. It was directed by Paul Wendkos, who's since gone on to a successful career in television, but who was for a while considered an up and coming director of movies. The stars, Dan Duryea and Jayne Mansfield, never quite achieved the kind of success many had envisioned for them. Duryea's career was sidetracked by Richard Widmark, and Mansfield never replaced Marilyn Monroe. Part of the charm of this film is watching small timers play small timers in a small movie that didn't cost a lot of money and which few people saw or want to see because no one connected with it is famous (though Jayne has her fans I guess). To make matters worse, the film is arty, full of offbeat camera angles and strange lighting that sometimes makes people look startled, as if they're continually having their picture taken. It's a tawdry tale about little people with big problems, and it works. For all I know it could be a work of art. The story is mostly about a jewel robbery, but it's also about the strange, almost incestuous relationship between Dan and Jayne, which both does and doesn't have a whole lot to do with jewels. There is a very bad guy involved who comes across like a young Senator Joe McCarthy. There are scenes in an amusement park; and more scenes in an empty stadium. I'm not sure why. The films is dazzling and ambitious and pretentious, so much so that it's beyond mere film noir as such; it's more like art noir.
Review of The Burglar
