Sweet Adeline was presented on the Broadway stage back in 1929 and was primarily a vehicle for Helen Morgan. Morgan had just made a big hit in Kern's greatest musical, Showboat, in the supporting part of Julie LaVerne. She got such raves for that part that a whole show was built around her. I tend to think that she was deep into alcoholism at the time this was done and was not asked to do the film version. Sweet Adeline unfortunately during its run, ran headlong into the Great Depression and had to close.
Irene Dunne carries the film version here and does a remarkable job. She was one of the great Hollywood talents of her time with an exquisite soprano voice for films like these and a good sense of comedy for some of the non-musical parts she did. She performs the standards that Morgan introduced on Broadway as good as Morgan did. Sweet Adeline had two big hit numbers Why Was I Born and Don't Ever Leave Me which are two of the best Jerome Kern ever wrote. Otto Harbach wrote the lyrics.
Unfortunately and I think that this was because Sweet Adeline was a star vehicle for Helen Morgan when originally done, Ms. Dunne was not given a strong leading man. Donald Woods was a competent actor, with all the charisma of dishwater. His best known part in films was in A Tale of Two Cities where he played Charles Darnay where essentially all he had to do was look handsome and earnest. More was required here and Irene could have used Allan Jones who she did Showboat with or if you wanted a non-singer, Cary Grant, Melvyn Douglas, or Spencer Tracy all of whom she did some classic films with.
The rest of the cast was good. Louis Calhern played the villain in the best Snidely Whiplash tradition. His proposition to Irene that he was not interested in marriage to her, just in living together was generations ahead of its time. Ned Sparks and Hugh Herbert perform their usual parts in Warner Brothers musicals and there were some nice turns by Nydia Westman and Joseph Cawthorn as Dunne's sister and father respectively.
Mervyn LeRoy did succeed nicely in capturing the old fashioned flavor of life at the turn of the last century. If you're an Irene Dunne fan this is a must.
Irene Dunne carries the film version here and does a remarkable job. She was one of the great Hollywood talents of her time with an exquisite soprano voice for films like these and a good sense of comedy for some of the non-musical parts she did. She performs the standards that Morgan introduced on Broadway as good as Morgan did. Sweet Adeline had two big hit numbers Why Was I Born and Don't Ever Leave Me which are two of the best Jerome Kern ever wrote. Otto Harbach wrote the lyrics.
Unfortunately and I think that this was because Sweet Adeline was a star vehicle for Helen Morgan when originally done, Ms. Dunne was not given a strong leading man. Donald Woods was a competent actor, with all the charisma of dishwater. His best known part in films was in A Tale of Two Cities where he played Charles Darnay where essentially all he had to do was look handsome and earnest. More was required here and Irene could have used Allan Jones who she did Showboat with or if you wanted a non-singer, Cary Grant, Melvyn Douglas, or Spencer Tracy all of whom she did some classic films with.
The rest of the cast was good. Louis Calhern played the villain in the best Snidely Whiplash tradition. His proposition to Irene that he was not interested in marriage to her, just in living together was generations ahead of its time. Ned Sparks and Hugh Herbert perform their usual parts in Warner Brothers musicals and there were some nice turns by Nydia Westman and Joseph Cawthorn as Dunne's sister and father respectively.
Mervyn LeRoy did succeed nicely in capturing the old fashioned flavor of life at the turn of the last century. If you're an Irene Dunne fan this is a must.