This is an interesting little short comedy that, while rather uneven, is generally amusing. It's mostly remembered for Chaplin disguising himself as a woman, in an attempt to get into a movie studio. The idea of a man masquerading as a woman, or vice versa, was relatively common in the old silent comedies - this is one of the more believable efforts, as Charlie's disguise is credible enough to make that part of the movie work all right. But that's not necessarily the best or even the most interesting part of the film.
The setting in a movie studio is interesting in itself, offering a chance for some good-natured self-parody, and they got reasonable mileage out of the idea. Perhaps the best-crafted scene occurs very early on, when Chaplin and 'Fatty' Arbuckle have a battle of wits in the dressing room. It's no coincidence that it is the one scene in the picture in which Chaplin performs with another highly talented comedian, as the smooth timing and careful movement make it stand out from the more disjointed, frantic pace of most of the rest of the movie. But even as a whole, the movie works all right, despite its lack of refinement. It's hardly one of Chaplin's top efforts, but still entertaining and worth seeing.
The setting in a movie studio is interesting in itself, offering a chance for some good-natured self-parody, and they got reasonable mileage out of the idea. Perhaps the best-crafted scene occurs very early on, when Chaplin and 'Fatty' Arbuckle have a battle of wits in the dressing room. It's no coincidence that it is the one scene in the picture in which Chaplin performs with another highly talented comedian, as the smooth timing and careful movement make it stand out from the more disjointed, frantic pace of most of the rest of the movie. But even as a whole, the movie works all right, despite its lack of refinement. It's hardly one of Chaplin's top efforts, but still entertaining and worth seeing.