Amazon Prime Video France today published details of its upcoming slate of productions, including four new originals:
Greek Salad is a contemporary sequel to the movie trilogy L’Auberge Espagnole (Pot Luck), 20 years after the originals. It follows the lives of Tom and Mia (the children of Xavier and Wendy from L’Auberge Espagnole) as they embark on a new adventure in Athens. The eight episode series is created by Cédric Klapisch, with Lola Doillon and Antoine Garceau (Call my Agent). The show will be co-produced by Bruno Levy for Ce Qui Me Meut and will launch exclusively on Prime Video in 2022.
Flashback is the second Amazon original movie produced in France. This one is a time travel comedy starring comedian Caroline Vigneaux, with Sophia Aram, Suzanne Clément, Lison Daniel, Gad Elmaleh, Lannick Gautry, Emy Ltr, Florent Peyre and Sylvie Testud. It is produced by Alain Goldman for Legende Films and...
Greek Salad is a contemporary sequel to the movie trilogy L’Auberge Espagnole (Pot Luck), 20 years after the originals. It follows the lives of Tom and Mia (the children of Xavier and Wendy from L’Auberge Espagnole) as they embark on a new adventure in Athens. The eight episode series is created by Cédric Klapisch, with Lola Doillon and Antoine Garceau (Call my Agent). The show will be co-produced by Bruno Levy for Ce Qui Me Meut and will launch exclusively on Prime Video in 2022.
Flashback is the second Amazon original movie produced in France. This one is a time travel comedy starring comedian Caroline Vigneaux, with Sophia Aram, Suzanne Clément, Lison Daniel, Gad Elmaleh, Lannick Gautry, Emy Ltr, Florent Peyre and Sylvie Testud. It is produced by Alain Goldman for Legende Films and...
- 3/22/2021
- by Tom Grater
- Deadline Film + TV
New slate includes projects spearheaded by filmmaker Cédric Klapisch and Ballsy Girl actress Melha Bedia.
Amazon Prime Video has unveiled a slate of French original productions, including Cédric Klapisch’s drama series Greek Salad, a spin-off of his 2002 hit feature Pot Luck (L’Auberge Espagnole), about a group of students from across Europe living in a flat in Barcelona together.
The new series follows the lives of the children of two of the original characters as they embark on a new adventure in Athens.
Kaplisch has created the eight-episode drama with Lola Doillon and Antoine Garceau, who both took credits (like...
Amazon Prime Video has unveiled a slate of French original productions, including Cédric Klapisch’s drama series Greek Salad, a spin-off of his 2002 hit feature Pot Luck (L’Auberge Espagnole), about a group of students from across Europe living in a flat in Barcelona together.
The new series follows the lives of the children of two of the original characters as they embark on a new adventure in Athens.
Kaplisch has created the eight-episode drama with Lola Doillon and Antoine Garceau, who both took credits (like...
- 3/22/2021
- by Melanie Goodfellow
- ScreenDaily
New slate includes projects spearhead by filmmaker Cédric Klapisch and Ballsy Girl actress Melha Bedia.
Amazon Prime Video has unveiled a new slate of French original productions, including Cédric Klapisch’s drama Greek Salad, a spin-off of his 2002 hit feature Pot Luck (L’Auberge Espagnole), about a group of students from across Europe living in a flat in Barcelona together.
The new series follows the lives of the children of two of the original characters as they embark on a new adventure in Athens.
Kaplisch has created the eight-episode drama with Lola Doillon and Antoine Garceau, who both took credits (like...
Amazon Prime Video has unveiled a new slate of French original productions, including Cédric Klapisch’s drama Greek Salad, a spin-off of his 2002 hit feature Pot Luck (L’Auberge Espagnole), about a group of students from across Europe living in a flat in Barcelona together.
The new series follows the lives of the children of two of the original characters as they embark on a new adventure in Athens.
Kaplisch has created the eight-episode drama with Lola Doillon and Antoine Garceau, who both took credits (like...
- 3/22/2021
- by Melanie Goodfellow
- ScreenDaily
Amazon Prime Video France has unveiled a slate of originals, including Cedric Klapisch’s “Greek Salad” — a series sequel to the “L’Auberge Espanole” trilogy — Melanie Laurent’s “Le Bal des Folles,” as well as live sports such as the tennis tournament Roland Garros, and adaptations of popular unscripted formats such as “Lol” and “Celebrity Hunted.” All titles will roll out on the streaming service later this year.
The programs were presented during a virtual press conference on Monday hosted by Georgia Brown, director of European Originals; Jennifer Salke, head of Amazon Studios; Thomas Dubois, head of French Amazon Originals at Amazon Studios, Isabelle Bertrand, head of content for Amazon Prime Video France; and Alex Green, managing director of sport at Amazon Prime Video.
“Greek Salad” will be set in Athens, Greece, and follow the children of Xavier and Wendy, who were played by Romain Duris and Kelly Reilly, respectively,...
The programs were presented during a virtual press conference on Monday hosted by Georgia Brown, director of European Originals; Jennifer Salke, head of Amazon Studios; Thomas Dubois, head of French Amazon Originals at Amazon Studios, Isabelle Bertrand, head of content for Amazon Prime Video France; and Alex Green, managing director of sport at Amazon Prime Video.
“Greek Salad” will be set in Athens, Greece, and follow the children of Xavier and Wendy, who were played by Romain Duris and Kelly Reilly, respectively,...
- 3/22/2021
- by Elsa Keslassy
- Variety Film + TV
With rom-coms like this, who needs warcrimes? This is the most cruel, most contrived romantic comedy I have ever had the displeasure to endure. I’m “biast” (pro): nothing
I’m “biast” (con): nothing
(what is this about? see my critic’s minifesto)
With rom-coms like this, who needs warcrimes? Or cancer? Or toast that falls to the floor buttered side down? I hadn’t previously thought that there might be an arms race to find the most horrific concept possible that might be labeled, with a straight face, “romantic” and “funny,” but maybe such a race is on. If so, it has been won byA Perfect Plan, the most cruel, most contrived romantic comedy I have ever had the displeasure to endure.
The genre works — or doesn’t — because you get so enrapt in the possibility of happiness for a couple that you forgive all the strained...
I’m “biast” (con): nothing
(what is this about? see my critic’s minifesto)
With rom-coms like this, who needs warcrimes? Or cancer? Or toast that falls to the floor buttered side down? I hadn’t previously thought that there might be an arms race to find the most horrific concept possible that might be labeled, with a straight face, “romantic” and “funny,” but maybe such a race is on. If so, it has been won byA Perfect Plan, the most cruel, most contrived romantic comedy I have ever had the displeasure to endure.
The genre works — or doesn’t — because you get so enrapt in the possibility of happiness for a couple that you forgive all the strained...
- 6/13/2014
- by MaryAnn Johanson
- www.flickfilosopher.com
Col*Coa is winding down, but you can still catch a few stellar films and see the award winners for free Monday, April 22, 2013.
Award Screenings at 6:00 pm: The evening will start with the rerun of two awarded films in the Renoir and Truffaut Theaters at the DGA. Films will be announced on Sunday April 21 on the Col*Coa website, on Facebook, Twitter and on the Col•Coa info line (310) 289 5346. Free admission on a First comes First Served basis. No RSVP needed.
You can stay and also see the Closing Night Films at 8:30 pm at the DGA. Reservations needed. Those are both North American Premieres of two very anticipated French films. The thriller Moebus by Eric Rochant will show for free as will the comedy Like Brothers by Hugo Gélin.
Being among the French filmmakers (and I saw way too few of the films) gave me such a surprising sense of renewal - again because of this upcoming generation. After seeing City of Lights, the short by Pascal Tessaud which preceded the classic Jacques Demy film Bay of Angels starring a platinum blond gambling-addicted Jeanne Moreau in Cannes, Nice and Monte Carlo in 1963, we spoke at length about what is called "The New Vibe". City of Lights stars a deeply quiet young man from "les banlieus", the notorious "suburbs" surrounding Paris where the international mix of young (and old) proletariat population is invisible to the rest of France except when the anger erupts into riots. This first generation has the French education but not the money or jobs and it hurts. They have picked up the cameras and with no money are creating films which express their lives in many ways like the new Latin American filmmakers or the new Eastern European filmmakers. Tessaud gave me an entire education in the hour we talked and I will share this in time. For now, aside from his wonderfuly trenchant film which played like a feature, which captured the Paris this young generation recognizes as The City of Lights - dancing, the kitchen of a very upscale restaurant, the dreary streets filled with construction, there is another example of The New Vibe, started by Rachid Djaïdani (a story in himself) the film Hold Back (Rengaine) leads the pack of the 20-some-odd new films of The New Vibe. It is produced by Anne-Dominque Toussaint (Les Films des Tournelles) whose films are too numerous to name but include my favorite The Hedgehog which I wrote about at Col*Coa two years ago, Col*Coa's current Cycling with Moliere, 2002's Respiro and many many others. Hold Back took 9 years to make and most of the team was unpaid. The New Vibe makes films without the aid of the French system of funding; it is more guerilla-style, not New Wave, not Dogma but New Vibe. Hold Back took Cannes by storm when it showed last year in Directors Fortnight and went on to New Directors/ New Films in New York. The classic story of a Catholic and a Muslim who want to marry but whose family objects, this rendition the Juliet has a brother who marches throughout Paris to alert her 39 other brothers that she wants to marry outside her cultural and religious traditions. "This fresh debut mixes fable, plucky social commentary - particularly about France's Arab community - and inventive comic setpieces" (Col*Coa)
Hold Back (Rengaine) (Isa: Pathe) goes beyond the funny but "establishmant" film Intouchable which played here last year. It is the exact opposite of such films as Sister or even Aliyah (Isa: Rezo) which played here this year and also in Directors Fortnight last year. Aliyah is about a young French Jewish man who must make his last drug sale in order to escape his brother's destructive behavior. He escapes by immigrating to Israel. These films are made by filmmakers within the French establishment and describe a proletariat existence which exists in their bourgeois minds. They lack a certain "verite" which can only be captured by one who knows viscerally what such marginal existence is.
At the opposite end of the contemporary spectrum of films today, a real establishment film is You Ain't Seen Nothing Yet by Alain Renais (you have to be a Renais fan to love it who was so avant-garde in his day). Those old New Wave films one could see here stand out in beautiful contrast to today's New Vibe: Renais' Stavisky or the 1963 film The Fire Within (Le feu follet) by Louis Malle again starring the beautiful Jeanne Moreau. I missed them both to my regret. When I miss a film I always tell myself I can see it when it's released or on DVD or Mubi, but rarely do I get to see it. Instead I can only read about it as here written up by Beth Hanna on Indiewire blog ToH. The Fire Within was part of Wes Anderson's choices, one of the various showcases of Col*Coa. Says Hanna: "Anderson's taste is impeccable: He has selected Louis Malle's 1963 lyrical depression drama The Fire Within." It was made after the classic Elevator to the Gallows (1958) which Miles Davis scored and which also starred the young Jeanne Moreau. She also could be seen her in Col*Coa in the classic 1963 Jacques Demy-directed Bay of Angels.
Col*Coa really offered something for everyone this year. Another of my favorite film genres, the Jewish film, was represented by Aliyah and The Dandelions (Du Vent dans mes mollets) (Isa: Gaumont), Stavisky, and It Happened in St. Tropez (Isa: Pathe), a classic French comedy -- though a bit dark and yet still comedic, about romance, love and marriage switching between generations in a neurotic, comfortably wealthy Jewish family. The Dandelions was, according to my friend Debra Levine, a writer on culture including film and dance, (see her blog artsmeme), "darling, so touching, so well made, so creative ... i really liked it. Went into that rabbit hole of little girls together ... Barbie doll play. Crazy creative play. As looney as kids can be."
Ian Birnie's favorite film was Becoming Traviata. Greg Katchel's favorite originally was Rendez-vous à Kiruna by Anna Novion, but when I saw him later in the festival his favorite was Cycling with Moliere (Alceste a bicyclette) (Isa: Pathe), again produced by Anne-Dominque Toussaint and directed by Philippe Le Guay who directed one of my favorites, The Women on the 6th Floor. Greg also liked Three Worlds though it was a bit "schematic" in depicting the clash of different cultures which were also shown in Hold Back.
Of the few films I was able to see, the most interesting was Augustine by Alice Winokur. It is the French response to David Cronenberg's A Dangerous Method and the British film Hysteria. All three were about the turn of the century concern of psychologists or doctors with female hysteria. This one concerned Jean-Martin Charcot and the neurologist's belief that hysteria was a neurological disease and he used hypnosis to get at its roots, whild in A Dangerous Method it was seen by Freud and Jung as a mental disorder and in Hysteria by Tanya Wexler (Tiff 2011) in which Dr. Mortimer Granville devises the invention of the first vibrator in the name of medical science.
Take a look at Indiewire's own article here for more on Los Angeles's greatest French attraction, the second largest French film festival in the world.
Several American distributors will present their films at Col•Coa before their U.S. release: Kino Lorber – You Ain’t Seen Nothing Yet, co-written and directed by Alain Resnais (Focus on a Filmmaker); Mpi Media – Thérèse, the last film of director/co-writer Claude Miller starring Audrey Tautou; Cohen Media Group – In the House, written and directed by François Ozon and The Attack, co-written and directed by Ziad Doueiri; Distrib Films for two documentaries: Becoming Traviata and The Invisibles; Film Movement for two thrillers: Aliyah and Three Worlds; The Weinstein Company - Populaire.
Below you can see the international sales agents for the current features showing.
11.6 / 11.6 (Isa: Wild Bunch)
Directed by: Philippe Godeau
Written by: Philippe Godeau, Agnès De Sacy
A Few Hours Of Spring / Quelques heures de printemps (Isa: Rezo)
Directed by: Stéphane Brizé ♀
Written by: Stéphane Brizé, Florence Vignon
Cast: Vincent Lindon, Hélène Vincent, Emmanuelle Seigner, Olivier Perrier
Aliyah/Alyah ✡ (Isa: Rezo, U.S.: Film Movement
Directed by: Élie Wajeman
Written by: Élie Wajeman, Gaëlle Macé
Armed Hands / Mains armées (Isa: Films Distribution)
Directed by: Pierre Jolivet
Written by: Pierre Jolivet, Simon Michaël
Augustine / Augustine (Isa: Kinology, U.S.: Music Box)
Directed by: Alice Winocour ♀
Written by: Alice Winocour
Aya Of Yop City / Aya de Yopougon (Isa: TF1)
Directed by: Clément Oubrerie, Marguerite Abouet ♀
Written by: Marguerite Abouet
Bay Of Angels / La Baie des anges (U.S.: Criterion)
Directed by: Jacques Demy
Written by: Jacques Demy
Becoming Traviata /Traviata et nous (Isa: Films Boutique, U.S. Distrib Films and Cinema Guild)
Directed by: Philippe Béziat
Written by: Philippe Béziat
Cycling With MOLIÈRE / Alceste à bicyclette (Isa: Pathe)
Directed by: Philippe Le Guay
Written by: Philippe Le Guay, based on an original idea by Fabrice Luchini and Philippe Le Guay
Fly Me To The Moon / Un plan parfait (Isa: Kinology)
Directed By: Pascal Chaumeil
Written By: Laurent Zeitoun, Yoann Gromb, Philippe Mechelen
Haute Cuisine / Les Saveurs du palais (Isa: Wild Bunch, U.S.: The Weinstein Company)
Directed by: Christian Vincent
Written by: Etienne Comar & Christian Vincent, based on the life of Danièle Mazet-Delpeuch
Hidden Beauties / Mille-Feuille (Isa: Other Angle Pictures)
Directed by: Nouri Bouzid
Written by: Nouri Bouzid, Joumène Limam
Hold Back / Rengaine (Isa: Pathe)
Directed by: Rachid Djaïdani
Written by: Rachid Djaïdani
In The House / Dans la maison (Isa: Wild Bunch, U.S.: Cohen Media Group)
Directed by: François Ozon
Written by: François Ozon
It Happened In Saint-tropez / Des Gens qui s’embrassent (Isa: Pathe)
Directed by: Danièle Thompson ♀
Written by: Danièle Thompson, Christopher Thompson
Jappeloup/ Jappeloup (Isa: Pathe)
Directed by: Christian Duguay
Written by: Guillaume Canet
Le Grand Soir / Le grand soir (Isa: Funny Balloons)
Directed by: Benoît Delépine and Gustave de Kervern
Written by: Benoît Delépine and Gustave de Kervern
Little Lion / Comme un Lion (Isa: Pyramide)
Directed by: Samuel Collardey
Written by: Catherine Paillé, Nadège Trebal, Samuel Collardey
Moon Man / Jean de la lune (Isa: Le Pacte)
Directed By: Stephan Schesch
Written By: Stephan Schesch, Ralph Martin. Based on the book by: Tomi Ungerer
Populaire / Populaire (Isa: Wild Bunch, U.S.: TWC)
Directed By: Régis Roinsard
Written By: Régis Roinsard, Daniel Presley, Romain Compingt
Rendezvous In Kiruna / Rendez-vous à Kiruna (Isa: Pyramide)
Directed by: Anne Novion ♀
Written by: Olivier Massart, Anne Novion, Pierre Novion
Sons Of The Wind / Les Fils du vent (Isa: Wide)
Directed by: Bruno Le Jean
Written by: Bruno Le Jean
Stavisky / Stavisky (1974) (Isa: StudioCanal)
Directed by: Alain Resnais
Written by: Jorge Semprún
The Attack / L’Attentat
France, Belgium, Lebanon, Qatar, 2013
Directed by: Ziad Doueiri (Isa: Wild Bunch, U.S.: Cohen Media Group)
The BRONTË Sisters / Les Soeurs Brontë (Isa: Gaumont, U.S.: Cohen Media Group)
Directed by: André Téchiné
Written by: André Téchiné, Jean Gruault, Pascal Bonitzer
The Dandelions / Du Vent dans mes mollets ✡
Directed By: Carine Tardieu ♀
Written By: Carine Tardieu, Raphaële Moussafir, Olivier Beer
The Fire Within / Le Feu Follet (1963) (Isa: Pyramide, U.S.: Janus Films)
Directed by: Louis Malle
Written by: Louis Malle
The Invisibles / Les Invisibles (Isa: Doc & Film, U.S. Distrib Films))
Directed By: Sébastien Lifshitz
The Man Who Laughs/ L’Homme qui rit (Isa: EuropaCorps)
Directed by: Jean-Pierre Améris
Written by: Jean-Pierre Améris , Guillaume Laurant
THÉRÈSE / Thérèse Desqueyroux (Isa: TF1, U.S.: Mpi)
Directed by: Claude Miller
Written by: Claude Miller, Natalie Carter
Three Worlds / Trois mondes (Isa: Pyramide, U.S.: Film Movement)
Directed by: Catherine Corsini ♀
Written by: Catherine Corsini, Benoît Graffin
To Our Loves / À nos amours (1983) (U.S. Janus)
Directed By: Maurice Pialat
Written By: Arlette Langmann, Maurice Pialat
True Friends / Amitiés sincères (Isa: Snd Groupe 6)
Directed By: Stéphan Archinard, François Prévôt-Leygonie
Written By: Stéphan Archinard, François Prévôt-Leygonie, Marie-Pierre Huster
Welcome To Argentina / Mariage à Mendoza (Isa: Kinology)
Directed By: Édouard Deluc
Written By: Anaïs Carpita, Édouard Deluc, Thomas Lilti, Philippe Rebbot
What’S In A Name / Le prénom (Isa: Pathe, U.S. Under The Milky Way)
Directed by: Alexandre de La Patellière, Matthieu Delaporte
Written by: Alexandre de La Patellière, Matthieu Delaporte
You Ain’T Seen Nothin’ Yet / Vous n’avez encore rien vu (Isa: StudioCanal, U.S.: Kino Lorber)
Directed By: Alain Resnais
Written By: Alain Resnais, Laurent Herbiet...
Award Screenings at 6:00 pm: The evening will start with the rerun of two awarded films in the Renoir and Truffaut Theaters at the DGA. Films will be announced on Sunday April 21 on the Col*Coa website, on Facebook, Twitter and on the Col•Coa info line (310) 289 5346. Free admission on a First comes First Served basis. No RSVP needed.
You can stay and also see the Closing Night Films at 8:30 pm at the DGA. Reservations needed. Those are both North American Premieres of two very anticipated French films. The thriller Moebus by Eric Rochant will show for free as will the comedy Like Brothers by Hugo Gélin.
Being among the French filmmakers (and I saw way too few of the films) gave me such a surprising sense of renewal - again because of this upcoming generation. After seeing City of Lights, the short by Pascal Tessaud which preceded the classic Jacques Demy film Bay of Angels starring a platinum blond gambling-addicted Jeanne Moreau in Cannes, Nice and Monte Carlo in 1963, we spoke at length about what is called "The New Vibe". City of Lights stars a deeply quiet young man from "les banlieus", the notorious "suburbs" surrounding Paris where the international mix of young (and old) proletariat population is invisible to the rest of France except when the anger erupts into riots. This first generation has the French education but not the money or jobs and it hurts. They have picked up the cameras and with no money are creating films which express their lives in many ways like the new Latin American filmmakers or the new Eastern European filmmakers. Tessaud gave me an entire education in the hour we talked and I will share this in time. For now, aside from his wonderfuly trenchant film which played like a feature, which captured the Paris this young generation recognizes as The City of Lights - dancing, the kitchen of a very upscale restaurant, the dreary streets filled with construction, there is another example of The New Vibe, started by Rachid Djaïdani (a story in himself) the film Hold Back (Rengaine) leads the pack of the 20-some-odd new films of The New Vibe. It is produced by Anne-Dominque Toussaint (Les Films des Tournelles) whose films are too numerous to name but include my favorite The Hedgehog which I wrote about at Col*Coa two years ago, Col*Coa's current Cycling with Moliere, 2002's Respiro and many many others. Hold Back took 9 years to make and most of the team was unpaid. The New Vibe makes films without the aid of the French system of funding; it is more guerilla-style, not New Wave, not Dogma but New Vibe. Hold Back took Cannes by storm when it showed last year in Directors Fortnight and went on to New Directors/ New Films in New York. The classic story of a Catholic and a Muslim who want to marry but whose family objects, this rendition the Juliet has a brother who marches throughout Paris to alert her 39 other brothers that she wants to marry outside her cultural and religious traditions. "This fresh debut mixes fable, plucky social commentary - particularly about France's Arab community - and inventive comic setpieces" (Col*Coa)
Hold Back (Rengaine) (Isa: Pathe) goes beyond the funny but "establishmant" film Intouchable which played here last year. It is the exact opposite of such films as Sister or even Aliyah (Isa: Rezo) which played here this year and also in Directors Fortnight last year. Aliyah is about a young French Jewish man who must make his last drug sale in order to escape his brother's destructive behavior. He escapes by immigrating to Israel. These films are made by filmmakers within the French establishment and describe a proletariat existence which exists in their bourgeois minds. They lack a certain "verite" which can only be captured by one who knows viscerally what such marginal existence is.
At the opposite end of the contemporary spectrum of films today, a real establishment film is You Ain't Seen Nothing Yet by Alain Renais (you have to be a Renais fan to love it who was so avant-garde in his day). Those old New Wave films one could see here stand out in beautiful contrast to today's New Vibe: Renais' Stavisky or the 1963 film The Fire Within (Le feu follet) by Louis Malle again starring the beautiful Jeanne Moreau. I missed them both to my regret. When I miss a film I always tell myself I can see it when it's released or on DVD or Mubi, but rarely do I get to see it. Instead I can only read about it as here written up by Beth Hanna on Indiewire blog ToH. The Fire Within was part of Wes Anderson's choices, one of the various showcases of Col*Coa. Says Hanna: "Anderson's taste is impeccable: He has selected Louis Malle's 1963 lyrical depression drama The Fire Within." It was made after the classic Elevator to the Gallows (1958) which Miles Davis scored and which also starred the young Jeanne Moreau. She also could be seen her in Col*Coa in the classic 1963 Jacques Demy-directed Bay of Angels.
Col*Coa really offered something for everyone this year. Another of my favorite film genres, the Jewish film, was represented by Aliyah and The Dandelions (Du Vent dans mes mollets) (Isa: Gaumont), Stavisky, and It Happened in St. Tropez (Isa: Pathe), a classic French comedy -- though a bit dark and yet still comedic, about romance, love and marriage switching between generations in a neurotic, comfortably wealthy Jewish family. The Dandelions was, according to my friend Debra Levine, a writer on culture including film and dance, (see her blog artsmeme), "darling, so touching, so well made, so creative ... i really liked it. Went into that rabbit hole of little girls together ... Barbie doll play. Crazy creative play. As looney as kids can be."
Ian Birnie's favorite film was Becoming Traviata. Greg Katchel's favorite originally was Rendez-vous à Kiruna by Anna Novion, but when I saw him later in the festival his favorite was Cycling with Moliere (Alceste a bicyclette) (Isa: Pathe), again produced by Anne-Dominque Toussaint and directed by Philippe Le Guay who directed one of my favorites, The Women on the 6th Floor. Greg also liked Three Worlds though it was a bit "schematic" in depicting the clash of different cultures which were also shown in Hold Back.
Of the few films I was able to see, the most interesting was Augustine by Alice Winokur. It is the French response to David Cronenberg's A Dangerous Method and the British film Hysteria. All three were about the turn of the century concern of psychologists or doctors with female hysteria. This one concerned Jean-Martin Charcot and the neurologist's belief that hysteria was a neurological disease and he used hypnosis to get at its roots, whild in A Dangerous Method it was seen by Freud and Jung as a mental disorder and in Hysteria by Tanya Wexler (Tiff 2011) in which Dr. Mortimer Granville devises the invention of the first vibrator in the name of medical science.
Take a look at Indiewire's own article here for more on Los Angeles's greatest French attraction, the second largest French film festival in the world.
Several American distributors will present their films at Col•Coa before their U.S. release: Kino Lorber – You Ain’t Seen Nothing Yet, co-written and directed by Alain Resnais (Focus on a Filmmaker); Mpi Media – Thérèse, the last film of director/co-writer Claude Miller starring Audrey Tautou; Cohen Media Group – In the House, written and directed by François Ozon and The Attack, co-written and directed by Ziad Doueiri; Distrib Films for two documentaries: Becoming Traviata and The Invisibles; Film Movement for two thrillers: Aliyah and Three Worlds; The Weinstein Company - Populaire.
Below you can see the international sales agents for the current features showing.
11.6 / 11.6 (Isa: Wild Bunch)
Directed by: Philippe Godeau
Written by: Philippe Godeau, Agnès De Sacy
A Few Hours Of Spring / Quelques heures de printemps (Isa: Rezo)
Directed by: Stéphane Brizé ♀
Written by: Stéphane Brizé, Florence Vignon
Cast: Vincent Lindon, Hélène Vincent, Emmanuelle Seigner, Olivier Perrier
Aliyah/Alyah ✡ (Isa: Rezo, U.S.: Film Movement
Directed by: Élie Wajeman
Written by: Élie Wajeman, Gaëlle Macé
Armed Hands / Mains armées (Isa: Films Distribution)
Directed by: Pierre Jolivet
Written by: Pierre Jolivet, Simon Michaël
Augustine / Augustine (Isa: Kinology, U.S.: Music Box)
Directed by: Alice Winocour ♀
Written by: Alice Winocour
Aya Of Yop City / Aya de Yopougon (Isa: TF1)
Directed by: Clément Oubrerie, Marguerite Abouet ♀
Written by: Marguerite Abouet
Bay Of Angels / La Baie des anges (U.S.: Criterion)
Directed by: Jacques Demy
Written by: Jacques Demy
Becoming Traviata /Traviata et nous (Isa: Films Boutique, U.S. Distrib Films and Cinema Guild)
Directed by: Philippe Béziat
Written by: Philippe Béziat
Cycling With MOLIÈRE / Alceste à bicyclette (Isa: Pathe)
Directed by: Philippe Le Guay
Written by: Philippe Le Guay, based on an original idea by Fabrice Luchini and Philippe Le Guay
Fly Me To The Moon / Un plan parfait (Isa: Kinology)
Directed By: Pascal Chaumeil
Written By: Laurent Zeitoun, Yoann Gromb, Philippe Mechelen
Haute Cuisine / Les Saveurs du palais (Isa: Wild Bunch, U.S.: The Weinstein Company)
Directed by: Christian Vincent
Written by: Etienne Comar & Christian Vincent, based on the life of Danièle Mazet-Delpeuch
Hidden Beauties / Mille-Feuille (Isa: Other Angle Pictures)
Directed by: Nouri Bouzid
Written by: Nouri Bouzid, Joumène Limam
Hold Back / Rengaine (Isa: Pathe)
Directed by: Rachid Djaïdani
Written by: Rachid Djaïdani
In The House / Dans la maison (Isa: Wild Bunch, U.S.: Cohen Media Group)
Directed by: François Ozon
Written by: François Ozon
It Happened In Saint-tropez / Des Gens qui s’embrassent (Isa: Pathe)
Directed by: Danièle Thompson ♀
Written by: Danièle Thompson, Christopher Thompson
Jappeloup/ Jappeloup (Isa: Pathe)
Directed by: Christian Duguay
Written by: Guillaume Canet
Le Grand Soir / Le grand soir (Isa: Funny Balloons)
Directed by: Benoît Delépine and Gustave de Kervern
Written by: Benoît Delépine and Gustave de Kervern
Little Lion / Comme un Lion (Isa: Pyramide)
Directed by: Samuel Collardey
Written by: Catherine Paillé, Nadège Trebal, Samuel Collardey
Moon Man / Jean de la lune (Isa: Le Pacte)
Directed By: Stephan Schesch
Written By: Stephan Schesch, Ralph Martin. Based on the book by: Tomi Ungerer
Populaire / Populaire (Isa: Wild Bunch, U.S.: TWC)
Directed By: Régis Roinsard
Written By: Régis Roinsard, Daniel Presley, Romain Compingt
Rendezvous In Kiruna / Rendez-vous à Kiruna (Isa: Pyramide)
Directed by: Anne Novion ♀
Written by: Olivier Massart, Anne Novion, Pierre Novion
Sons Of The Wind / Les Fils du vent (Isa: Wide)
Directed by: Bruno Le Jean
Written by: Bruno Le Jean
Stavisky / Stavisky (1974) (Isa: StudioCanal)
Directed by: Alain Resnais
Written by: Jorge Semprún
The Attack / L’Attentat
France, Belgium, Lebanon, Qatar, 2013
Directed by: Ziad Doueiri (Isa: Wild Bunch, U.S.: Cohen Media Group)
The BRONTË Sisters / Les Soeurs Brontë (Isa: Gaumont, U.S.: Cohen Media Group)
Directed by: André Téchiné
Written by: André Téchiné, Jean Gruault, Pascal Bonitzer
The Dandelions / Du Vent dans mes mollets ✡
Directed By: Carine Tardieu ♀
Written By: Carine Tardieu, Raphaële Moussafir, Olivier Beer
The Fire Within / Le Feu Follet (1963) (Isa: Pyramide, U.S.: Janus Films)
Directed by: Louis Malle
Written by: Louis Malle
The Invisibles / Les Invisibles (Isa: Doc & Film, U.S. Distrib Films))
Directed By: Sébastien Lifshitz
The Man Who Laughs/ L’Homme qui rit (Isa: EuropaCorps)
Directed by: Jean-Pierre Améris
Written by: Jean-Pierre Améris , Guillaume Laurant
THÉRÈSE / Thérèse Desqueyroux (Isa: TF1, U.S.: Mpi)
Directed by: Claude Miller
Written by: Claude Miller, Natalie Carter
Three Worlds / Trois mondes (Isa: Pyramide, U.S.: Film Movement)
Directed by: Catherine Corsini ♀
Written by: Catherine Corsini, Benoît Graffin
To Our Loves / À nos amours (1983) (U.S. Janus)
Directed By: Maurice Pialat
Written By: Arlette Langmann, Maurice Pialat
True Friends / Amitiés sincères (Isa: Snd Groupe 6)
Directed By: Stéphan Archinard, François Prévôt-Leygonie
Written By: Stéphan Archinard, François Prévôt-Leygonie, Marie-Pierre Huster
Welcome To Argentina / Mariage à Mendoza (Isa: Kinology)
Directed By: Édouard Deluc
Written By: Anaïs Carpita, Édouard Deluc, Thomas Lilti, Philippe Rebbot
What’S In A Name / Le prénom (Isa: Pathe, U.S. Under The Milky Way)
Directed by: Alexandre de La Patellière, Matthieu Delaporte
Written by: Alexandre de La Patellière, Matthieu Delaporte
You Ain’T Seen Nothin’ Yet / Vous n’avez encore rien vu (Isa: StudioCanal, U.S.: Kino Lorber)
Directed By: Alain Resnais
Written By: Alain Resnais, Laurent Herbiet...
- 4/20/2013
- by Sydney Levine
- Sydney's Buzz
Reviewer: James Van Maanen
Rating (out of 5): ***½
The reputation the French have for creating romantic comedy non pareil is well-deserved. In the last few years alone, we've had sophisticated charmers from Shall We Kiss to Priceless to Après vous. Now comes yet another, sporting a knock-out premise that is so original that it almost makes it impossible for the movie to live up to its nifty/nasty concept. That it finally does is due as much to the mysterious workings of chemistry between actors (Romain Duris and Vanessa Paradis) and the talent of new director Pascal Chaumeil (pronounced Show-may), as to the film's very funny and unusual script.
I’ll not give away, plot-wise, even that very smart premise -- and, yes, it is tempting to talk about. Instead, be content with knowing that Heartbreaker (L'arnacoeur) involves a dashing and sexy young man (Duris), his nifty sister (Julie Ferrier...
Rating (out of 5): ***½
The reputation the French have for creating romantic comedy non pareil is well-deserved. In the last few years alone, we've had sophisticated charmers from Shall We Kiss to Priceless to Après vous. Now comes yet another, sporting a knock-out premise that is so original that it almost makes it impossible for the movie to live up to its nifty/nasty concept. That it finally does is due as much to the mysterious workings of chemistry between actors (Romain Duris and Vanessa Paradis) and the talent of new director Pascal Chaumeil (pronounced Show-may), as to the film's very funny and unusual script.
I’ll not give away, plot-wise, even that very smart premise -- and, yes, it is tempting to talk about. Instead, be content with knowing that Heartbreaker (L'arnacoeur) involves a dashing and sexy young man (Duris), his nifty sister (Julie Ferrier...
- 1/24/2011
- by underdog
- GreenCine
Pascal Chaumeil.s debut rom-com gets by with a little help from Romain Duris and the enduring beauty of Vanessa Paradis. He may not be so lucky next time. Although breakthrough director Pascal Chaumeil has a bunch of TV credits to his name, this is his first feature film as a director. The writing team of Laurent Zeitoun, Jeremy Doner & Yohan Gromb also has little or no previous experience in feature films. Nonetheless, all of these key players come through with a funny and heartwarming rom-com. This success is attributable to the stars of the movie. Romain Duris plays Alex Lippi, the center of a trio with a most remarkable business; they break up couples about the tie the...
- 9/17/2010
- by Ron Wilkinson
- Monsters and Critics
Chicago – If there’s one genre Hollywood has managed to screw up beyond all recognition, it’s the romantic comedy. Many of the worst films in recent years have brought the genre to an all-time low, such as “Leap Year,” “Love Happens,” and anything starring Gerard Butler. These dumbed-down products use stereotypes in place of characters, incessant sparring in place of chemistry and gooey sentiment in place of a tangible heart.
Rating: 3.5/5.0
That’s what makes “Heartbreaker” such a delight. Though the film is a hit comedy from France, it absolutely does not (and should not) warrant an American remake. First-time feature director Pascal Chaumeil has crafted a film so slick and enjoyable, not to mention pop-culture savvy, that it could easily win over mainstream audiences in the U.S., regardless of its subtitles. Plus the film provides an ideal showcase for two stars armed with formidable international appeal. It...
Rating: 3.5/5.0
That’s what makes “Heartbreaker” such a delight. Though the film is a hit comedy from France, it absolutely does not (and should not) warrant an American remake. First-time feature director Pascal Chaumeil has crafted a film so slick and enjoyable, not to mention pop-culture savvy, that it could easily win over mainstream audiences in the U.S., regardless of its subtitles. Plus the film provides an ideal showcase for two stars armed with formidable international appeal. It...
- 9/17/2010
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Pascal Chaumeil’s debut feature film Heartbreaker is going to get all of those classic poster quotes such as, “rollercoaster ride,” “fun for the whole family, “Mission Impossible meets Hitch,” and “neither Richard Curtis nor Andy Tennant were involved, but it still made money!” Everything but the last one actually. The French are not known on this side of the Atlantic, their rom coms, so while this film might seem familiar to American audiences, it’s in fact a rarity. It’s really the most American-ized French film I've seen in quite a while. The fact that this film succeeds is an even greater surprise given those behind it, relatively new scribes Laurent Zeitoun, Jeremy Doner and Yohan Gromb decorate the rom com with espionage elements that serve to increase the effectiveness of both formulas. Chaumeil comes from years working as an Assistant Director for Luc Besson and commercials, so...
- 9/13/2010
- IONCINEMA.com
I've never bought Romain Duris as a romantic lead, but the French apparently don't have a problem with it as they've come out in droves to see Pascal Chaumeil's feature debut called L’Arnacoeur (a title that merges the French words for 'con artist' and heart). To be known as Heartbreaker stateside, the rom com will receive not only a NYC preem at Tribeca, but an eventual day-and-date release via IFC Films. - I've never bought Romain Duris as a romantic lead, but the French apparently don't have a problem with it as they've come out in droves to see Pascal Chaumeil's feature debut called L’Arnacoeur (a title that merges the French words for 'con artist' and heart). To be known as Heartbreaker stateside, the rom com will receive not only a NYC preem at Tribeca, but an eventual day-and-date release via IFC Films. Written by Laurent Zeitoun,...
- 4/20/2010
- IONCINEMA.com
I've never bought Romain Duris as a romantic lead, but the French apparently don't have a problem with it as they've come out in droves to see Pascal Chaumeil's feature debut called L’Arnacoeur (a title that merges the French words for 'con artist' and heart). To be known as Heartbreaker stateside, the rom com will receive not only a NYC preem at Tribeca, but an eventual day-and-date release via IFC Films. Written by Laurent Zeitoun, Jeremy Doner and Yohan Gromb, set against the backdrop of Monte Carlo, the film stars Romain Duris who plays a professional ‘Don Juan’, who along with his sister (Julie Ferrier), and her husband (Francois Damiens) have a budding young business breaking hearts for a living. When a client hires Alex and his team to help break up a happily engaged couple (which includes Vanessa Paradis) before their wedding day, they find themselves facing their toughest job yet.
- 4/19/2010
- IONCINEMA.com
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