The following contains spoilers for "All Quiet on the Western Front."
The biggest difference between the two theatrical versions of "All Quiet on the Western Front" is the specific perspective they bring to the story of German soldier Paul Bäumer and his friends and fellow enlistees during World War I. There have actually been three adaptations of Erich Maria Remarque's 1929 novel, "All Quiet on the Western Front," but one was a TV movie. The original 1930 theatrical version was the first literary adaptation to win Best Picture and the first film to ever win both that category and Best Director at the 3rd Academy Awards.
Now, over nine decades later, the most recent Netflix adaptation of "All Quiet on the Western Front" has joined the ranks of "Parasite," "Crouching Tiger, Hidden Dragon," and "Fanny and Alexander" to become one of four foreign-language films with the most wins in Oscar history.
The biggest difference between the two theatrical versions of "All Quiet on the Western Front" is the specific perspective they bring to the story of German soldier Paul Bäumer and his friends and fellow enlistees during World War I. There have actually been three adaptations of Erich Maria Remarque's 1929 novel, "All Quiet on the Western Front," but one was a TV movie. The original 1930 theatrical version was the first literary adaptation to win Best Picture and the first film to ever win both that category and Best Director at the 3rd Academy Awards.
Now, over nine decades later, the most recent Netflix adaptation of "All Quiet on the Western Front" has joined the ranks of "Parasite," "Crouching Tiger, Hidden Dragon," and "Fanny and Alexander" to become one of four foreign-language films with the most wins in Oscar history.
- 3/27/2023
- by Joshua Meyer
- Slash Film
If they still made ‘em like the pre-Code drama Central Park (1932), I’d still be going to the movies every day instead of looking more to TCM and Netflix and the unwrapped section of my own DVD and Blu-ray collection for reasons to stay home. There are at least four bloated modern blockbusters playing at a theater near you right now at $18 a pop which don’t have a tenth of the storytelling electricity and enthusiasm that this near-forgotten Hollywood programmer gushes in spades over the course of its 58-minute running time. The average 21st-century Hollywood action thriller, and even some of the more sincerely intended dramas pitched at adults, can leave you enervated and annoyed rather than satisfied, overstuffed with backstory and a heavy-handed approach to character, or simply overloaded on sensory input designed to distract you from the thinness of the material. But as directed by journeyman John G. Adolfi...
- 9/1/2019
- by Dennis Cozzalio
- Trailers from Hell
Mexico City — Capricci Films, the French producer on Argentine director Pablo Agüero’s upcoming comedy-horror project “Sangria,” will be joined by the newly formed, all-female Mexican production company Calouma Films.
“Sangria” turns on Xavier, a carefree Canadian on vacation in Mexico who visits the worship space of a pagan saint. There, he meets beautiful Flor, a superstitious and romantic young woman, if a bit naive. Sparks fly immediately, so when Flor proposes that Xavier engage in a ritual to seal their eternal love, he accepts, amused and curious. But, their idyllic ceremony soon becomes a living nightmare, and Xavier will learn what eternal really means.
According to Agüero, the goal with the film is: “To exploit the subversive potential of horror and comedy in order to explore the darkest contradictions of the human being, with a touch of self-criticism. To use the irony on two great sexist prejudices: the men...
“Sangria” turns on Xavier, a carefree Canadian on vacation in Mexico who visits the worship space of a pagan saint. There, he meets beautiful Flor, a superstitious and romantic young woman, if a bit naive. Sparks fly immediately, so when Flor proposes that Xavier engage in a ritual to seal their eternal love, he accepts, amused and curious. But, their idyllic ceremony soon becomes a living nightmare, and Xavier will learn what eternal really means.
According to Agüero, the goal with the film is: “To exploit the subversive potential of horror and comedy in order to explore the darkest contradictions of the human being, with a touch of self-criticism. To use the irony on two great sexist prejudices: the men...
- 11/6/2018
- by Jamie Lang
- Variety Film + TV
“I spent a lot of time reviewing the silent films for crowd scenes –the way extras move, evolve, how the space is staged and how the cameras capture it, the views used,” Nolan said earlier this year when it came to the creation of his WWII epic Dunkirk, referencing films such as Intolerance, Sunrise: A Song of Two Humans, and Greed, as well as the films of Robert Bresson.
Throughout the entire month of July, if you’re in the U.K., you are lucky enough to witness a selection of these influences in a program at BFI Southbank. Featuring all screenings in 35mm or 70mm — including a preview of Dunkirk over a week before it hits theaters — there’s classics such as Greed, Sunrise, and The Wages of Fear, as well as Alien, Speed, and even Tony Scott’s final film.
Check out Nolan’s introduction below, followed by...
Throughout the entire month of July, if you’re in the U.K., you are lucky enough to witness a selection of these influences in a program at BFI Southbank. Featuring all screenings in 35mm or 70mm — including a preview of Dunkirk over a week before it hits theaters — there’s classics such as Greed, Sunrise, and The Wages of Fear, as well as Alien, Speed, and even Tony Scott’s final film.
Check out Nolan’s introduction below, followed by...
- 5/25/2017
- by Jordan Raup
- The Film Stage
Running from 1-31 July, BFI Southbank are delighted to present a season of films which have inspired director Christopher Nolan’s new feature Dunkirk (2017), released in cinemas across the UK on Friday 21 July.
Christopher Nolan Presents has been personally curated by the award-winning director and will offer audiences unique insight into the films which influenced his hotly anticipated take on one of the key moments of WWII.
The season will include a special preview screening of Dunkirk on Thursday 13 July, which will be presented in 70mm and include an introduction from the director himself.
Christopher Nolan is a passionate advocate for the importance of seeing films projected on film, and as one of the few cinemas in the UK that still shows a vast amount of celluloid film, BFI Southbank will screen all the films in the season on 35mm or 70mm.
In 2015 Nolan appeared on stage alongside visual artist...
Christopher Nolan Presents has been personally curated by the award-winning director and will offer audiences unique insight into the films which influenced his hotly anticipated take on one of the key moments of WWII.
The season will include a special preview screening of Dunkirk on Thursday 13 July, which will be presented in 70mm and include an introduction from the director himself.
Christopher Nolan is a passionate advocate for the importance of seeing films projected on film, and as one of the few cinemas in the UK that still shows a vast amount of celluloid film, BFI Southbank will screen all the films in the season on 35mm or 70mm.
In 2015 Nolan appeared on stage alongside visual artist...
- 5/24/2017
- by Michelle Hannett
- WeAreMovieGeeks.com
Gary Cooper movies on TCM: Cooper at his best and at his weakest Gary Cooper is Turner Classic Movies' “Summer Under the Stars” star today, Aug. 30, '15. Unfortunately, TCM isn't showing any Cooper movie premiere – despite the fact that most of his Paramount movies of the '20s and '30s remain unavailable. This evening's features are Mr. Deeds Goes to Town (1936), Sergeant York (1941), and Love in the Afternoon (1957). Mr. Deeds Goes to Town solidified Gary Cooper's stardom and helped to make Jean Arthur Columbia's top female star. The film is a tad overlong and, like every Frank Capra movie, it's also highly sentimental. What saves it from the Hell of Good Intentions is the acting of the two leads – Cooper and Arthur are both excellent – and of several supporting players. Directed by Howard Hawks, the jingoistic, pro-war Sergeant York was a huge box office hit, eventually earning Academy Award nominations in several categories,...
- 8/30/2015
- by Andre Soares
- Alt Film Guide
Vivien Leigh ca. late 1940s. Vivien Leigh movies: now controversial 'Gone with the Wind,' little-seen '21 Days Together' on TCM Vivien Leigh is Turner Classic Movies' star today, Aug. 18, '15, as TCM's “Summer Under the Stars” series continues. Mostly a stage actress, Leigh was seen in only 19 films – in about 15 of which as a leading lady or star – in a movie career spanning three decades. Good for the relatively few who saw her on stage; bad for all those who have access to only a few performances of one of the most remarkable acting talents of the 20th century. This evening, TCM is showing three Vivien Leigh movies: Gone with the Wind (1939), 21 Days Together (1940), and A Streetcar Named Desire (1951). Leigh won Best Actress Academy Awards for the first and the third title. The little-remembered film in-between is a TCM premiere. 'Gone with the Wind' Seemingly all...
- 8/19/2015
- by Andre Soares
- Alt Film Guide
Jean Arthur films on TCM include three Frank Capra classics Five Jean Arthur films will be shown this evening, Monday, January 5, 2015, on Turner Classic Movies, including three directed by Frank Capra, the man who helped to turn Arthur into a major Hollywood star. They are the following: Capra's Mr. Deeds Goes to Town, You Can't Take It with You, and Mr. Smith Goes to Washington; George Stevens' The More the Merrier; and Frank Borzage's History Is Made at Night. One the most effective performers of the studio era, Jean Arthur -- whose film career began inauspiciously in 1923 -- was Columbia Pictures' biggest female star from the mid-'30s to the mid-'40s, when Rita Hayworth came to prominence and, coincidentally, Arthur's Columbia contract expired. Today, she's best known for her trio of films directed by Frank Capra, Columbia's top director of the 1930s. Jean Arthur-Frank Capra...
- 1/6/2015
- by Andre Soares
- Alt Film Guide
Kino Classics refurbishes public domain title The Death Kiss, a 1932 release made purely to capitalize off the success of Tod Browning’s 1931 Dracula by casting three of the main leads from that film. The title retains little interest except for Lugosi completists, who isn’t given much to do this time around as a rather miffed film studio manager. However, film historians may appreciate the film for its locale, set almost entirely within the back lot of what was termed a Poverty Row studio, shackled by the meager prospects of the Great Depression.
As director Tom Avery (Edward Van Sloan) films his final sequence on his new film The Death Kiss at the sound stage of Tonart Studios in Los Angeles, his lead actor Myles Brent (Edmund Burns) is shot with a real bullet. All the prop guns on set are checked. Investigating Detective Lt. Sheehan (John Wray) and Sergeant...
As director Tom Avery (Edward Van Sloan) films his final sequence on his new film The Death Kiss at the sound stage of Tonart Studios in Los Angeles, his lead actor Myles Brent (Edmund Burns) is shot with a real bullet. All the prop guns on set are checked. Investigating Detective Lt. Sheehan (John Wray) and Sergeant...
- 10/21/2014
- by Nicholas Bell
- IONCINEMA.com
The best movie culture writing from around the internet-o-sphere. There will be a quiz later. Just leave a tab open for us, will ya? “Rip Paul Mazursky” — Sam Adams at Indiewire rounds up some beautiful thoughts on a powerful filmmaker — the man Mel Brooks calls the American Fellini. “Halftime Report: The Best Movies of 2014 So Far” — The Movie Mezzanine Staff offers a crazy diverse listing that travels through bleak blockbusters, epic animated fare, dystopian thought-breakers and two movies where we stay in the same moving vehicle for the bulk of the run time. Now if only someone could combine all of these together to make the greatest movie of all time. “The Worst and Most Disappointing Films of 2014 So Far” — Hey, look at that. Just so you weren’t overwhelmed with positivity, The Playlist Staff does something clever by spotlighting high hopes that crashed to earth, covered in melting wax and feathers. “I...
- 7/2/2014
- by Scott Beggs
- FilmSchoolRejects.com
Hattie McDaniel as Mammy in ‘Gone with the Wind’: TCM schedule on August 20, 2013 (photo: Vivien Leigh and Hattie McDaniel in ‘Gone with the Wind’) See previous post: “Hattie McDaniel: Oscar Winner Makes History.” 3:00 Am Thank Your Lucky Stars (1943). Director: David Butler. Cast: Joan Leslie, Dennis Morgan, Eddie Cantor, Humphrey Bogart, Bette Davis, Olivia de Havilland, Errol Flynn, John Garfield, Ida Lupino, Ann Sheridan, Dinah Shore, Alexis Smith, Jack Carson, Alan Hale, George Tobias, Edward Everett Horton, S.Z. Sakall, Hattie McDaniel, Ruth Donnelly, Don Wilson, Spike Jones, Henry Armetta, Leah Baird, Willie Best, Monte Blue, James Burke, David Butler, Stanley Clements, William Desmond, Ralph Dunn, Frank Faylen, James Flavin, Creighton Hale, Sam Harris, Paul Harvey, Mark Hellinger, Brandon Hurst, Charles Irwin, Noble Johnson, Mike Mazurki, Fred Kelsey, Frank Mayo, Joyce Reynolds, Mary Treen, Doodles Weaver. Bw-127 mins. 5:15 Am Janie (1944). Director: Michael Curtiz. Cast: Joyce Reynolds, Robert Hutton,...
- 8/21/2013
- by Andre Soares
- Alt Film Guide
Mickey Rooney movie schedule (Pt): TCM on August 13 See previous post: “Mickey Rooney Movies: Music and Murder.” Photo: Mickey Rooney ca. 1940. 3:00 Am Death On The Diamond (1934). Director: Edward Sedgwick. Cast: Robert Young, Madge Evans, Nat Pendleton, Mickey Rooney. Bw-71 mins. 4:15 Am A Midsummer Night’S Dream (1935). Director: Max Reinhardt and William Dieterle. Cast: James Cagney, Dick Powell, Olivia de Havilland, Ross Alexander, Anita Louise, Mickey Rooney, Joe E. Brown, Victor Jory, Ian Hunter, Verree Teasdale, Jean Muir, Frank McHugh, Grant Mitchell, Hobart Cavanaugh, Dewey Robinson, Hugh Herbert, Arthur Treacher, Otis Harlan, Helen Westcott, Fred Sale, Billy Barty, Rags Ragland. Bw-143 mins. 6:45 Am A Family Affair (1936). Director: George B. Seitz. Cast: Mickey Rooney, Lionel Barrymore, Cecilia Parker, Eric Linden. Bw-69 mins. 8:00 Am Boys Town (1938). Director: Norman Taurog. Cast: Spencer Tracy, Mickey Rooney, Henry Hull, Leslie Fenton, Gene Reynolds, Edward Norris, Addison Richards, Minor Watson, Jonathan Hale,...
- 8/13/2013
- by Andre Soares
- Alt Film Guide
I've seen all sorts of strange mashups before, but this is probably the strangest. But it's not really a mashup; it's a frighteningly astute observation of the parallels between Pixar's Toy Story films and our favorite zombie TV show, The Walking Dead. Redditor John Wray has dissected the similarities between the two distinct properties and discovers they are not that distinct after all.
And the similarities get creepier from there. Check out the entire gallery at Imgur.
And the similarities get creepier from there. Check out the entire gallery at Imgur.
- 3/28/2013
- by Alyse Wax
- FEARnet
Some things just have to be seen to be believed, and "The Walking Dead" and Toy Story superfan John Wray has delivered something that may have you questioning your sanity. Get ready to behold the undeniable truth that these two franchises are strangely related.
"The Walking Dead" Episode 3.16 - "Welcome to the Tombs" (airs 3/31/13)
Rick (Andrew Lincoln) and the group have to seriously consider if the prison is worth defending as the Governor's (David Morrissey) impending attack looms over their heads. Written by Glen Mazzara; directed by Ernest Dickerson.
Related Story: "The Walking Dead" News Archive
To stay up-to-the-minute on all things walker related, follow @WalkingDead_AMC on Twitter and visit "The Walking Dead" on Facebook. For more be sure to hit up the official "The Walking Dead" page on AMC.com.
Visit The Evilshop @ Amazon!
Got news? Click here to submit it!
"Like" us on the Dread Central Facebook Fan Page!
"The Walking Dead" Episode 3.16 - "Welcome to the Tombs" (airs 3/31/13)
Rick (Andrew Lincoln) and the group have to seriously consider if the prison is worth defending as the Governor's (David Morrissey) impending attack looms over their heads. Written by Glen Mazzara; directed by Ernest Dickerson.
Related Story: "The Walking Dead" News Archive
To stay up-to-the-minute on all things walker related, follow @WalkingDead_AMC on Twitter and visit "The Walking Dead" on Facebook. For more be sure to hit up the official "The Walking Dead" page on AMC.com.
Visit The Evilshop @ Amazon!
Got news? Click here to submit it!
"Like" us on the Dread Central Facebook Fan Page!
- 3/28/2013
- by Uncle Creepy
- DreadCentral.com
Chicago – It has been an Amazing year for catalog Blu-ray releases already and the Universal 100th Anniversary Collection promises to be one of the most important and essential series of 2012. Already this year, “Notorious,” “Rebecca,” “Annie Hall,” “Dead Poets Society,” “Wings,” “Shakespeare in Love,” and much more have joined the format. Universal kicked off their series, which will eventually include “Jaws” and “E.T.- The Extra-Terrestrial,” with “To Kill a Mockingbird” last month and continue it this month with the beloved “All Quiet on the Western Front.”
Rating: 4.5/5.0
Why should young audiences care about an 80-year-old war movie? Not only does the film hold up remarkably well but it is an incredible experience when one consideres the context of its time. They didn’t make anti-war movies then like they do now. And war was a distant, horrible thing in 1930 that people didn’t see every night on the evening news.
Rating: 4.5/5.0
Why should young audiences care about an 80-year-old war movie? Not only does the film hold up remarkably well but it is an incredible experience when one consideres the context of its time. They didn’t make anti-war movies then like they do now. And war was a distant, horrible thing in 1930 that people didn’t see every night on the evening news.
- 2/21/2012
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Silent All Quiet On The Western Front: TCM's Library of Congress Tribute [Photo: Kay Francis, Leslie Howard in British Agent.] Schedule (Et) and synopses from the TCM website: 8:00 Pm The Constant Nymph (1943). A composer finds inspiration in his wife's romantic cousin. Dir: Edmund Goulding. Cast: Charles Boyer, Joan Fontaine, Alexis Smith. Bw-112 mins. 10:00 Pm Baby Face (1933). A beautiful schemer sleeps her way to the top of a banking empire. Dir: Alfred E. Green. Cast: Barbara Stanwyck, George Brent, Donald Cook. Bw-76 mins. 11:30 Pm Two Heads On A Pillow (1934). Once-married attorneys face off during a heated divorce case. Dir: William Nigh. Cast: Neil Hamilton, Miriam Jordan, Henry Armetta. Bw-68 mins. 12:45 Am All Quiet On The Western Front (1930). Young German soldiers try to adjust to the horrors of World War I. Dir: Lewis Milestone. Cast: Lew Ayres, Louis Wolheim, John Wray. Bw-134 mins. 3:15 Am : Will Rogers Winging Around Europe (1927). Bw-0 mins. 3:30 Am...
- 9/29/2011
- Alt Film Guide
All Quiet On The Western Front (1930) Direction: Lewis Milestone Cast: Lew Ayres, Louis Wolheim, Russell Gleason, John Wray, William Bakewell, Raymond Griffith, Beryl Mercer, Ben Alexander, Slim Summerville, Yola D'Avril Screenplay: Maxwell Anderson, George Abbott, Del Andrews; from Erich Maria Remarque's novel Oscar Movies Highly Recommended Lew Ayres, All Quiet on the Western Front Synopsis: World War I: A group of German schoolboys soon learn that war has absolutely nothing to do with either glory or heroics. Pros: More than eight decades after its release, Lewis Milestone's unflinching film version of Erich Maria Remarque's novel All Quiet on the Western Front remains the greatest war movie ever made. Or rather, the greatest anti-war movie ever made. In its simple, straightforward manner, All Quiet on the Western Front manages to be infinitely more powerful than all other loftier (and widely acclaimed) war dramas I've seen, including Terrence Malick...
- 3/27/2011
- by Andre Soares
- Alt Film Guide
Variety reports that Daniel Radcliffe will headline the upcoming remake of, All Queit on the Western Front. All Quiet on the Western Front is an epic 1930 American war film based on the Erich Maria Remarque novel of the same name and centers on warfare during Wwi. The original film was directed by Lewis Milestone, and stars Louis Wolheim, Lew Ayres, John Wray, Arnold Lucy and Ben Alexander. It was later made into an unpopular television movie in 1979.
- 6/23/2010
- BroadwayWorld.com
From Splash Page: Okay, so we're probably a long time away from developing a power source like the one powering Tony Stark's armor in "Iron Man" and "Iron Man 2," but according to recent reports, we might be closer than you think to developing a version of "smart" armor like the one protecting Iron Man and War Machine.
According to Discovery News, scientists at a U.S. miltary facility in Michigan are currently researching applications for "piezoelectric" armor that can not only detect the size of bullets shot at it, but also identify the damage inflicted and generate small amounts of electricity in response. All of this could potentially allow for a similar heads-up display of the armor's current level of damage, weak points and various other conditions Tony Stark is alerted to while wearing the Iron Man armor.
"As a kid, everyone played those video games that showed you...
According to Discovery News, scientists at a U.S. miltary facility in Michigan are currently researching applications for "piezoelectric" armor that can not only detect the size of bullets shot at it, but also identify the damage inflicted and generate small amounts of electricity in response. All of this could potentially allow for a similar heads-up display of the armor's current level of damage, weak points and various other conditions Tony Stark is alerted to while wearing the Iron Man armor.
"As a kid, everyone played those video games that showed you...
- 12/2/2009
- by Rick Marshall
- MTV Movies Blog
Okay, so we're probably a long time away from developing a power source like the one powering Tony Stark's armor in "Iron Man" and "Iron Man 2," but according to recent reports, we might be closer than you think to developing a version of "smart" armor like the one protecting Iron Man and War Machine.
According to Discovery News, scientists at a U.S. miltary facility in Michigan are currently researching applications for "piezoelectric" armor that can not only detect the size of bullets shot at it, but also identify the damage inflicted and generate small amounts of electricity in response. All of this could potentially allow for a similar heads-up display of the armor's current level of damage, weak points and various other conditions Tony Stark is alerted to while wearing the Iron Man armor.
"As a kid, everyone played those video games that showed you how much armor...
According to Discovery News, scientists at a U.S. miltary facility in Michigan are currently researching applications for "piezoelectric" armor that can not only detect the size of bullets shot at it, but also identify the damage inflicted and generate small amounts of electricity in response. All of this could potentially allow for a similar heads-up display of the armor's current level of damage, weak points and various other conditions Tony Stark is alerted to while wearing the Iron Man armor.
"As a kid, everyone played those video games that showed you how much armor...
- 12/2/2009
- by Rick Marshall
- MTV Splash Page
John Wray’s latest novel, Lowboy (Farrar, Straus & Giroux), released in March of this year, concerns a 16-year-old schizophrenic named Will Heller, just out of Bellavista psychiatric hospital (read Bellevue), off his meds and with a history of violence, who rides the subways beneath Manhattan trying to save the world from imminent global apocalypse by eluding capture and successfully losing his virginity. This thriller engine— Doa meets Shock Corridor —Wray says he took from an Australian news clipping. But knowing that he traveled to Austin, Texas in the mid-’90s, where he met the schizophrenic singer-songwriter and artist Daniel Johnston— whom he calls “the single most creative individual I’ve met”— it’s tempting to imagine the two connected, at least within the Cuisinart of the creative process. As detailed in Jeff Feuerzeig’s acclaimed 2006 documentary The Devil and Daniel Johnston, Johnston even had his own lost week in New...
- 9/23/2009
- Vanity Fair
On a sunny day in July, Nell Scovell realized something about many of the ledes in The New York Times Magazine. Perhaps you too can spot the pattern by looking at these recent examples: “On a chilly Thursday night in late January, four weeks from his last show as host of ‘Late Night,’ Conan O’Brien was strumming a guitar behind his beat-up desk in his cluttered office at Rockefeller Center, figuring out how to say goodbye.” (Lynn Hirschberg, May 20, 2009) “On a blustery Wednesday night this past December, the newly opened TriBeCa branch of New York’s 92nd Street Y was host to a stand-up comedy show, but you’d never have guessed it from the goings-on backstage.” (John Wray, May 28, 2009) “On a rainy morning in April, Lisa Feuer took the subway to the Brooklyn Dojo, a martial-arts studio where she was scheduled to teach a mommy-baby yoga class.” (Emily Bazelon,...
- 7/28/2009
- Vanity Fair
It's difficult enough to summarize what Zach Galifianakis' stand-up routine is. Even harder is to explain why it works. John Wray does an outstanding job both introducing readers to Galifianakis' unique blend of comedic styles and expressing why his fans are so drawn to him. What's most remarkable about the man is the distinct disparity between his on-stage persona and his true character. On stage, Galifianakis appears to be an out-of-control, unpredictable, unkempt wild man. His jokes, too, might at first seem to lack much sense or proper transitions between them. Others may go on either too long or never seem to develop. It's only once you accept that Galifianakis intends to challenge the rubric and common tradition by which comedians abide and oblige that you can appreciate this humor and style. I was already a fan of Galifianakis when I recently...
- 6/2/2009
- by Danny Groner
- Huffington Post
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