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Gone with the Wind (1939)
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Overview
Release Date:
17 January 1941 (USA) moreTagline:
Now in 70mm. wide screen and full stereophonic sound! [reissue] morePlot:
American classic in which a manipulative woman and a roguish man carry on a turbulent love affair in the American south during the Civil War and Reconstruction. full summary | add synopsisPlot Keywords:
Marriage | Giving Birth | Employer Employee Relationship | Loss Of Father | Dress From Curtains moreAwards:
Won 8 Oscars. Another 6 wins & 5 nominations moreUser Comments:
A Classic in the History of Movie-making. moreCast
(Cast overview, first billed only)| Thomas Mitchell | ... | Gerald O'Hara | |
| Barbara O'Neil | ... | Ellen O'Hara - His Wife (as Barbara O'Neill) | |
| Vivien Leigh | ... | Scarlett O'Hara - Their Daughter | |
| Evelyn Keyes | ... | Suellen O'Hara - Their Daughter | |
| Ann Rutherford | ... | Carreen O'Hara - Their Daughter | |
| George Reeves | ... | Brent Tarleton - Scarlett's Beau | |
| Fred Crane | ... | Stuart Tarleton - Scarlett's Beau | |
| Hattie McDaniel | ... | Mammy - O'Hara House Servant | |
| Oscar Polk | ... | Pork - O'Hara House Servant | |
| Butterfly McQueen | ... | Prissy - O'Hara House Servant | |
| Victor Jory | ... | Jonas Wilkerson - O'Hara Field Overseer | |
| Everett Brown | ... | Big Sam - O'Hara Field Foreman | |
| Howard C. Hickman | ... | John Wilkes (as Howard Hickman) | |
| Alicia Rhett | ... | India Wilkes - His Daughter | |
| Leslie Howard | ... | Ashley Wilkes |
Additional Details
Parents Guide:
View content advisory for parentsRuntime:
226 min (copyright length) | USA:238 min (restored DVD version) | Sweden:223 min (1969 re-release) | Sweden:234 min (1985 re-release) | UK:224 min (1994 re-release) | UK:233 min (1989 re-release)Country:
USALanguage:
EnglishColor:
Color (Technicolor)Aspect Ratio:
1.37 : 1 moreSound Mix:
Mono (original release) | 70 mm 6-Track (re-release) (1967) | DTS (re-release) (1998) | Dolby Digital (re-release) (1998) | Matrix Surround (1989 remix by Chace) | Perspecta Stereo (re-release) (1954) | SDDS (re-release) (1998)Certification:
Finland:K-11 (2004) | Brazil:Livre | Iceland:L | Portugal:M/12 | Argentina:Atp | Australia:G (alternate rating) | Australia:PG | Belgium:KT | Canada:G (British Columbia/Nova Scotia/Québec) | Canada:PG (Manitoba/Ontario) | Chile:TE | Finland:K-16 | Germany:12 | Netherlands:AL | New Zealand:PG | Norway:16 | Peru:PT | South Korea:12 | Sweden:11 (re-release) | Sweden:15 | UK:A (original rating) | UK:PG (video rating) | USA:Approved (PCA #5729) (original rating) | USA:G (re-rating) (1971)MOVIEmeter: 
Fun Stuff
Goofs:
Revealing mistakes: An obvious stunt player drives the buggy through the burning Atlanta Depot. moreQuotes:
[first lines]Brent Tarleton: What do we care if we *were* expelled from college, Scarlett? The war is gonna start any day now, so we'd have left college anyhow.
Stuart Tarleton: Oh, isn't it exciting, Scarlett? You know those fool Yanks may actually *want* a war?
Brent Tarleton: We'll show 'em!
Scarlett: Fiddle-dee-dee. War, war, war; this war talk's spoiling all the fun at every party this spring. I get so bored I could scream. Besides... there isn't going to be any war.
Brent Tarleton: Not going to be any war?
Stuart Tarleton: Why, honey, of course there's gonna be a war.
Scarlett: If either of you boys says "war" just once again, I'll go in the house and slam the door.
Brent Tarleton: But Scarlett...
Stuart Tarleton: Don't you *want* us to have a war?
[...]
more
Soundtrack:
(I Wish I Was in) Dixie's Land moreFAQ
Does the movie depict the Burning of Atlanta?Do any deleted scenes exist?
What became of the costumes?
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Every time I watch this film, and I've seen it more times than I can remember, I'm always astonished by the freshness of the story, the power of the emotions it conveys and the beautiful, detailed images of a time long gone. That this film was made in the 1930's is almost incomprehensible to me. The challenges that had to be overcome in order to bring it to life must have been monumental. But come to life it did, and still does! A triumph of film-making ingenuity and genius, that will live on for many generations to come.