"Six women go spelunking" doesn't necessarily read as a great logline for a horror movie, but Neil Marshall's "The Descent" takes that premise and crafts an unforgettable exercise in terror. As the saying goes, it's a B-movie with A+ filmmaking.
Being trapped underground combines two common fears, confinement and darkness, and in "The Descent," the heavy shadows only reinforce the claustrophobia. Marshall and his cinematographer Sam McCurdy chose to light the film's sets (a facsimile of a real cave system built and shot at Pinewood Studios) primarily with the characters' flashlights. Even color choices — some frames are filtered entirely red or green — are used diegetically from those lights or flares.
As the characters get deeper and deeper into the cave, darkness subsumes each and every frame. It needs to, for the whole reason a cave is a scary setting is because of what you can't see. And yet, Marshall...
Being trapped underground combines two common fears, confinement and darkness, and in "The Descent," the heavy shadows only reinforce the claustrophobia. Marshall and his cinematographer Sam McCurdy chose to light the film's sets (a facsimile of a real cave system built and shot at Pinewood Studios) primarily with the characters' flashlights. Even color choices — some frames are filtered entirely red or green — are used diegetically from those lights or flares.
As the characters get deeper and deeper into the cave, darkness subsumes each and every frame. It needs to, for the whole reason a cave is a scary setting is because of what you can't see. And yet, Marshall...
- 12/4/2023
- by Devin Meenan
- Slash Film
To celebrate Second Sight Films new releases Dog Soldiers & Bull we have a horrifyingly great Halloween competition for you to win Boxsets of both films!
Bull arrives on Limited Edition Blu-ray on 26 September 2022 in a collectable box set presented in a rigid case with brand new artwork from James Neal a soft-cover book with brand-new essays.
Bull– British acting great Neil Maskell puts the fear of God into those that destroyed his family, in the wickedly twisted, brutal, anxiety inducing Bull, from writer/director Paul Andrew Williams. Bull (Maskell – Kill List, Utopia) is back after ten years away with only one mission… vengeance. Returning to his hometown he tracks down every member of the ruthless crime family – that left him for dead and kidnapped his only son – and will stop at nothing to make them pay for their crimes. This deeply damaged soul, once a caring father, is now a...
Bull arrives on Limited Edition Blu-ray on 26 September 2022 in a collectable box set presented in a rigid case with brand new artwork from James Neal a soft-cover book with brand-new essays.
Bull– British acting great Neil Maskell puts the fear of God into those that destroyed his family, in the wickedly twisted, brutal, anxiety inducing Bull, from writer/director Paul Andrew Williams. Bull (Maskell – Kill List, Utopia) is back after ten years away with only one mission… vengeance. Returning to his hometown he tracks down every member of the ruthless crime family – that left him for dead and kidnapped his only son – and will stop at nothing to make them pay for their crimes. This deeply damaged soul, once a caring father, is now a...
- 10/22/2023
- by Competitions
- HeyUGuys.co.uk
(Welcome to The Daily Stream, an ongoing series in which the /Film team shares what they've been watching, why it's worth checking out, and where you can stream it.)
The Movie: "The Descent" (2005)
Where You Can Stream It: Paramount+
The Pitch: Well before the rise of the "It's actually about trauma" trend in horror and the Jamie Lee Curtis meme that came with it, there was "The Descent."
In Neil Marshall's suffocating, dismal, gooey 2005 subterranean survival movie, there aren't any masked, stab-happy killers tip-toeing about, nor is there a supernatural curse being passed from one individual to another. The only "trauma" in the film is the very literal kind that exists in its characters' heads. It's the type they can't escape no matter where they go and no matter what they do. And when a battle with monsters in the real world forces them to come face-to-face with their inner demons,...
The Movie: "The Descent" (2005)
Where You Can Stream It: Paramount+
The Pitch: Well before the rise of the "It's actually about trauma" trend in horror and the Jamie Lee Curtis meme that came with it, there was "The Descent."
In Neil Marshall's suffocating, dismal, gooey 2005 subterranean survival movie, there aren't any masked, stab-happy killers tip-toeing about, nor is there a supernatural curse being passed from one individual to another. The only "trauma" in the film is the very literal kind that exists in its characters' heads. It's the type they can't escape no matter where they go and no matter what they do. And when a battle with monsters in the real world forces them to come face-to-face with their inner demons,...
- 10/25/2022
- by Sandy Schaefer
- Slash Film
Hello, everyone! August 23rd is a quiet day for horror and sci-fi home media releases, but that doesn’t mean that this week’s offerings aren’t pretty darn great all the same. Scream Factory has put together a killer Collector’s Edition 4K release for Neil Marshall’s Dog Soldiers and Kino Lorber has put together reissues of their Blu-ray box sets for seasons one and two of The Outer Limits, which genre fans will definitely want to pick up.
Cheers!
Dog Soldiers: 4K Collector’s Edition
A group of soldiers dispatched to the Scottish Highlands on special training maneuvers face their biggest fears after they run into Captain Ryan – the only survivor of a Special Ops team that was literally torn to pieces. Ryan refuses to disclose his mission even though whoever attacked his men might be hungry for seconds. Help arrives in the form of a...
Cheers!
Dog Soldiers: 4K Collector’s Edition
A group of soldiers dispatched to the Scottish Highlands on special training maneuvers face their biggest fears after they run into Captain Ryan – the only survivor of a Special Ops team that was literally torn to pieces. Ryan refuses to disclose his mission even though whoever attacked his men might be hungry for seconds. Help arrives in the form of a...
- 8/23/2022
- by Heather Wixson
- DailyDead
Scream Factory has revealed that it plans to release a Collector's Edition 4K Blu-ray of Neil Marshall's Dog Soldiers (2002), starring Sean Pertwee, Kevin McKidd, Emma Cleasby, Liam Cunningham, and Darren Morfitt.
The release is scheduled to arrive on the market on June 14 and you can pre-order now.
The label has confirmed that the upcoming release will be sourced from a new 4K restoration from the original camera negative, approved by director Marshall and cinematographer Sam McCurdy, plus it will retain all legacy bonus features from the existing Blu-ray release.
Description:
From Neil Marshall, the director of The Descent, comes a tale of transformation and blood lust. A team...
The release is scheduled to arrive on the market on June 14 and you can pre-order now.
The label has confirmed that the upcoming release will be sourced from a new 4K restoration from the original camera negative, approved by director Marshall and cinematographer Sam McCurdy, plus it will retain all legacy bonus features from the existing Blu-ray release.
Description:
From Neil Marshall, the director of The Descent, comes a tale of transformation and blood lust. A team...
- 4/6/2022
- QuietEarth.us
Michael Ahr Dave Vitagliano Jan 26, 2020
We spoke to the directors of photography of Manifest and Lost in Space to learn how their shows create their signature sci-fi looks.
The director of photography is the unsung hero of any set, making the lighting and framing of a scene as important as what the characters are saying or doing, but in television, where episode directors rotate in and out, a consistent vision is particularly crucial. Science fiction shows have the extra challenge of creating a sense of realism in speculative environments, and to find out how it’s done, our Sci Fi Fidelity podcast hosts spoke to Sarah Cawley, Dp of NBC’ Manifest, and Sam McCurdy, Dp of Lost in Space on Netflix, who shed some light on the process.
Cawley helped us by explaining how the signature look of Manifest is able to stay unified across episodes while still allowing for a director’s creativity.
We spoke to the directors of photography of Manifest and Lost in Space to learn how their shows create their signature sci-fi looks.
The director of photography is the unsung hero of any set, making the lighting and framing of a scene as important as what the characters are saying or doing, but in television, where episode directors rotate in and out, a consistent vision is particularly crucial. Science fiction shows have the extra challenge of creating a sense of realism in speculative environments, and to find out how it’s done, our Sci Fi Fidelity podcast hosts spoke to Sarah Cawley, Dp of NBC’ Manifest, and Sam McCurdy, Dp of Lost in Space on Netflix, who shed some light on the process.
Cawley helped us by explaining how the signature look of Manifest is able to stay unified across episodes while still allowing for a director’s creativity.
- 1/26/2020
- Den of Geek
Well, it looks like the cat is out of the bag. I’ve known for some time now that there has been some drama on the set of Hellboy, but was asked not to report on it. I’ve alluded to it in previous posts regarding the film, but never came right out and said any of the things I heard.
Now The Wrap has shared all of the details regarding the troubled production which saw director Neil Marshall clashing with a couple of producers on the film. If you’ve wondered why Marshall hasn’t been doing any kind of promotion on the film, this is obviously the reason.
The two producers that Marshall was butting heads with were Lawrence Gordon and Lloyd Levin, and it all started when the producers decided to replace Marshall’s long-time cinematographer, Sam McCurdy. There were also fights involving rehearsals, star David Harbour,...
Now The Wrap has shared all of the details regarding the troubled production which saw director Neil Marshall clashing with a couple of producers on the film. If you’ve wondered why Marshall hasn’t been doing any kind of promotion on the film, this is obviously the reason.
The two producers that Marshall was butting heads with were Lawrence Gordon and Lloyd Levin, and it all started when the producers decided to replace Marshall’s long-time cinematographer, Sam McCurdy. There were also fights involving rehearsals, star David Harbour,...
- 4/11/2019
- by Joey Paur
- GeekTyrant
Kirsten Howard Apr 11, 2019
A new report suggests that making the new Hellboy movie wasn't the best of times.
Neil Marshall's Hellboy reboot movie isn't getting a lot of love from the critics, and it seems like it was a trial to make behind the scenes, too.
A new report from The Wrap has shed light on a stack of issues that came up during production on the film, most of which were gleaned from insiders who didn't want to be named "because they feared career repercussions for speaking out."
Needless to say, it all makes for some premium yikes reading.
According to the report, director Neil Marshall, who broke out with early-00s horror movies Dog Soldiers and The Descent before helming some of Game Of Thrones' best episodes, repeatedly clashed with two of Hellboy's producers throughout filming, and this boiled over when they fired Marshall's cinematographer of choice,...
A new report suggests that making the new Hellboy movie wasn't the best of times.
Neil Marshall's Hellboy reboot movie isn't getting a lot of love from the critics, and it seems like it was a trial to make behind the scenes, too.
A new report from The Wrap has shed light on a stack of issues that came up during production on the film, most of which were gleaned from insiders who didn't want to be named "because they feared career repercussions for speaking out."
Needless to say, it all makes for some premium yikes reading.
According to the report, director Neil Marshall, who broke out with early-00s horror movies Dog Soldiers and The Descent before helming some of Game Of Thrones' best episodes, repeatedly clashed with two of Hellboy's producers throughout filming, and this boiled over when they fired Marshall's cinematographer of choice,...
- 4/11/2019
- Den of Geek
Despite a general sense of disappointment that Guillermo del Toro and Ron Perlman weren’t going to bring us a third film in their series, many people took the announcement of the Hellboy reboot pretty well. After all, at this point, any movie featuring Big Red is better than none at all, and director Neil Marshall and the rest of the cast and crew talked a pretty good game about bringing the antihero back to his horror roots.
But then that first trailer landed and let’s just say it’s hard to remember a summer blockbuster preview that was so poorly received, with many feeling that rather than a new direction for the character, this looked like a bargain basement knock-off of what del Toro had given us, and with much much worse Hellboy makeup to boot.
And though the general public won’t get to weigh in on...
But then that first trailer landed and let’s just say it’s hard to remember a summer blockbuster preview that was so poorly received, with many feeling that rather than a new direction for the character, this looked like a bargain basement knock-off of what del Toro had given us, and with much much worse Hellboy makeup to boot.
And though the general public won’t get to weigh in on...
- 4/11/2019
- by Matt Joseph
- We Got This Covered
Hellboy the comic-book character was born of an unholy union of woman and demon. But the latest “Hellboy” movie was born of clashes between director Neil Marshall and two of the film’s 16 producers.
Insiders on the film told TheWrap about a series of disagreements that boiled over when the producers decided to replace Marshall’s go-to cinematographer, Sam McCurdy. Other spats involved rehearsals, star David Harbour and the design of a tree, insiders said.
Two people familiar with the situation said McCurdy was fired simply for doing what Marshall asked him to do, and that producers Lawrence Gordon and Lloyd Levin were trying to send a message to Marshall that despite being the film’s director, Marshall was not in charge.
An attorney for Levin said that was not the case. “While my client will not comment on why Sam McCurdy was fired as that is a private matter,...
Insiders on the film told TheWrap about a series of disagreements that boiled over when the producers decided to replace Marshall’s go-to cinematographer, Sam McCurdy. Other spats involved rehearsals, star David Harbour and the design of a tree, insiders said.
Two people familiar with the situation said McCurdy was fired simply for doing what Marshall asked him to do, and that producers Lawrence Gordon and Lloyd Levin were trying to send a message to Marshall that despite being the film’s director, Marshall was not in charge.
An attorney for Levin said that was not the case. “While my client will not comment on why Sam McCurdy was fired as that is a private matter,...
- 4/11/2019
- by Umberto Gonzalez and Tim Molloy
- The Wrap
Rosamund Pike as “Ruth Williams” and David Oyelowo as “Seretse Khama” in the film A United Kingdom. Photo by Stanislav Honzik. © 2017 Twentieth Century Fox Film Corporation All Rights Reserved
A United Kingdom is one of those movies where one is compelled to say “based on a true story” lest viewers scoff that such a thing couldn’t happen. Set in the late 1940s, the film is based on a real-life romance between a white middle-class English office worker and an African prince attending college in London but due to return home to ascend as king of his country. In this visually beautiful, romantic historical drama, the two meet, fall in love and marry, which sparks not only outrage in both their families but an international crisis.
The story takes place shortly after World War II, when European colonial powers still controlled most of Africa and apartheid was just taking hold in South Africa.
A United Kingdom is one of those movies where one is compelled to say “based on a true story” lest viewers scoff that such a thing couldn’t happen. Set in the late 1940s, the film is based on a real-life romance between a white middle-class English office worker and an African prince attending college in London but due to return home to ascend as king of his country. In this visually beautiful, romantic historical drama, the two meet, fall in love and marry, which sparks not only outrage in both their families but an international crisis.
The story takes place shortly after World War II, when European colonial powers still controlled most of Africa and apartheid was just taking hold in South Africa.
- 2/24/2017
- by Cate Marquis
- WeAreMovieGeeks.com
Director Amma Asante follows up the excellent Belle with another terrific drama...
Amma Asante is no stranger when it comes to mixing the personal and political. As with her second feature, 2013’s Austenesque period piece Belle, Asante dusts off and illuminates another historic humanist story, earnestly transporting it to a global platform with a vividly crafted Hollywood sheen. A 1947 post-war London sees insurance clerk Ruth Williams (Rosamund Pike) and imminent heir of Bechuanaland (modern day Botswana) Seretse Khama (David Oyelowo) daringly lock eyes in amongst a swirl of tepid jazz music and smoke at a local missionary society dance. Their connection is instant and intimate yet also exceedingly dangerous.
See related Shane Black: a career retrospective Zack Snyder interview: Batman V Superman
Adapted from Susan Williams’ novel Colour Bar, A United Kingdom initially rushes the whirlwind yearlong courtship which is interspersed with fractured familial relations (on both sides) and vulgar societal racism.
Amma Asante is no stranger when it comes to mixing the personal and political. As with her second feature, 2013’s Austenesque period piece Belle, Asante dusts off and illuminates another historic humanist story, earnestly transporting it to a global platform with a vividly crafted Hollywood sheen. A 1947 post-war London sees insurance clerk Ruth Williams (Rosamund Pike) and imminent heir of Bechuanaland (modern day Botswana) Seretse Khama (David Oyelowo) daringly lock eyes in amongst a swirl of tepid jazz music and smoke at a local missionary society dance. Their connection is instant and intimate yet also exceedingly dangerous.
See related Shane Black: a career retrospective Zack Snyder interview: Batman V Superman
Adapted from Susan Williams’ novel Colour Bar, A United Kingdom initially rushes the whirlwind yearlong courtship which is interspersed with fractured familial relations (on both sides) and vulgar societal racism.
- 11/24/2016
- Den of Geek
If Amma Asante’s newest historical romance “A United Kingdom” — like her breakout “Belle,” the film is based on a true story and rooted in real emotion — is hamstrung by anything, it’s the necessity of Guy Hibbert’s script (based on Susan Williams’ book, “Color Bar”) to zip over the early, blooming days of the film’s central love story and buckle down on the tough stuff. Asante’s film, unlike other, more “traditional” Hollywood love stories, isn’t interested in the joys of falling in love so much as the ability to stay in love against heartbreaking odds.
The result is a rich, stirring look at one of modern society’s most enduring — and yes, inspirational — marriages, underpinned by political machinations that remain all too relevant.
Picking up in 1947, with the world still jarred by the events or World War II and exhilarated that they are finally over,...
The result is a rich, stirring look at one of modern society’s most enduring — and yes, inspirational — marriages, underpinned by political machinations that remain all too relevant.
Picking up in 1947, with the world still jarred by the events or World War II and exhilarated that they are finally over,...
- 9/10/2016
- by Kate Erbland
- Indiewire
By Jonathan Weichsel
MoreHorror.com
The Filmmaker's Book of the Dead is written by Danny Draven with a forward by Charles Band, owner of Full Moon Pictures.
The book features interviews with Mick Garris (Sleepwalkers, Bag of Bones, Desperation, The Stand,) John Ottman (Composer/Editor of X:Men: Days of Future Past, The Usual Suspects,) Mark Ordesky & Jane Fleming (Producers of Lovely Molly, Exists,) Kane Hodder (Jason from the Friday the 13th, part 7 to 10, Hatchet,) Tibor Takacs (Director of The Gate, Spiders 3D, Megasnake,) John Debney (Composer of Predators, Sin City, End of Days,) Jojo Draven (Composer of Patient Seven, Ghost Month, Reel Evil,) Michael Berryman (The Hills Have Eyes, Weird Science,) Mike Mendez (Director of The Gravedancers, Big Ass Spider,) Neal Marshall Stevens (Screenwriter of Thir13en Ghosts, Hellraiser: Deader,) Chris Alexander (Former Editor in Chief of Fangoria Magazine, Filmmaker,) Jessica Cameron (Actress/Director of Truth or Dare,) Denise Gossett (Founder...
MoreHorror.com
The Filmmaker's Book of the Dead is written by Danny Draven with a forward by Charles Band, owner of Full Moon Pictures.
The book features interviews with Mick Garris (Sleepwalkers, Bag of Bones, Desperation, The Stand,) John Ottman (Composer/Editor of X:Men: Days of Future Past, The Usual Suspects,) Mark Ordesky & Jane Fleming (Producers of Lovely Molly, Exists,) Kane Hodder (Jason from the Friday the 13th, part 7 to 10, Hatchet,) Tibor Takacs (Director of The Gate, Spiders 3D, Megasnake,) John Debney (Composer of Predators, Sin City, End of Days,) Jojo Draven (Composer of Patient Seven, Ghost Month, Reel Evil,) Michael Berryman (The Hills Have Eyes, Weird Science,) Mike Mendez (Director of The Gravedancers, Big Ass Spider,) Neal Marshall Stevens (Screenwriter of Thir13en Ghosts, Hellraiser: Deader,) Chris Alexander (Former Editor in Chief of Fangoria Magazine, Filmmaker,) Jessica Cameron (Actress/Director of Truth or Dare,) Denise Gossett (Founder...
- 2/1/2016
- by admin
- MoreHorror
Sometimes it’s psychological. Sometimes it’s visceral. It can be a masked killer’s twisted pastime. A labyrinth our poor heroes must find their way out of. Perhaps a nasty round of torture by the Big Bad. Whatever it is, the sick feeling of impending doom overcomes us as we realize the characters might not make it out alive. Sometimes they can think their way through. Sometimes they can fight. But when the exits are closed and the madman decides to get creative, all bets are off.
****
Alucarda, La Hija De Las Tinieblas / Innocents From Hell (1977) – A Dracula takes revenge
Director Juan López Moctezuma came along during the new wave of 70′s Mexican genre pics that expressed radical and subversive views. An important intellectual figure in Mexico in the fifties, sixties, and seventies, Moctezuma produced Jodorowsky’s El Topo and Fando Y Lis. Of his three horror films (which also includes Mansion of Madness,...
****
Alucarda, La Hija De Las Tinieblas / Innocents From Hell (1977) – A Dracula takes revenge
Director Juan López Moctezuma came along during the new wave of 70′s Mexican genre pics that expressed radical and subversive views. An important intellectual figure in Mexico in the fifties, sixties, and seventies, Moctezuma produced Jodorowsky’s El Topo and Fando Y Lis. Of his three horror films (which also includes Mansion of Madness,...
- 10/10/2015
- by Staff
- SoundOnSight
Another Scream Factory release, another controversy. Scream Factory’s Collector’s Edition release of Neil Marshall’s Dog Soldiers has been plagued with issues since it was announced. Delays, a lack of source material from which to scan a new transfer. After a year of waiting, some of us assumed that we’d never actually see this release come to fruition. On June 23rd, the wait was finally over, but some people were less than satisfied. Do they have a valid complaint, or is it more anti-Scream Factory hipster nonsense?
The Movie:
First, let’s talk about the movie, then we’ll get into the controversy. Neil Marshall’s Dog Soldiers is one of the last great Werewolf movies. It shouldn’t be hard to do, considering the criminal lack of solid werewolf movies on the market, but sadly, the few that do get made are generally average, or worse.
The Movie:
First, let’s talk about the movie, then we’ll get into the controversy. Neil Marshall’s Dog Soldiers is one of the last great Werewolf movies. It shouldn’t be hard to do, considering the criminal lack of solid werewolf movies on the market, but sadly, the few that do get made are generally average, or worse.
- 7/8/2015
- by Shawn Savage
- The Liberal Dead
In addition to getting their Blu-ray horror and sci-fi fix from Shout! Factory's booth #4118 at this year's Comic-Con, fans can also experience exciting future Scream Factory title announcements at the "Inside Look" panel taking place Friday, July 10th at 7:30pm in Room 24Abc:
Press Release: "Now a mainstay at San Diego Comic-Con International, Shout! Factory returns to the convention in 2015 with a dynamic line-up sure to delight pop culture enthusiasts of all ages. Shout! Factory is a leading multi-platform entertainment company, and its Comic-Con offerings, which span its popular Shout! Factory, Shout! Kids and Scream Factory™ brands, are sure to please devoted fans of popular home entertainment properties, collectors and pop culture enthusiasts alike. This year, Shout! Factory unveils an exciting panel event, new home entertainment products, Comic-Con exclusives and engaging booth activities. Fans and attendees are invited to join in on the excitement at the Shout! Factory...
Press Release: "Now a mainstay at San Diego Comic-Con International, Shout! Factory returns to the convention in 2015 with a dynamic line-up sure to delight pop culture enthusiasts of all ages. Shout! Factory is a leading multi-platform entertainment company, and its Comic-Con offerings, which span its popular Shout! Factory, Shout! Kids and Scream Factory™ brands, are sure to please devoted fans of popular home entertainment properties, collectors and pop culture enthusiasts alike. This year, Shout! Factory unveils an exciting panel event, new home entertainment products, Comic-Con exclusives and engaging booth activities. Fans and attendees are invited to join in on the excitement at the Shout! Factory...
- 6/24/2015
- by Derek Anderson
- DailyDead
Another big week of DVD and Blu-ray releases for genre fans out there as we’ve got several cult classics coming to Blu-ray and more than a dozen indie films headed home on DVD as well on June 23rd. Scream Factory is showing Neil Marshall’s Dog Soldiers some love on Tuesday with their Collector’s Edition Combo set and Kino Lorber is also giving a high-def overhaul to both Needful Things and The Island of Dr. Moreau too. The provocative horror fantasy Horsehead is also arriving on both Blu and DVD and for any longtime Ryan Gosling fans out there, you’ll undoubtedly want to snag a copy of Young Hercules: The Complete Series which is coming to DVD for the first time ever this week.
Dog Soldiers Collector’s Edition (Scream Factory, Blu/DVD Combo)
A group of soldiers dispatched to the Scottish Highlands on...
Dog Soldiers Collector’s Edition (Scream Factory, Blu/DVD Combo)
A group of soldiers dispatched to the Scottish Highlands on...
- 6/23/2015
- by Heather Wixson
- DailyDead
Nearly 13 years ago, a British Army unit discovered what lives in the shadows in Neil Marshall's feature film directorial debut, Dog Soldiers, and this summer Scream Factory is revisiting what that doomed group encountered with their Dog Soldiers Collector’s Edition Blu-ray / DVD. First announced in 2013, the anticipated release has been pushed back more than once to ensure it's the best possible final version. At long last, the beloved werewolf film will come out on June 23rd and it will be well worth the wait, as the newly revealed special features are enough to make horror hounds drool and howl at the moon with pleasure.
Press Release -- "Six Men. Full Moon. No Chance. The terrifying thriller Dog Soldiers gets the Scream Factory treatment with a Collector’s Edition Blu-ray + DVD Combo Pack available June 23rd, 2015. Fans who order their copy from ShoutFactory.com will receive an exclusive Dog Soldiers poster,...
Press Release -- "Six Men. Full Moon. No Chance. The terrifying thriller Dog Soldiers gets the Scream Factory treatment with a Collector’s Edition Blu-ray + DVD Combo Pack available June 23rd, 2015. Fans who order their copy from ShoutFactory.com will receive an exclusive Dog Soldiers poster,...
- 5/6/2015
- by Derek Anderson
- DailyDead
Written by: Patrick Melton and Marcus Dunstan
Directed by: Marcus Dunstan
Featuring: Josh Stewart, Emma Fitzpatrick, Christopher McDonald, Lee Tergesen, Johanna Reddy, Randall Archer
Hey, wait a sec. People were demanding a sequel to The Collector? The Saw prequel-turned-original-horror film from Saw IV-VII writers Patrick Melton and Marcus Dunstan wasn't a huge bomb; it made just under $8 million at the box office and seemed to have little buzz behind it. Even Melton expressed surprise during an interview that it had been greenlit. But it was cheap to make and had a life on video and cable, where I caught it. And here we are again, with a rarity in the world of horror: a sequel featuring the original creative team and star, Josh Stewart.
The Collector is a serial killer who stages a home invasion, knocks out the occupants and then litters the home with Rube Goldberg-ian (or Kevin McAllister-ian) traps,...
Directed by: Marcus Dunstan
Featuring: Josh Stewart, Emma Fitzpatrick, Christopher McDonald, Lee Tergesen, Johanna Reddy, Randall Archer
Hey, wait a sec. People were demanding a sequel to The Collector? The Saw prequel-turned-original-horror film from Saw IV-VII writers Patrick Melton and Marcus Dunstan wasn't a huge bomb; it made just under $8 million at the box office and seemed to have little buzz behind it. Even Melton expressed surprise during an interview that it had been greenlit. But it was cheap to make and had a life on video and cable, where I caught it. And here we are again, with a rarity in the world of horror: a sequel featuring the original creative team and star, Josh Stewart.
The Collector is a serial killer who stages a home invasion, knocks out the occupants and then litters the home with Rube Goldberg-ian (or Kevin McAllister-ian) traps,...
- 12/11/2012
- by Dan Coyle aka Deadpool
- Planet Fury
From the writing-directing team Marcus Dunstan and Patrick Melton (Saw IV, V, VI, and 3D) comes The Collection, a suspense horror film with nonstop thrills at every turn. Directed by Dunstan, the film centers on a traumatized man forced to help rescue a beautiful woman who has become the latest obsession of a crazed killer who “collects” humans in a booby trapped house of horrors.
Latino Review had an exclusive opportunity to sit and talk to the writing-directing team, Marcus Dunstan and Patrick Melton about their latest film and sequel to The Collector, The Collection.
Latino Review: Will there be a third film?
Marcus Dunstan: If this one will be accepted and be a success then yeah.
Patrick Melton: Oh your Latino Review, I love Latino Review dude you guys are the best. You guys break all the… You guys get the scoops and you break stuff. It’s also the commentary,...
Latino Review had an exclusive opportunity to sit and talk to the writing-directing team, Marcus Dunstan and Patrick Melton about their latest film and sequel to The Collector, The Collection.
Latino Review: Will there be a third film?
Marcus Dunstan: If this one will be accepted and be a success then yeah.
Patrick Melton: Oh your Latino Review, I love Latino Review dude you guys are the best. You guys break all the… You guys get the scoops and you break stuff. It’s also the commentary,...
- 11/29/2012
- by Fernando Esquivel
- LRMonline.com
A few years ago, in between writing duties on various Saw and Feast sequels, Marcus Dunstan and Patrick Melton went out and made their own little horror movie, and they seemed more than content to simply present a nasty new terror flick that, at the very least, did not have a number in its title. That flick was called The Collector, and while it certainly does have some Saw DNA in both the screenplay and directorial departments, it also managed to offer a relatively novel premise and location. In today's horror landscape, "something familiar plus some novelty" is just good enough, and The Collector still holds up as a vicious little indie flick that earns fans today.
So logically it's time for The Collector Part 2! (Don't feel too bad for the sequel-happy Dunstan and Melton; they're now working on Pacific Rim and the God of War movie.) But if these...
So logically it's time for The Collector Part 2! (Don't feel too bad for the sequel-happy Dunstan and Melton; they're now working on Pacific Rim and the God of War movie.) But if these...
- 9/22/2012
- by Scott Weinberg
- FEARnet
We’re back with the latest installment of our Indie Spotlight. Each feature includes the latest independent horror news sent our way. If you want to be included in our next spotlight, send us an email.
Six Degrees of Hell Retro Poster: A new vintage-style poster has been released for Six Degrees of Hell:
“Ever walk through one of those Halloween haunted attractions and wonder how real it all looked? What if it was? Six individuals are caught in a supernatural perfect storm that has come to claim one of them and tear apart the soul of a small town.”
Directed by Joe Raffa, Six Degrees of Hell features Corey Feldman, Cloris Leachman, Tara Reid, Nicole Cinaglia and David Bonner. The film is set to be released later this year. To check out the poster, visit the official Six Degrees of Hell Facebook page: http://www.facebook.com/pages/Six-Degrees-of-Hell...
Six Degrees of Hell Retro Poster: A new vintage-style poster has been released for Six Degrees of Hell:
“Ever walk through one of those Halloween haunted attractions and wonder how real it all looked? What if it was? Six individuals are caught in a supernatural perfect storm that has come to claim one of them and tear apart the soul of a small town.”
Directed by Joe Raffa, Six Degrees of Hell features Corey Feldman, Cloris Leachman, Tara Reid, Nicole Cinaglia and David Bonner. The film is set to be released later this year. To check out the poster, visit the official Six Degrees of Hell Facebook page: http://www.facebook.com/pages/Six-Degrees-of-Hell...
- 1/29/2012
- by Jonathan James
- DailyDead
Neil Marshall has got a reputation. The British writer-director of Dog Soldiers, The Descent and Doomsday has been likened to, among others, Eli Roth and Rob Zombie. That's by virtue of being named with them as a member of the so-called Splat Pack.
If you have seen any of their films you'll know that their connection is obvious. Bloody obvious. The gushing red stuff comes in buckets when Roth and Rob Z. are behind the camera and Marshall can clearly stand the sight of it, too. Dog Soldiers and The Descent were fine suspense films but you wouldn't watch them with your granny. Unless, that is, she once worked in an abattoir.
Marshall has followed up those films with the equally bload-soaked Centurion, which was recently released on DVD by eOne. Part Roman epic, part chase film and part sword-and-sandal adventure, Centurion is a thematic departure for the director in...
If you have seen any of their films you'll know that their connection is obvious. Bloody obvious. The gushing red stuff comes in buckets when Roth and Rob Z. are behind the camera and Marshall can clearly stand the sight of it, too. Dog Soldiers and The Descent were fine suspense films but you wouldn't watch them with your granny. Unless, that is, she once worked in an abattoir.
Marshall has followed up those films with the equally bload-soaked Centurion, which was recently released on DVD by eOne. Part Roman epic, part chase film and part sword-and-sandal adventure, Centurion is a thematic departure for the director in...
- 11/30/2010
- CinemaSpy
There are three horror or thriller titles releasing next week beginning November 2nd. The period action piece Centurion will release on DVD and Blu-Ray formats, with the Blu-Ray offering nine special features. Also releasing is the Blu-Ray copy of the 2007 sleeper hit Funny Games, which will only offer bare extras. Finally, Once Fallen will release through First Look International; the film stars Ed Harris (Waking the Dead), Richard Tyson (The Fear Chamber), and Peter Weller. Have a look at each of these titles in more detail below.
Centurion - DVD, Blu-Ray
Director/writer: Neil Marshall.
A partial synopsis for Centurion is here:
"Ad 117, the Roman Empire stretches from Egypt to Spain, and East as far as the Black Sea. But in northern Britain, the relentless onslaught of conquest has ground to a halt in face of the guerrilla tactics of an elusive enemy: the savage and terrifying Picts."
*The full...
Centurion - DVD, Blu-Ray
Director/writer: Neil Marshall.
A partial synopsis for Centurion is here:
"Ad 117, the Roman Empire stretches from Egypt to Spain, and East as far as the Black Sea. But in northern Britain, the relentless onslaught of conquest has ground to a halt in face of the guerrilla tactics of an elusive enemy: the savage and terrifying Picts."
*The full...
- 10/31/2010
- by 28DaysLaterAnalysis@gmail.com (Michael Allen)
- 28 Days Later Analysis
Year: 2009
Directors: Jon Harris
Writers: J Blakeson / James McCarthy / James Watkins
IMDb: link
Trailer: link
Review by: agentorange
Rating: 7 out of 10
[Editor's note: Possible Descent spoilers. If you haven't seen the first film yet, why are you reading this anyway? Go watch it... or continue at own risk.]
How inevitable you thought a Descent sequel would be all depends on which version of Neil Marshall's original film you watched. Personally, I never would have imaged it. I saw the UK version and the way I remember it ending is with a nasty twist. You think Sarah has escaped the subterranean nightmare only to discover her escape was all in her head. She's actually lost her mind and is ready to die and be with her daughter in the afterlife. In America, this ending was truncated so that twist was edited out. It's from this version that the Descent: Part 2 springs.
The film starts with Sarah alive and running for her life in the forest. She gets picked up by a backwoods trucker who takes her to the hospital.
Directors: Jon Harris
Writers: J Blakeson / James McCarthy / James Watkins
IMDb: link
Trailer: link
Review by: agentorange
Rating: 7 out of 10
[Editor's note: Possible Descent spoilers. If you haven't seen the first film yet, why are you reading this anyway? Go watch it... or continue at own risk.]
How inevitable you thought a Descent sequel would be all depends on which version of Neil Marshall's original film you watched. Personally, I never would have imaged it. I saw the UK version and the way I remember it ending is with a nasty twist. You think Sarah has escaped the subterranean nightmare only to discover her escape was all in her head. She's actually lost her mind and is ready to die and be with her daughter in the afterlife. In America, this ending was truncated so that twist was edited out. It's from this version that the Descent: Part 2 springs.
The film starts with Sarah alive and running for her life in the forest. She gets picked up by a backwoods trucker who takes her to the hospital.
- 4/26/2010
- QuietEarth.us
A return to form for Neil Marshall, Centurion boasts characters, blood, guts, violence, and a damned good night out at the flicks...
Probably the best way to make you understand the adrenalin-charged reaction I had to Neil Marshall's Centurion, is by asking you to imagine me shouting, "I am a soldier of Rome! I will not yield!" in your face, then flailing my arm about making sword noises, followed by some guttural death sounds, before running round in a circle and collapsing on the floor exhausted.
If that sounds like the actions of a slightly deranged adult acting on a youthful whim, then it pretty much sums up Centurion, which I, for one, thought was really good. Just pity my poor girlfriend, who had to suffer the above quote being shouted at her in response to most questions that night. "Have you decided what you'd like to eat?" she asked.
Probably the best way to make you understand the adrenalin-charged reaction I had to Neil Marshall's Centurion, is by asking you to imagine me shouting, "I am a soldier of Rome! I will not yield!" in your face, then flailing my arm about making sword noises, followed by some guttural death sounds, before running round in a circle and collapsing on the floor exhausted.
If that sounds like the actions of a slightly deranged adult acting on a youthful whim, then it pretty much sums up Centurion, which I, for one, thought was really good. Just pity my poor girlfriend, who had to suffer the above quote being shouted at her in response to most questions that night. "Have you decided what you'd like to eat?" she asked.
- 4/18/2010
- Den of Geek
One of the movies that caught my eye last week was that of Centurion. Until then, I hadn’t seen or head anything about it and how that is rapidly changing. Centurion is scheduled for release 23rd April which isn’t a million miles away. Yesterday, we got invited along to a screening so you can expect our review towards the end of the month / early next.
Below the synopsis, we’ve got the opening 2 minutes of this new movie which from the trailer, looks fantastic. Let us know what you think in the comments below.th
Synopsis: Written and directed by Neil Marshall (The Descent) Centurion stars Michael Fassbender (Inglorious Basterds, Hunger), Dominic West (300, The Wire) and Olga Kurylenko (Quantum Of Solace, Hitman).
A relentless, action-packed thriller in the tradition of Apocalypto, Last Of The Mohicans and Deliverance, Centurion is set against a background of conquest and invasion and...
Below the synopsis, we’ve got the opening 2 minutes of this new movie which from the trailer, looks fantastic. Let us know what you think in the comments below.th
Synopsis: Written and directed by Neil Marshall (The Descent) Centurion stars Michael Fassbender (Inglorious Basterds, Hunger), Dominic West (300, The Wire) and Olga Kurylenko (Quantum Of Solace, Hitman).
A relentless, action-packed thriller in the tradition of Apocalypto, Last Of The Mohicans and Deliverance, Centurion is set against a background of conquest and invasion and...
- 3/3/2010
- by David Sztypuljak
- HeyUGuys.co.uk
It’s one of the more complicated scenes to capture in the new Clive Barker film Dread. Actors Jackson (Twilight) Rathbone and Hanne Steen must play slightly drunk while getting hot and heavy during a romantic date in the countryside. At one point, they climb onto the hood of their car and release back into the wild a once-injured crow Rathbone’s character has rescued. Except the crow isn’t playing ball.
Director of photography Sam McCurdy (of the Descent duo) is perched on a crane, ready to move upward with the bird as it hopefully flies toward the camera. The crow wrangler has assured everyone this will happen. But it persistently doesn’t, and continually resetting the shot is getting very time-consuming and patience-testing—especially as writer/director Anthony Diblasi only has 28 days to shoot this adaptation of Barker’s acclaimed Books Of Blood short story during a cold November.
Director of photography Sam McCurdy (of the Descent duo) is perched on a crane, ready to move upward with the bird as it hopefully flies toward the camera. The crow wrangler has assured everyone this will happen. But it persistently doesn’t, and continually resetting the shot is getting very time-consuming and patience-testing—especially as writer/director Anthony Diblasi only has 28 days to shoot this adaptation of Barker’s acclaimed Books Of Blood short story during a cold November.
- 11/16/2009
- by no-reply@fangoria.com (Alan Jones)
- Fangoria
In the spirit of Halloween '09, we're breaking out reviews (some new, some old) of some Fall Frights you may want to work into your monthly viewing.
Originally published, 08/04/2006
The Descent is proof positive that there’s nothing wrong with a timeworn horror premise that an application of good cinematic smarts can’t fix. Writer/director Neil Marshall’s follow-up to Dog Soldiers is far from the first film about a small group of people entering a confined environment and being picked off one by one by the local critters, but it stands so far above the likes of The Cave that it seems unfair to even mention them in the same context. The Descent goes back to horror basics in the best way possible, preying on primal fears of the dark as six female friends, who gather every year to take part in some sort of group adventure, decide...
Originally published, 08/04/2006
The Descent is proof positive that there’s nothing wrong with a timeworn horror premise that an application of good cinematic smarts can’t fix. Writer/director Neil Marshall’s follow-up to Dog Soldiers is far from the first film about a small group of people entering a confined environment and being picked off one by one by the local critters, but it stands so far above the likes of The Cave that it seems unfair to even mention them in the same context. The Descent goes back to horror basics in the best way possible, preying on primal fears of the dark as six female friends, who gather every year to take part in some sort of group adventure, decide...
- 10/20/2009
- by no-reply@fangoria.com (Michael Gingold)
- Fangoria
Independent fright filmmaker Danny Draven spoke with Fango to give us the details on The Filmmaker’S Book Of The Dead, coming from Focal Press January 22. The tome, which Draven has been quietly working on for the past year, is a full-on educational tool for young moviemakers attempting to dive into the horror world.
Book Of The Dead explores everything from the history of the genre to preproduction, shooting and distribution, and features a host of filmmakers and actors dishing out advice on finding success in the field. Among the interview subjects are such iconic genre figures as Robert Englund, Stuart Gordon, Saw’s James Wan, Tom Savini, Troma’s Lloyd Kaufman, special FX artist Robert Kurtzman, Herschell Gordon Lewis, David DeCoteau, Charles Band (who also contributes a foreword), Phantasm’s Reggie Bannister and Fango’s own Tony Timpone and Debbie Rochon.
“After making a lot of indie films and...
Book Of The Dead explores everything from the history of the genre to preproduction, shooting and distribution, and features a host of filmmakers and actors dishing out advice on finding success in the field. Among the interview subjects are such iconic genre figures as Robert Englund, Stuart Gordon, Saw’s James Wan, Tom Savini, Troma’s Lloyd Kaufman, special FX artist Robert Kurtzman, Herschell Gordon Lewis, David DeCoteau, Charles Band (who also contributes a foreword), Phantasm’s Reggie Bannister and Fango’s own Tony Timpone and Debbie Rochon.
“After making a lot of indie films and...
- 8/19/2009
- by no-reply@fangoria.com (Samuel Zimmerman)
- Fangoria
Attendance was down by 30 percent at this year’s Cannes Film Festival. Not surprising, considering the recession still biting and Euro exchange rates keeping prices along the Croisette at ridiculously expensive levels. Yet the number of high-profile genre films in the Official Competition was a bonus for those more used to finding the most controversial entries up for distributor grabs in the Market section. While Park Chan-wook’s Thirst and Gaspar Noe’s Enter The Void certainly had their followers, with Terry Gilliam’s out-of-competition The Imaginarium Of Doctor Parnassus a similar hot ticket, the two biggest stories were Quentin Tarantino’s Inglourious Basterds and Lars Von Trier’s Antichrist.
Cinema saves the world in Tarantino’s disjointed, history-bending homage to war movies, which takes its misspelled name—but very little else—from Enzo Castellari’s 1978 Italian cult exploiter. Divided into chapters, each highlighting a movie style like Sergio Leone spaghetti Westerns,...
Cinema saves the world in Tarantino’s disjointed, history-bending homage to war movies, which takes its misspelled name—but very little else—from Enzo Castellari’s 1978 Italian cult exploiter. Divided into chapters, each highlighting a movie style like Sergio Leone spaghetti Westerns,...
- 5/29/2009
- by no-reply@fangoria.com (Alan Jones)
- Fangoria
Two crawlers lounge idly on a sofa wrapped in matching dressing gowns. One glances at a newspaper while the other sits lost in thought. Fear not readers, Mike Leigh is not here directing The Descent 2 as some kind of kitchen sink drama centred around a family of crawlers, I've merely stumbled across the crawler workshop where the pair are waiting to be called onto set - but it's a surreal sight nonetheless.
I've been invited to spend a day at Ealing Studios where filming on the sequel to Neil Marshall's acclaimed British horror has entered its penultimate week. For those of you that haven’t seen the original (and where have you been hiding?), The Descent followed a group of six female adrenaline-junkies who go spelunking – that’s caving to you and me - and end up in a whole world of trouble when they fall foul of a bunch of naked ghouls,...
I've been invited to spend a day at Ealing Studios where filming on the sequel to Neil Marshall's acclaimed British horror has entered its penultimate week. For those of you that haven’t seen the original (and where have you been hiding?), The Descent followed a group of six female adrenaline-junkies who go spelunking – that’s caving to you and me - and end up in a whole world of trouble when they fall foul of a bunch of naked ghouls,...
- 7/23/2008
- by Johnny Butane
- DreadCentral.com
There may not be any dueling banjos on the soundtrack, but Neil Marshall's horrifically terrific "The Descent" cannily recasts 1972's "Deliverance" as a female-bonding thriller with some "Hills Have Eyes"-style mutant terror tossed in for truly harrowing effect.
Definitely one of the year's most satisfying genre pieces, the British import should have jumpy audiences squealing like a pig, just like they did when "The Descent" was released overseas -- it opened in the U.K. 13 months ago -- to considerable critical and financial success.
The picture, which hits North American shores with a slightly different ending, should pull in some decent coin for Lionsgate, building nicely on the horror cred established by the likes of the "Hostel" and "Saw" franchises.
Both versions waste little time in bringing on the shock value when a rafting trip undertaken by a group of girlfriends ends with a terrible car accident.
Still recovering a year later from the deaths of her husband and daughter, a shaky Sarah (Shauna Macdonald) nevertheless agrees to join her friends on another extreme expedition -- spelunking in a decidedly remote portion of the Appalachian Mountains.
Unbeknownst to the others, the trek's fearless leader and Sarah Best's friend, Juno (Natalie Mendoza), has deliberately chosen a cave system that's not in the guide books, ostensibly so that they can claim it as their own.
But after falling rocks block their only known way out, they also discover that not only are they not alone in the complete darkness, but they're being stalked as prey by a clan of subterranean humanoid creatures with healthy appetites.
In short order, the initial descent undertaken by Sarah, Juno, Beth (Alex Reid), Rebecca (Saskia Mulder), punky Holly (Nora-Jane Noone) and Sam (MyAnna Buring) spirals into one of madness as the body count begins.
Writer-director Marshall, who earned a cult following with his 2002 first feature, "Dog Soldiers", expertly maps out those raw nerve endings while creating credible characters who speak and act like real people rather than the usual horror archetypes.
With the feverish claustrophobia well established, he then lets special makeup and effects designer Paul Hyett loose with those savage, slimy, blind, translucent "crawlers" that somehow bring to mind the late Klaus Kinski in a particularly unpleasant mood.
Further boosting that nightmarish feeling of dread are production designer Simon Bowles' dank, spray resin caves erected at Pinewood Studios and director of photography Sam McCurdy, who industriously works his way around those limited light sources.
The Descent
Lionsgate Films
Celador Films
Credits:
Director-screenwriter: Neil Marshall
Producer: Christian Colson
Executive producer: Paul Smith
Director of photography: Sam McCurdy
Production designer: Simon Bowles
Editor: Jon Harris
Costume designer: Nancy Thompson
Special make-up and effects designer: Paul Hyett
Music: David Julyan
Cast:
Sarah: Shauna Macdonald
Juno: Natalie Mendoza
Beth: Alex Reid
Rebecca: Saskia Mulder
Sam: MyAnna Buring
Holly: Nora-Jane Noone
Paul: Oliver Milburn
MPAA rating R
Running time -- 99 minutes...
Definitely one of the year's most satisfying genre pieces, the British import should have jumpy audiences squealing like a pig, just like they did when "The Descent" was released overseas -- it opened in the U.K. 13 months ago -- to considerable critical and financial success.
The picture, which hits North American shores with a slightly different ending, should pull in some decent coin for Lionsgate, building nicely on the horror cred established by the likes of the "Hostel" and "Saw" franchises.
Both versions waste little time in bringing on the shock value when a rafting trip undertaken by a group of girlfriends ends with a terrible car accident.
Still recovering a year later from the deaths of her husband and daughter, a shaky Sarah (Shauna Macdonald) nevertheless agrees to join her friends on another extreme expedition -- spelunking in a decidedly remote portion of the Appalachian Mountains.
Unbeknownst to the others, the trek's fearless leader and Sarah Best's friend, Juno (Natalie Mendoza), has deliberately chosen a cave system that's not in the guide books, ostensibly so that they can claim it as their own.
But after falling rocks block their only known way out, they also discover that not only are they not alone in the complete darkness, but they're being stalked as prey by a clan of subterranean humanoid creatures with healthy appetites.
In short order, the initial descent undertaken by Sarah, Juno, Beth (Alex Reid), Rebecca (Saskia Mulder), punky Holly (Nora-Jane Noone) and Sam (MyAnna Buring) spirals into one of madness as the body count begins.
Writer-director Marshall, who earned a cult following with his 2002 first feature, "Dog Soldiers", expertly maps out those raw nerve endings while creating credible characters who speak and act like real people rather than the usual horror archetypes.
With the feverish claustrophobia well established, he then lets special makeup and effects designer Paul Hyett loose with those savage, slimy, blind, translucent "crawlers" that somehow bring to mind the late Klaus Kinski in a particularly unpleasant mood.
Further boosting that nightmarish feeling of dread are production designer Simon Bowles' dank, spray resin caves erected at Pinewood Studios and director of photography Sam McCurdy, who industriously works his way around those limited light sources.
The Descent
Lionsgate Films
Celador Films
Credits:
Director-screenwriter: Neil Marshall
Producer: Christian Colson
Executive producer: Paul Smith
Director of photography: Sam McCurdy
Production designer: Simon Bowles
Editor: Jon Harris
Costume designer: Nancy Thompson
Special make-up and effects designer: Paul Hyett
Music: David Julyan
Cast:
Sarah: Shauna Macdonald
Juno: Natalie Mendoza
Beth: Alex Reid
Rebecca: Saskia Mulder
Sam: MyAnna Buring
Holly: Nora-Jane Noone
Paul: Oliver Milburn
MPAA rating R
Running time -- 99 minutes...
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