End of Days (1999)

Director:

Peter Hyams

Writer (WGA):

Andrew W. Marlowe (written by)

Release Date:

24 November 1999 (USA)

Genre:

Action | Fantasy | Horror | Mystery | Thriller

Tagline:

Prepare for the end.

Plot:

At the end of the century, Satan visits New York in search of a bride. It's up to an ex-cop who now runs an elite security outfit to stop him.

Plot Keywords:

Religion | Doom | Nudity | Good Versus Evil | Protection

Awards:

1 win & 6 nominations

Cast

Arnold Schwarzenegger	...	Jericho Cane
Gabriel Byrne	...	The Man / Satan
Robin Tunney	...	Christine York
Kevin Pollak	...	Bobby Chicago
CCH Pounder	...	Detective Margie Francis
Derrick O'Connor	...	Thomas Aquinas
David Weisenberg	...	OB / GYN
Rainer Judd	...	Christine's Mother
Miriam Margolyes	...	Mabel
Udo Kier	...	Head Priest
Victor Varnado	...	Albino
Michael O'Hagan	...	Cardinal
Mark Margolis	...	Pope
Jack Shearer	...	Kellogg
Rod Steiger	...	Father Kovak

MPAA:

Rated R for intense violence and gore, a strong sex scene and language.

Runtime:

121 min

Country:

USA

Language:

English | Latin

Color:

Color (DeLuxe)

Aspect Ratio:

2.35 : 1

Sound Mix:

DTS | Dolby Digital | SDDS

Certification:

USA:R (certificate #37048) | Malaysia:18SG | Iceland:16 | Philippines:PG-13 (cut) | Argentina:16 | Australia:MA (original rating) | Australia:M (TV rating) | Belgium:KNT | Canada:16+ (Quebec) | Canada:18A | Finland:K-16 | France:-12 | Germany:16 | Hong Kong:IIB | Ireland:18 | Italy:VM14 | Mexico:C | Netherlands:16 | New Zealand:R18 | Norway:15 | Peru:18 | Portugal:M/16 | Singapore:M18 | South Korea:18 | Sweden:15 | Switzerland:16 (canton of Geneva) | Switzerland:16 (canton of Vaud) | UK:18

Filming Locations:

Bryant Park, Manhattan, New York City, New York, USA

Company:

Beacon Communications

Trivia:

The role of Christine York was initially going to be played by Kate Winslet.

Goofs:

Revealing mistakes: When Jericho reaches the ground from the helicopter, you can see him start running after the assassin priest with the repel line still hooked to the back of his trench coat. In the next shot the line is gone.

Quotes:

Jericho Cane: Easy on the hardware.

Movie Connections:

Referenced in "Saturday Night Live: Danny DeVito/R.E.M. (#25.8)" (1999)

Soundtrack:

Little Yurt on the Prairie

Darker than your average action film

Hyped to the heavens when it first came out as Schwarzenegger's comeback movie, this 1999 film steers the Governor away from his attempts at comedy and collaborations with Danny Devito and back into the sort of action packed carnage that made his name in the first place. However, where the likes of Commando had him portraying invincible supermen with a neat array of guns and one liners to hand, End of Days is considerably darker.

Set in New York on the eve of Millennium, the film shows a version of the Austrian Oak previously never witnessed. He plays Jericho Cane, an alcoholic ex-Cop in charge of a security squad who finds himself embroiled in a battle to save a young girl (Robin Tunney) from being raped by the devil (a sadly, rather ineffective Gabriel Byrne) and bringing about Armageddon. As you do.

Cane himself is not the best sort of man for saving all creation either. He is mired in deep depression, has abandoned any faith in God he may have once had and when we first see him, is contemplating suicide. However, saving the girl gives him a drive and determination even when faced with some conflicting views from the Catholic Church about how best to go about this. All of this takes place in a very grim and gritty vision of New York where the rain never stops falling, urban decay is rife and pillars of steam rise from manhole covers. It is a fitting location for the end of all creation to begin and cast a dark veil over the flick.

Of course, that isn't to say the film is all doom and gloom as there are a few glimpses of just how seriously the makers weren't taking their project (the argument between Arnold and Kevin Pollack in the former's apartment is hilarious). Plus, while the story and characters are all developed to match the atmosphere of impending dread during the first hour and a half, the last twenty minutes are made up of the kind of explosive action that strangely doesn't jar against the grimmer nature of the rest of the film, though the CGI devil at the climax is pushing it a little.

All in all, an enjoyable romp for fans of the Governator before his attention was diverted by a political career. It compares well to his classic eighties work by trying to do something different and while it may not gel properly in places, for a good 80% of the running time it does a very entertaining job.