Exclusive: Anders Danielsen Lie (The Worst Person in the World), Bill Pullman (Independence Day) and Oscar nominee and Tony winner Laurie Metcalf (Lady Bird) have been set to star in biopic Everybody Digs Bill Evans about the acclaimed U.S. jazz pianist and composer.
Two-time Grammy nominee Grant Gee (Joy Division) will direct from a script written by Mark O’Halloran (Viva!), based on the book Intermission by Owen Martell.
The synopsis reads: “June 1961, NYC: legendary jazz pianist Bill Evans (Danielsen Lie) has found his musical voice and created the perfect trio, including bass player Scott Lafaro, said to be his soulmate through music. A residency at New York’s Village Vanguard culminates in the live taping of two of the greatest jazz records of all time in one night. Ten days later, Lafaro dies in a car crash. Numb with grief, Evans stops playing. Everybody Digs Bill Evans is the...
Two-time Grammy nominee Grant Gee (Joy Division) will direct from a script written by Mark O’Halloran (Viva!), based on the book Intermission by Owen Martell.
The synopsis reads: “June 1961, NYC: legendary jazz pianist Bill Evans (Danielsen Lie) has found his musical voice and created the perfect trio, including bass player Scott Lafaro, said to be his soulmate through music. A residency at New York’s Village Vanguard culminates in the live taping of two of the greatest jazz records of all time in one night. Ten days later, Lafaro dies in a car crash. Numb with grief, Evans stops playing. Everybody Digs Bill Evans is the...
- 10/28/2024
- by Andreas Wiseman
- Deadline Film + TV
In Charlie McDowell’s last feature, Windfall, the ambitious (though largely unsuccessful) idea was to put the audience in a stressful situation (à la Hitchcock) and then quickly vent the pressure with a few violent set pieces (à la Tarantino). By contrast, his latest feature, The Summer Book, is based entirely on what we might call “scenic exhalation”: those moments of repose in which a character stares at a landscape while the cogs of reflection work away, revealing at last the bittersweet unity of all things. When used sparingly, the exhalation can be a highly effective tool capable of immense lyricism (as in Tarkovsky’s The Sacrifice) and of subtle characterization (as in Mia Hansen-Løve’s Bergman Island). When used excessively, however, as it is in The Summer Book, the world of the movie starts to look suspiciously neat and Edenic, and the director’s benevolent hand becomes visible for all to see.
- 10/21/2024
- by Oliver Weir
- The Film Stage
Useful as it may be for facts and stats, an actor’s Wikipedia page isn’t ever the go-to place for a complete, nuanced description of their thespian essence, and so it proves for Isabelle Huppert. “Known for her portrayals of cold, austere women devoid of morality, she is considered one of the greatest actresses of her generation,” states the introduction, in a strikingly selective encapsulation of over half a century on screen. Huppert can certainly do froideur and severity with flair — she’s imposing beyond the bounds of her diminutive frame in such rigorous, chill-carrying films as Claude Chabrol’s “La Cérémonie,” Michael Haneke’s “The Piano Teacher” and of course Paul Verhoeven’s “Elle,” though whether these complex, conflicted women are “devoid of morality” isn’t a call for any one web editor to make.
But it does Huppert an injustice to paint her, however admiringly, as some...
But it does Huppert an injustice to paint her, however admiringly, as some...
- 10/13/2024
- by Guy Lodge
- Variety Film + TV
Movies like Lonely Planet on Netflix: Susannah Grant’s ‘Lonely Planet’ on Netflix is a gorgeous romance drama that stars Laura Dern in the leading role. Dern has had an illustrious acting career of over five decades. With projects ranging from David Lynch’s ‘Inland Empire’ to Steven Spielberg’s ‘Jurassic Park’, from Noah Baumbach’s ‘Marriage Story’ to HBO’s ‘Big Little Lies’, she has proved herself to be a versatile actor. After a string of intricate performances, she has returned with a breezy, tender romance that celebrates the value of leisure for a much-needed soul-searching.
In this gorgeous romance, Dern plays Katherine, a reclusive novelist who travels to Morocco for a writer’s retreat. She hopes a change in setting will help her get over her writer’s block. While there, she meets her apprentice, Owen (Liam Hemsworth) and falls for him. What starts out as an...
In this gorgeous romance, Dern plays Katherine, a reclusive novelist who travels to Morocco for a writer’s retreat. She hopes a change in setting will help her get over her writer’s block. While there, she meets her apprentice, Owen (Liam Hemsworth) and falls for him. What starts out as an...
- 10/12/2024
- by Akash Deshpande
- High on Films
With the 2024 Toronto International Film Festival now underway, we at Filmmaker picked 12 films we are anticipating seeing. Consider it a given that higher-profile Telluride and Venice premieres such as the two Sigrid Nunez adaptations (The Friend and The Room Next Door), Conclave, Saturday Night are on our list too, but don’t overlook these films, for which TIFF is either their world premiere or North American launch. Bonjour Tristesse. For her debut feature author (Too Much and Not the Mood) and cultural critic Durga Chew-Bose — she interviewed Mia Hansen-Love for Filmmaker several years back — has ambitiously adapted […]
The post 12 Films to Anticipate at the 2024 Toronto International Film Festival first appeared on Filmmaker Magazine.
The post 12 Films to Anticipate at the 2024 Toronto International Film Festival first appeared on Filmmaker Magazine.
- 9/5/2024
- by Scott Macaulay
- Filmmaker Magazine-Director Interviews
With the 2024 Toronto International Film Festival now underway, we at Filmmaker picked 12 films we are anticipating seeing. Consider it a given that higher-profile Telluride and Venice premieres such as the two Sigrid Nunez adaptations (The Friend and The Room Next Door), Conclave, Saturday Night are on our list too, but don’t overlook these films, for which TIFF is either their world premiere or North American launch. Bonjour Tristesse. For her debut feature author (Too Much and Not the Mood) and cultural critic Durga Chew-Bose — she interviewed Mia Hansen-Love for Filmmaker several years back — has ambitiously adapted […]
The post 12 Films to Anticipate at the 2024 Toronto International Film Festival first appeared on Filmmaker Magazine.
The post 12 Films to Anticipate at the 2024 Toronto International Film Festival first appeared on Filmmaker Magazine.
- 9/5/2024
- by Scott Macaulay
- Filmmaker Magazine - Blog
“Where do things truly start?” wonders the narrator of Emmanuel Mouret’s relentlessly middlebrow romantic comedy Trois Amies, a story of three women and their relationships that never feels like it’s ever going to end. Though it lasts just under two hours, it feels as bright and breezy as a flight from Newark to Singapore, spinning a complicated web of emotional intrigue that, finally, seems to go on and on just for the sake of it.
The French like these kinds of films, and their big-name directors stuff them with their equally famous friends, leading to waffly ensemble pieces that can be as endearingly cheerful as Julie Delpy’s family memoir Skylab (2011) or as insufferable as Guillaume Canet’s Big Chill ripoff Little White Lies (2011). Trois Amies sits somewhere, lumpenly, in the middle, and it’s hard to imagine what the Venice Film Festival programmers were thinking when they...
The French like these kinds of films, and their big-name directors stuff them with their equally famous friends, leading to waffly ensemble pieces that can be as endearingly cheerful as Julie Delpy’s family memoir Skylab (2011) or as insufferable as Guillaume Canet’s Big Chill ripoff Little White Lies (2011). Trois Amies sits somewhere, lumpenly, in the middle, and it’s hard to imagine what the Venice Film Festival programmers were thinking when they...
- 8/30/2024
- by Damon Wise
- Deadline Film + TV
Europe’s Ace Producers network has selected 18 international producers for Ace Series Special, its workshop for understanding the series production landscape.
Selected producers include Razor Film producer Roman Paul, with Ian Iqbal Rashid’s project Afterlives, based on the 2020 historical fiction work by Nobel laureate Abdulrazak Gurnah.
Scroll down for the full list of selected producers
Paul is a co-producer on Cannes 2024 title Santosh, 2021’s Petrov’s Flu and 2020’s Oscar-nominated Quo Vadis, Aida?, and produced Mia Hansen-Love’s 2022 One Fine Morning.
Also selected from Germany is Harry Floter of Germany’s 2Pilots Filmproduction, with Julia Klier’s project Semis Trail.
Selected producers include Razor Film producer Roman Paul, with Ian Iqbal Rashid’s project Afterlives, based on the 2020 historical fiction work by Nobel laureate Abdulrazak Gurnah.
Scroll down for the full list of selected producers
Paul is a co-producer on Cannes 2024 title Santosh, 2021’s Petrov’s Flu and 2020’s Oscar-nominated Quo Vadis, Aida?, and produced Mia Hansen-Love’s 2022 One Fine Morning.
Also selected from Germany is Harry Floter of Germany’s 2Pilots Filmproduction, with Julia Klier’s project Semis Trail.
- 8/29/2024
- ScreenDaily
The 81st edition of the Venice Film Festival officially kicks off on Wednesday with the eyes of the film world focused on the Lido.
Long-running festival director Alberto Barbera and his team have unveiled a star-studded lineup, including possible awards season contenders. But which premieres can’t be missed amid the busy program?
THR‘s chief movie critic David Rooney looked through the selection of the big Italian festival to pick some of the most intriguing prospects.
The Brutalist
When Brady Corbet was in Venice at age 16 with Mysterious Skin, instead of flying home with his director Gregg Araki and co-star Joseph Gordon-Levitt, he stayed on a couple extra days to see the new Claire Denis film, The Intruder. That same cinephile curiosity is evident in the choice of filmmakers with whom he’s worked, among them Michael Haneke, Sean Durkin, Lars von Trier, Olivier Assayas and Mia Hansen-Love. Co-written with Mona Fastvold,...
Long-running festival director Alberto Barbera and his team have unveiled a star-studded lineup, including possible awards season contenders. But which premieres can’t be missed amid the busy program?
THR‘s chief movie critic David Rooney looked through the selection of the big Italian festival to pick some of the most intriguing prospects.
The Brutalist
When Brady Corbet was in Venice at age 16 with Mysterious Skin, instead of flying home with his director Gregg Araki and co-star Joseph Gordon-Levitt, he stayed on a couple extra days to see the new Claire Denis film, The Intruder. That same cinephile curiosity is evident in the choice of filmmakers with whom he’s worked, among them Michael Haneke, Sean Durkin, Lars von Trier, Olivier Assayas and Mia Hansen-Love. Co-written with Mona Fastvold,...
- 8/27/2024
- by David Rooney
- The Hollywood Reporter - Movie News
A self-reflexive origin story about creation, growth, and the myth of the lone artist, “My First Film” announces a bold, disruptive new talent in American cinema. But if the film’s release is anything like Zia Anger’s experience in the film world thus far, it will elicit a maddening whimper where it should have made a bang.
That’s because Anger, who writes and directs with fierce emotion and sincerity, has had terrible luck (if you want to call it that) on the film scene. Despite directing evocative music videos for artists like Mitski and Angel Olsen, Anger has been consistently overlooked by Hollywood, and has struggled to secure financing. Her first feature, shot on a shoestring budget with support from family and friends, was rejected from every film festival.
A caveat: even Anger looks back on that first film as “bad.” At least she implies as much in “My First Film,...
That’s because Anger, who writes and directs with fierce emotion and sincerity, has had terrible luck (if you want to call it that) on the film scene. Despite directing evocative music videos for artists like Mitski and Angel Olsen, Anger has been consistently overlooked by Hollywood, and has struggled to secure financing. Her first feature, shot on a shoestring budget with support from family and friends, was rejected from every film festival.
A caveat: even Anger looks back on that first film as “bad.” At least she implies as much in “My First Film,...
- 8/21/2024
- by Natalia Winkelman
- Indiewire
Margaret Menegoz, the producer of world-famous auteurs such as Michael Haneke and Wim Wenders, has died at the age of 83.
Menegoz was celebrated for her leadership of Les Films du Losange, an acclaimed production and distribution company which she ran for 46 years with an iron fist, guided by her passion for independent filmmaking and new voices.
Born in Hungary in 1941, during WW2, Menegoz grew up in Germany and ventured into the film industry after meeting her husband, Robert Menegoz, and traveled the world with him to shoot documentaries. She joined Les Films du Losange in 1975 and started as an assistant for revered directors Eric Rohmer and Barbet Schroeder who had co-founded the company in 1962. She quickly rose through the ranks and became manager of the company.
Under her helm, Les Films du Losange won an Oscar, three Palmes d’Or at Cannes. The company built a library of about 100 prestige films,...
Menegoz was celebrated for her leadership of Les Films du Losange, an acclaimed production and distribution company which she ran for 46 years with an iron fist, guided by her passion for independent filmmaking and new voices.
Born in Hungary in 1941, during WW2, Menegoz grew up in Germany and ventured into the film industry after meeting her husband, Robert Menegoz, and traveled the world with him to shoot documentaries. She joined Les Films du Losange in 1975 and started as an assistant for revered directors Eric Rohmer and Barbet Schroeder who had co-founded the company in 1962. She quickly rose through the ranks and became manager of the company.
Under her helm, Les Films du Losange won an Oscar, three Palmes d’Or at Cannes. The company built a library of about 100 prestige films,...
- 8/11/2024
- by Elsa Keslassy
- Variety Film + TV
“With disruption comes great opportunity,” Mubi Chief Content Officer Jason Ropell told delegates at the Karlovy Vary International Film Festival on Tuesday. “It brings evolution and I think, right now, optimism in the business is warranted.”
Speaking at a rare onstage interview at Kviff’s International Industry Insights section alongside indie stalwart and Killer Films co-founder Christine Vachon, Ropell broke down Mubi’s current business model whilst also touching on the company’s ambitions for growth in the independent and auteur space, which include theatrical distribution in addition to releasing titles on its own streaming platform.
“Mubi is a modern, globally-scaled studio and has all the components that a modern studio has from development through production to distribution – theatrical distribution to a platform, which we own – and sales thereafter, as well as foreign sales through The Match Factory,” said Ropell. (Mubi acquired international sales agent The Match Factory in 2022).
This structure,...
Speaking at a rare onstage interview at Kviff’s International Industry Insights section alongside indie stalwart and Killer Films co-founder Christine Vachon, Ropell broke down Mubi’s current business model whilst also touching on the company’s ambitions for growth in the independent and auteur space, which include theatrical distribution in addition to releasing titles on its own streaming platform.
“Mubi is a modern, globally-scaled studio and has all the components that a modern studio has from development through production to distribution – theatrical distribution to a platform, which we own – and sales thereafter, as well as foreign sales through The Match Factory,” said Ropell. (Mubi acquired international sales agent The Match Factory in 2022).
This structure,...
- 7/2/2024
- by Diana Lodderhose
- Deadline Film + TV
Mubi’s chief content officer Jason Ropell has talked up the company’s growth ambitions, saying it wants to scale up to meet growing global demand for auteur and independent films in both theatres and on its streaming platform.
“We need to be global,” said Ropell, speaking on a panel at the Karlovy Vary International Film Festival today (July 2). “We need to have global theatrical distribution capabilities on top of the global streaming ability which we have. I think over time you’ll see us moving in that direction. I feel very, very strongly that the global aggregate audience for...
“We need to be global,” said Ropell, speaking on a panel at the Karlovy Vary International Film Festival today (July 2). “We need to have global theatrical distribution capabilities on top of the global streaming ability which we have. I think over time you’ll see us moving in that direction. I feel very, very strongly that the global aggregate audience for...
- 7/2/2024
- ScreenDaily
Renowned French filmmaker Mia Hansen-Løve (One Fine Morning) has revealed her next film to be If Love Should Die, a biopic of 18th century English writer, philosopher, and women’s rights advocate, Mary Wollstonecraft.
Slated to film in the United Kingdom, France, Scandinavia and Portugal in 2025, the project’s logline is as follows: On the eve of the French Revolution, an impoverished young Englishwoman makes the bold decision to leave her life according to the ideals of the enlightenment.
Wollstonecraft is best known for her work A Vindication of the Rights of Woman, published in 1792, where she argued that women are not naturally inferior to men, even if they appeared so in her time because they lacked equal access to education. Wollstonecraft believed that both men and women should be treated as rational beings and imagined a social order founded on reason. Her ideas and writings laid the groundwork for the feminist movement,...
Slated to film in the United Kingdom, France, Scandinavia and Portugal in 2025, the project’s logline is as follows: On the eve of the French Revolution, an impoverished young Englishwoman makes the bold decision to leave her life according to the ideals of the enlightenment.
Wollstonecraft is best known for her work A Vindication of the Rights of Woman, published in 1792, where she argued that women are not naturally inferior to men, even if they appeared so in her time because they lacked equal access to education. Wollstonecraft believed that both men and women should be treated as rational beings and imagined a social order founded on reason. Her ideas and writings laid the groundwork for the feminist movement,...
- 7/1/2024
- by Matt Grobar
- Deadline Film + TV
Leading French production company Rectangle Productions, whose credits include Audrey Diwan’s Golden Lion-winning The Happening and upcoming San Sebastian opener Emmanuelle, has started legal proceedings to enter into a potential partnership with finance and sales company Goodfellas, in the latest evidence of consolidation in the European production sector.
Rectangle said the aim of the legal initiative is “to preserve the integrity of the Rectangle brand and its production savoir-faire, while resolving its current financial difficulties, notably linked to the Covid impact”.
Company founder Edouard Weil told Screen the measures are “technical” as the company continues “advanced discussions” with Goodfellas.
Rectangle said the aim of the legal initiative is “to preserve the integrity of the Rectangle brand and its production savoir-faire, while resolving its current financial difficulties, notably linked to the Covid impact”.
Company founder Edouard Weil told Screen the measures are “technical” as the company continues “advanced discussions” with Goodfellas.
- 7/1/2024
- ScreenDaily
Few directors capture modern life so vividly as Mia Hansen-Løve, and only in some cases does she show it in English-language contexts. Suggesting something of a bold leap, then, to read her next feature, If Love Should Die, will concern the 18th-century English feminist philosopher Mary Wollstonecraft. An official synopsis tells us it’s set “on the eve of the French Revolution,” concerning “an impoverished young Englishwoman makes the bold decision to lead her life according to the ideals of the enlightenment.” Which implies a multi-lingual production––Wollstonecraft also spoke French and German––a hunch supported by the notice that cameras roll next year in the United Kingdom, France, Scandinavia, and Portugal. Mubi will produce and co-finance with Arte France Cinema. [THR]
Here’s Hansen-Løve’s statement on the production:
“My ambition is to capture with as much acuity and truth as possible this pivotal era and the life of a...
Here’s Hansen-Løve’s statement on the production:
“My ambition is to capture with as much acuity and truth as possible this pivotal era and the life of a...
- 7/1/2024
- by Leonard Pearce
- The Film Stage
French filmmakers Benoit Jacquot and Jacques Doillon have been placed into police custody stemming from charges of sexual assault by actresses including Judith Godrèche earlier this year.
The filmmakers were taken in for questioning on Monday morning (July 1) by France’s Juvenile Protection Brigade at Paris’ Regional Criminal Investigation Department (Drpj).
In February, Godrèche accused Jacquot and then Doillon of the rape of a minor, which has led to the investigation by the Paris public prosecutor’s office.
Both filmmakers continue to contest the charges. Jacquot’s lawyer Julia Minkowski told local press the filmmaker “will finally be able to...
The filmmakers were taken in for questioning on Monday morning (July 1) by France’s Juvenile Protection Brigade at Paris’ Regional Criminal Investigation Department (Drpj).
In February, Godrèche accused Jacquot and then Doillon of the rape of a minor, which has led to the investigation by the Paris public prosecutor’s office.
Both filmmakers continue to contest the charges. Jacquot’s lawyer Julia Minkowski told local press the filmmaker “will finally be able to...
- 7/1/2024
- ScreenDaily
Anfang kommenden Jahres sollen die Dreharbeiten zu dem Biopic über die Schriftstellerin und Frauenrechtlerin Mary Wollstonecraft, das Mia Hansen-Løve nach eigenem Drehbuch inszenieren wird, beginnen.
Mia Hansen-Løve (Credit: Imago / Manfred Segerer)
Nach eigenem Drehbuch wird Mia Hansen-Løve das Biopic „If Love Should Die“ über die Schriftstellerin und Frauenrechtlerin Mary Wollstonecraft für Mubi und Arte France Cinema inszenieren. Das berichtet der „Hollywood Reporter“.
Mary Wollstonecraft lebte von 1759 bis 1797 und machte sich, gerade weil sie selbst aufgrund häufiger Umzüge mit ihrer Familie keine gute Schulbildung genoss, immer für die gleichberechtigte Schulbildung von Mädchen stark. In ihrem bekanntesten Werk „A Vindication of the Rights of Woman” setzte sie sich kritisch mit den Philosophen der Aufklärung auseinander und pochte auf das Recht von Frauen auf Bildung.
„Mein Ehrgeiz ist es, diese entscheidende Epoche und das Leben einer Frau, die noch nie zuvor im Kino zu sehen war, mit so viel Schärfe und Wahrheit wie möglich einzufangen.
Mia Hansen-Løve (Credit: Imago / Manfred Segerer)
Nach eigenem Drehbuch wird Mia Hansen-Løve das Biopic „If Love Should Die“ über die Schriftstellerin und Frauenrechtlerin Mary Wollstonecraft für Mubi und Arte France Cinema inszenieren. Das berichtet der „Hollywood Reporter“.
Mary Wollstonecraft lebte von 1759 bis 1797 und machte sich, gerade weil sie selbst aufgrund häufiger Umzüge mit ihrer Familie keine gute Schulbildung genoss, immer für die gleichberechtigte Schulbildung von Mädchen stark. In ihrem bekanntesten Werk „A Vindication of the Rights of Woman” setzte sie sich kritisch mit den Philosophen der Aufklärung auseinander und pochte auf das Recht von Frauen auf Bildung.
„Mein Ehrgeiz ist es, diese entscheidende Epoche und das Leben einer Frau, die noch nie zuvor im Kino zu sehen war, mit so viel Schärfe und Wahrheit wie möglich einzufangen.
- 7/1/2024
- by Jochen Müller
- Spot - Media & Film
French director Mia Hansen-Løve’s If Love Should Die, a biopic of UK writer and philosopher Mary Wollstonecraft, will shoot next year in the UK, France, Scandinavia and Portugal.
It is being produced by Mubi, Caspian Films, Les Films Pelléas, Mer Film, Lorenzo Mieli for Our Films, and Arte France Cinéma.
Mubi and Arte France Cinéma are financing production. The Match Factory is handling worldwide sales.
Wollstonecraft is regarded as one of the founding feminist philosophers and is best known for her 1792 book A Vindication Of The Rights of Woman.
Hansen-Løve’s recent credits include One Fine Morning and Bergman Island.
It is being produced by Mubi, Caspian Films, Les Films Pelléas, Mer Film, Lorenzo Mieli for Our Films, and Arte France Cinéma.
Mubi and Arte France Cinéma are financing production. The Match Factory is handling worldwide sales.
Wollstonecraft is regarded as one of the founding feminist philosophers and is best known for her 1792 book A Vindication Of The Rights of Woman.
Hansen-Løve’s recent credits include One Fine Morning and Bergman Island.
- 7/1/2024
- ScreenDaily
The next film from French director Mia Hansen-Love (Things to Come, One Fine Morning) will be a period drama on the life of ground-breaking English writer and activist Mary Wollstonecraft.
Hansen-Love is writing and directing If Love Should Die on the visionary 18th-century writer, considered one of the founder philosophers of feminism. Filming is planned to take place in the U.K., France, Scandinavia and Portugal, starting in 2025.
“My ambition is to capture with as much acuity and truth as possible this pivotal era and the life of a woman that cinema has never before looked at,” Hansen-Love said in a statement. “Iconic in England, Mary Wollstonecraft is not known in France. That suits me: making a film about a figure who is too predictable, or too famous, has never interested me. I am attracted to characters engaged in a quest, devoid of certainties. The souls of artists, no doubt,...
Hansen-Love is writing and directing If Love Should Die on the visionary 18th-century writer, considered one of the founder philosophers of feminism. Filming is planned to take place in the U.K., France, Scandinavia and Portugal, starting in 2025.
“My ambition is to capture with as much acuity and truth as possible this pivotal era and the life of a woman that cinema has never before looked at,” Hansen-Love said in a statement. “Iconic in England, Mary Wollstonecraft is not known in France. That suits me: making a film about a figure who is too predictable, or too famous, has never interested me. I am attracted to characters engaged in a quest, devoid of certainties. The souls of artists, no doubt,...
- 7/1/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Mia Hansen-Løve, one of France’s leading filmmakers whose movies have played at Cannes, Berlin and Toronto, will next direct “If Love Should Die,” an ambitious feature film about the life of visionary English writer and philosopher Mary Wollstonecraft.
Mubi, the auteur-driven global distribution and streaming powerhouse, is producing “If Love Should Die” with Georgina Paget and Thembisa Cochrane at U.K. banner Caspian Films (“The Colour Room”); “Anatomy of a Fall” producer David Thion and Philippe Martin at Paris-set Les Films Pelléas; Norway’s Mer Film, Lorenzo Mieli for Our Films and Arte France Cinema. Mubi and Arte France Cinema are financing the production. The Match Factory is handling worldwide sales.
Written and directed by Hansen-Løve, the film will for the first time tell the journey of Wollstonecraft, a 18th-century feminist pioneer whose ideas resonate with our times.
“On the eve of the French Revolution, an impoverished young Englishwoman...
Mubi, the auteur-driven global distribution and streaming powerhouse, is producing “If Love Should Die” with Georgina Paget and Thembisa Cochrane at U.K. banner Caspian Films (“The Colour Room”); “Anatomy of a Fall” producer David Thion and Philippe Martin at Paris-set Les Films Pelléas; Norway’s Mer Film, Lorenzo Mieli for Our Films and Arte France Cinema. Mubi and Arte France Cinema are financing the production. The Match Factory is handling worldwide sales.
Written and directed by Hansen-Løve, the film will for the first time tell the journey of Wollstonecraft, a 18th-century feminist pioneer whose ideas resonate with our times.
“On the eve of the French Revolution, an impoverished young Englishwoman...
- 7/1/2024
- by Elsa Keslassy
- Variety Film + TV
Welcome to Deadline’s International Disruptors, a feature where we shine a spotlight on key executives and companies outside of the U.S. shaking up the offshore marketplace. This week we’re talking to leading German producer Fabian Gasmia, whose credits include Olivier Assayas’ Personal Shopper, Leos Carax’s Annette and, more recently, Lena Dunham and Stephen Fry starrer Treasure, which had its North American premiere at Tribeca last weekend. Gasmia, who set up production banner Seven Elephants in 2018 with directors Julia von Heinz, Erik Schmitt and David Wnendt, talks us through building that outfit, his “special relationship” with France and why he thinks German cinema is having a “renaissance.”
International relationships are proving more significant than ever in what is now a fragile and economically strained independent film market and Fabian Gasmia is proving to be a European partner with clout. The German producer, who recently produced Lena Dunham...
International relationships are proving more significant than ever in what is now a fragile and economically strained independent film market and Fabian Gasmia is proving to be a European partner with clout. The German producer, who recently produced Lena Dunham...
- 6/13/2024
- by Diana Lodderhose
- Deadline Film + TV
Back in March, Vicky Krieps returned to her hometown to serve as jury president at the 14th edition of the Luxembourg City Film Festival. “I did one in Deauville and one in Munich,” Krieps explained to me one recent morning around the festival’s halfway point, “so all these small festivals, and I love film festivals. To me, film festivals are the whole point of everything right now. It’s all going away, and if we don’t have the festivals, we don’t have all the dishes on the table. Like, there’s no colors. Right now, festivals are the only place you get all the colors, you know?”
The most famous Luxembourger of her generation rose to prominence after being cast in Paul Thomas Anderson’s Phantom Thread and has gone on to appear in Bergman Island for Mia Hansen-Løve and, in perhaps her greatest role so far,...
The most famous Luxembourger of her generation rose to prominence after being cast in Paul Thomas Anderson’s Phantom Thread and has gone on to appear in Bergman Island for Mia Hansen-Løve and, in perhaps her greatest role so far,...
- 6/4/2024
- by Rory O'Connor
- The Film Stage
After his epic undertaking of rethinking Irma Vep for a new generation, Olivier Assayas premiered the small-scale Suspended Time at Berlinale earlier this year, but now the French director is back to working on a bigger canvas. He’s unveiled his next project, an adaptation of Giuliano da Empoli’s The Wizard of the Kremlin, with quite a cast.
Paul Dano, his Irma Vep lead Alicia Vikander, Jude Law, Zach Galifianakis, and Tom Sturridge will star in the film, co-written by Assayas and Emmanuel Carrère. Here’s the synopsis: “The story opens in Russia, in the early 1990’s, in the aftermath of the Ussr’s collapse. In a new world that promises freedom and flirts with chaos, a young artist-turned-tv producer, Vadim Baranov, unexpectedly becomes the spin doctor of a promising member of the Fsb (ex-Kgb), Vladimir Putin. Working at the heart of Russian power, Baranov blurs truth with lies,...
Paul Dano, his Irma Vep lead Alicia Vikander, Jude Law, Zach Galifianakis, and Tom Sturridge will star in the film, co-written by Assayas and Emmanuel Carrère. Here’s the synopsis: “The story opens in Russia, in the early 1990’s, in the aftermath of the Ussr’s collapse. In a new world that promises freedom and flirts with chaos, a young artist-turned-tv producer, Vadim Baranov, unexpectedly becomes the spin doctor of a promising member of the Fsb (ex-Kgb), Vladimir Putin. Working at the heart of Russian power, Baranov blurs truth with lies,...
- 5/17/2024
- by Jordan Raup
- The Film Stage
Isabelle Huppert will head up the 2024 Venice Film Festival jury this year. Serving as jury president, Huppert will hand out the Golden Lion and other awards when the festival on the Lido concludes. The dates for this year’s edition are August 28 to September 7.
Huppert has never before served as jury president at Venice, but she did at Cannes in 2009, awarding the Palme d’Or to Michael Haneke’s “The White Ribbon” after deliberations with James Gray, Nuri Bilge Ceylan, Asia Argento, Robin Wright, and Lee Chang-dong. Before that she’d served on the jury headed by Dirk Bogarde at Cannes in 1984, which gave the top prize to “Paris, Texas.”
The 71-year-old actress has been a powerhouse force in global cinema for the past 50 years, making her mark in French cinema before quickly appearing in Hollywood productions such as Michael Cimino’s “Heaven’s Gate.” Over the past decade Huppert’s...
Huppert has never before served as jury president at Venice, but she did at Cannes in 2009, awarding the Palme d’Or to Michael Haneke’s “The White Ribbon” after deliberations with James Gray, Nuri Bilge Ceylan, Asia Argento, Robin Wright, and Lee Chang-dong. Before that she’d served on the jury headed by Dirk Bogarde at Cannes in 1984, which gave the top prize to “Paris, Texas.”
The 71-year-old actress has been a powerhouse force in global cinema for the past 50 years, making her mark in French cinema before quickly appearing in Hollywood productions such as Michael Cimino’s “Heaven’s Gate.” Over the past decade Huppert’s...
- 5/8/2024
- by Christian Blauvelt
- Indiewire
Canadian actor and filmmaker Xavier Dolan will be joined on this year’s Un Certain Regard Jury by French-Senegalese filmmaker Maïmouna Doucouré, Moroccan director Asmae El Moudir, German-Luxembourg actress Vicky Krieps, and American film critic and writer Todd McCarthy.
The jury will be in charge of awarding prizes for the Un Certain Regard sidebar. This year, 18 films have been selected, including eight first features. The 2023 Un Certain Regard top prize went to director Molly Manning Walker’s debut feature How to Have Sex. When the light breaks by Rúnar Rúnarsson will open the Un Certain Regard section on May 15.
A self-taught filmmaker, Dolan made his feature directorial debut at 19 with I Killed My Mother, an adaptation of his own short story, which was chosen to represent Canada at the Academy Awards. He followed up that film with the 2010 romantic drama Heartbeats, which brought him into the Un Certain Regard section...
The jury will be in charge of awarding prizes for the Un Certain Regard sidebar. This year, 18 films have been selected, including eight first features. The 2023 Un Certain Regard top prize went to director Molly Manning Walker’s debut feature How to Have Sex. When the light breaks by Rúnar Rúnarsson will open the Un Certain Regard section on May 15.
A self-taught filmmaker, Dolan made his feature directorial debut at 19 with I Killed My Mother, an adaptation of his own short story, which was chosen to represent Canada at the Academy Awards. He followed up that film with the 2010 romantic drama Heartbeats, which brought him into the Un Certain Regard section...
- 4/24/2024
- by Zac Ntim
- Deadline Film + TV
Updated On April 22, 2024: With the addition of two new films to this year’s competition section, both directed by men, this year’s competition slate now includes 21 films, only four of which are directed by women. That tallies to just 19 percent of this year’s competition titles being helmed by women.
Our original story from April 11, 2024 follows.
Hot off last year’s record-breaking competition lineup — including seven films directed by women, plus an eventual Palme d’Or win for Justine Triet (only the third woman to win the festival’s top prize) — this year’s Cannes Film Festival has returned to old habits. The 77th edition will include (as of today’s announcement) just four films directed by women in the competition section, bringing representation down to 2021 levels (and returning the festival’s female-directed entries to a number that was only hit in 2011).
Among the competition titles announced today:...
Our original story from April 11, 2024 follows.
Hot off last year’s record-breaking competition lineup — including seven films directed by women, plus an eventual Palme d’Or win for Justine Triet (only the third woman to win the festival’s top prize) — this year’s Cannes Film Festival has returned to old habits. The 77th edition will include (as of today’s announcement) just four films directed by women in the competition section, bringing representation down to 2021 levels (and returning the festival’s female-directed entries to a number that was only hit in 2011).
Among the competition titles announced today:...
- 4/22/2024
- by Kate Erbland
- Indiewire
Léa Seydoux tells me “it may be nicer to have eye contact.” Though I was informed our interview would be audio-only––no complaints; time with the most exciting actor of her generation is the last time to grouse––it’s about six seconds into our Zoom call before she decides something more is necessary. Such directness will perfectly presage our conversation.
You’ll find this interview does not make great strides to cover The Beast (here’s one that does), despite Seydoux’s fascinating admission that Bertrand Bonello’s film wasn’t an easy viewing experience––her reason for which facilitated one of the more candid, no-frills conversations I’ve ever had with an actor. Fitting for someone who can embrace both knotty material and an international superstar’s career to extents that greatly exceed her Anglophone counterparts.
The Film Stage: I revisisted an interview I did with Arnaud Desplechin...
You’ll find this interview does not make great strides to cover The Beast (here’s one that does), despite Seydoux’s fascinating admission that Bertrand Bonello’s film wasn’t an easy viewing experience––her reason for which facilitated one of the more candid, no-frills conversations I’ve ever had with an actor. Fitting for someone who can embrace both knotty material and an international superstar’s career to extents that greatly exceed her Anglophone counterparts.
The Film Stage: I revisisted an interview I did with Arnaud Desplechin...
- 4/5/2024
- by Nick Newman
- The Film Stage
Exclusive: Léa Seydoux (Dune: Part Two) is attached to star opposite Josh O’Connor (Challengers) in Separate Rooms, an upcoming film from Luca Guadagnino, multiple sources tell Deadline.
An adaptation of the 1989 novel by the late author Pier Vittorio Tondelli, the film is a non-chronological examination of the romance between the Italian iconoclast writer, Leo (O’Connor), and his translator, Thomas. Details as to the role Seydoux is playing haven’t been disclosed.
The script comes from Francesca Manieri, who collaborated with Guadagnino on his Sky/HBO series We Are Who We Are. Lorenzo Mieli will produce for Fremantle, following his work with Guadagnino on his cannibal romance Bones and All, starring Timothée Chalamet, which won Guadagnino the prize for Best Director at the 2022 Venice Film Festival.
Best known for starring in the Bond films Spectre and No Time to Die, as well as Abdellatif Kechiche’s Palme d’Or winner Blue Is the Warmest Color,...
An adaptation of the 1989 novel by the late author Pier Vittorio Tondelli, the film is a non-chronological examination of the romance between the Italian iconoclast writer, Leo (O’Connor), and his translator, Thomas. Details as to the role Seydoux is playing haven’t been disclosed.
The script comes from Francesca Manieri, who collaborated with Guadagnino on his Sky/HBO series We Are Who We Are. Lorenzo Mieli will produce for Fremantle, following his work with Guadagnino on his cannibal romance Bones and All, starring Timothée Chalamet, which won Guadagnino the prize for Best Director at the 2022 Venice Film Festival.
Best known for starring in the Bond films Spectre and No Time to Die, as well as Abdellatif Kechiche’s Palme d’Or winner Blue Is the Warmest Color,...
- 4/3/2024
- by Matt Grobar
- Deadline Film + TV
Mubi has unveiled next’s streaming lineup, featuring notable new releases, including Felipe Gálvez’s The Settlers, Éric Gravel’s Full Time, C.J. Obasi’s Mami Wata, and Benjamin Mullinkosson’s The Last Year of Darkness.
This March also brings Elaine May’s Ishtar, four features by Mia Hansen-Løve, and a collection of films shot by women cinematographers, with Claire Denis’ Bastards, shot by Agnès Godard, and more. Next month’s collection also features retrospectives of radical German director Margarethe Von Trotta, experimental animator Suzan Pitt, and additions to their continuing retrospective of Takeshi Kitano.
Check out the lineup below, and get 30 days free here.
March 1st
The German Sisters, directed by Margarethe von Trotta | Radical Intimacy: Three by Margarethe von Trotta
The Second Awakening of Christa Klages, directed by Margarethe von Trotta | Radical Intimacy: Three by Margarethe von Trotta
The Promise, directed by Margarethe von Trotta | Radical Intimacy: Three...
This March also brings Elaine May’s Ishtar, four features by Mia Hansen-Løve, and a collection of films shot by women cinematographers, with Claire Denis’ Bastards, shot by Agnès Godard, and more. Next month’s collection also features retrospectives of radical German director Margarethe Von Trotta, experimental animator Suzan Pitt, and additions to their continuing retrospective of Takeshi Kitano.
Check out the lineup below, and get 30 days free here.
March 1st
The German Sisters, directed by Margarethe von Trotta | Radical Intimacy: Three by Margarethe von Trotta
The Second Awakening of Christa Klages, directed by Margarethe von Trotta | Radical Intimacy: Three by Margarethe von Trotta
The Promise, directed by Margarethe von Trotta | Radical Intimacy: Three...
- 2/22/2024
- by Leonard Pearce
- The Film Stage
If any part of you has been curious as to how French filmmaker Olivier Assayas spent the early days of the global pandemic, along comes “Suspended Time” to answer your question, with very much the answer you might expect: pretty comfortably, thanks for asking. Alternating a thinly fictionalised portrait of the artist isolating at his family’s country home with fully autobiographical narration by the director himself, this mildly amusing but vastly indulgent bagatelle feels a tardy entry in the first wave of lockdown cinema — too late to feel fresh, but still too soon to have accumulated much meaningful perspective on an experience we all remember too well. Assayas devotees will take some pleasure in its formal fillips and self-references. Others need not apply.
At its most interesting — and quietly gossipy, if you are so minded — “Suspended Time” could be read as a reply work of sorts to “Bergman Island,...
At its most interesting — and quietly gossipy, if you are so minded — “Suspended Time” could be read as a reply work of sorts to “Bergman Island,...
- 2/17/2024
- by Guy Lodge
- Variety Film + TV
The memes won’t let you forget, but 2019 was half a decade ago. That was also the year Olivier Assayas’ Wasp Network––an odd return to the realm of his TV series Carlos, and subsequently picked up by Narcos-era Netflix––premiered at the Venice Film Festival. That was Assayas’ last feature, making the intervening period (Irma Vep for HBO aside) the longest dry patch of his 38-year career. The dexterous director returns this week to the Berlinale with the aptly titled Suspended Time, a personal essay wrapped up in an effortless comedy that shows no signs whatsoever of long gestation.
Naturally, it’s all the better for it. Appearing as both leading man and (not for the first time) director surrogate, Vincent Macaigne stars as Paul, a filmmaker surviving the summer of 2020 with his music-journalist brother Ettienne (Micha Lescot) and their new partners, Morgane and Carole, in the agreeable surrounds of their childhood home.
Naturally, it’s all the better for it. Appearing as both leading man and (not for the first time) director surrogate, Vincent Macaigne stars as Paul, a filmmaker surviving the summer of 2020 with his music-journalist brother Ettienne (Micha Lescot) and their new partners, Morgane and Carole, in the agreeable surrounds of their childhood home.
- 2/17/2024
- by Rory O'Connor
- The Film Stage
By virtue of the shared experiences it speaks to, Suspended Time may be writer-director Olivier Assayas’s most universally relatable film to date. Sure, few people own homes in charming villages in rural France, but almost everyone on the planet went through some version of lockdown during the Covid-19 pandemic. People variably learned recipes, thought up new projects, sought out online therapy, went on long, unusually silent walks, contemplated their pasts, grandstanded about the dangers of a virus, treated said grandstanding as excessive hysteria, and got frustrated with the people they were in insolation with.
Those are the events of Suspended Time in a nutshell—a window into the strange life we all lived, the memory of which we largely seem to have discarded like a spoiled sourdough starter. Missing from the above description, though, is the way Assayas augments the ethereal quality of life in isolation with a sophisticated...
Those are the events of Suspended Time in a nutshell—a window into the strange life we all lived, the memory of which we largely seem to have discarded like a spoiled sourdough starter. Missing from the above description, though, is the way Assayas augments the ethereal quality of life in isolation with a sophisticated...
- 2/17/2024
- by Pat Brown
- Slant Magazine
Some apotheosis of film culture has been reached with Freddy Got Fingered‘s addition to the Criterion Channel. Three years after we interviewed Tom Green about his consummate film maudit, it’s appearing on the service’s Razzie-centered program that also includes the now-admired likes of Cruising, Heaven’s Gate, Querelle, and Ishtar; the still-due likes of Under the Cherry Moon; and the more-contested Gigli, Swept Away, and Nicolas Cage-led Wicker Man. In all cases it’s an opportunity to reconsider one of the lamest, thin-gruel entities in modern culture.
A Jane Russell retro features von Sternberg’s Macao, Gentlemen Prefer Blondes, and Raoul Walsh’s The Tall Men and The Revolt of Mamie Stover; streaming premieres will be held for Yuen Woo-ping’s Dreadnaught, Claire Simon’s Our Body, Ellie Foumbi’s Our Father, the Devil, the recently restored Sepa: Our Lord of Miracles, and The Passion of Rememberance.
A Jane Russell retro features von Sternberg’s Macao, Gentlemen Prefer Blondes, and Raoul Walsh’s The Tall Men and The Revolt of Mamie Stover; streaming premieres will be held for Yuen Woo-ping’s Dreadnaught, Claire Simon’s Our Body, Ellie Foumbi’s Our Father, the Devil, the recently restored Sepa: Our Lord of Miracles, and The Passion of Rememberance.
- 2/14/2024
- by Nick Newman
- The Film Stage
Exclusive: Cannes Marché du Film has unveiled the four film industry professionals who will select the projects for the second edition of its Investors Circle initiative.
The one-day event – taking place within the framework of this year’s market, running from May 14 to 22 – is aimed at connecting elevated, international feature film projects with film financiers and high-net worth individuals with a desire to invest in cinema.
This year’s selection committee comprises Arte France Cinéma CEO Remi Burah; French film and TV biz entrepreneur Serge Hayat; Georgian cinema professional Tamara Tatishvili, who is currently head of the International Film Festival Rotterdam’s Hubert Bals Fund, and Korean co-production expert Wonsun Shin.
The projects are gathered through a combination of networking and scouting as well as direct submissions to the Cannes Marché du Film up until February 29. The Selection Committee will meet throughout March to decide the final line-up.
Aleksandra Zakharchenko,...
The one-day event – taking place within the framework of this year’s market, running from May 14 to 22 – is aimed at connecting elevated, international feature film projects with film financiers and high-net worth individuals with a desire to invest in cinema.
This year’s selection committee comprises Arte France Cinéma CEO Remi Burah; French film and TV biz entrepreneur Serge Hayat; Georgian cinema professional Tamara Tatishvili, who is currently head of the International Film Festival Rotterdam’s Hubert Bals Fund, and Korean co-production expert Wonsun Shin.
The projects are gathered through a combination of networking and scouting as well as direct submissions to the Cannes Marché du Film up until February 29. The Selection Committee will meet throughout March to decide the final line-up.
Aleksandra Zakharchenko,...
- 2/6/2024
- by Melanie Goodfellow
- Deadline Film + TV
Denis Lavant, the iconic French actor of Claire Denis’ “Beau Travail” and Leos Carax’ “Holy Motors,” stars in “Redoubt,” the feature debut of rising contemporary artist-turned-director John Skoog.
Currently in post, the black-and-white film is produced by Plattform Produktion, the Goteborg-based banner run by two-time Palme d’Or winning director Ruben Ostlund (“Triangle of Sadness”) and Erik Hemmendorff. Skoog previously directed the California-set documentary short “Shadowland” which completed for a Golden Bear at the Berlinale.
“Redoubt” (“Reduit”) is a narrative film that expands on Skoog’s video installation by the same name which won the prestigious Baloise Art Prize in 2014, and is also part of the artist’s exhibition “Walls.”
Lavant’s reclusive character in “Redoubt” is inspired by Karl-Göran Persson, a farmer known as a good samaritan on the verge of madness, who lived near Skoog’s home town Kvidinge during WWII. After receiving a warning by the Swedish...
Currently in post, the black-and-white film is produced by Plattform Produktion, the Goteborg-based banner run by two-time Palme d’Or winning director Ruben Ostlund (“Triangle of Sadness”) and Erik Hemmendorff. Skoog previously directed the California-set documentary short “Shadowland” which completed for a Golden Bear at the Berlinale.
“Redoubt” (“Reduit”) is a narrative film that expands on Skoog’s video installation by the same name which won the prestigious Baloise Art Prize in 2014, and is also part of the artist’s exhibition “Walls.”
Lavant’s reclusive character in “Redoubt” is inspired by Karl-Göran Persson, a farmer known as a good samaritan on the verge of madness, who lived near Skoog’s home town Kvidinge during WWII. After receiving a warning by the Swedish...
- 2/4/2024
- by Elsa Keslassy
- Variety Film + TV
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
All Dirt Roads Taste of Salt (Raven Jackson)
A film that feels uprooted from deep beneath the earth, Raven Jackson’s poetic, patient debut is a distillation of cinema to its purest form, a stunning patchwork of experience and memory. Tethered around the life of Mack, a Black woman from Mississippi, as we witness glimpses of her childhood, teenage years, and beyond, All Dirt Roads Taste of Salt becomes a sensory experience unlike anything else this year. Shot in beautiful 35mm by Jomo Fray and edited by Apichatpong Weerasethakul’s collaborator Lee Chatametikool, there’s a reverence for nature and joy for human connection that seems all too rarified in today’s landscape of American filmmaking. – Jordan R.
Where to Stream: VOD...
All Dirt Roads Taste of Salt (Raven Jackson)
A film that feels uprooted from deep beneath the earth, Raven Jackson’s poetic, patient debut is a distillation of cinema to its purest form, a stunning patchwork of experience and memory. Tethered around the life of Mack, a Black woman from Mississippi, as we witness glimpses of her childhood, teenage years, and beyond, All Dirt Roads Taste of Salt becomes a sensory experience unlike anything else this year. Shot in beautiful 35mm by Jomo Fray and edited by Apichatpong Weerasethakul’s collaborator Lee Chatametikool, there’s a reverence for nature and joy for human connection that seems all too rarified in today’s landscape of American filmmaking. – Jordan R.
Where to Stream: VOD...
- 1/5/2024
- by Jordan Raup
- The Film Stage
Melvil Poupaud, an actor in Francois Ozon’s “By the Grace of God” and Maiwenn’s “Jeanne du Barry,” will receive the French Cinema Award from Unifrance, the French promotion organization.
The ceremony will be held on Jan. 18 at the Culture Ministry during the Rendez-Vous With French Cinema market. The French Cinema Award was created in 2016 to honor actors, filmmakers and producers who have contributed to making French cinema shine abroad. Past recipients include actor Juliette Binoche, director Olivier Assayas and producers Aton Soumache and Dimitri Rassam, among others.
Poupaud started his career as a child actor in the 1980 and has worked with auteurs such as Raoul Ruiz, Eric Rohmer, James Ivory and Ozon, with whom he has made four movies. His latest film directed by Ozon, “By the Grace of God,” won the Silver Bear in Berlin and earned him a Cesar nomination for best actor. He also worked with several well-established female directors,...
The ceremony will be held on Jan. 18 at the Culture Ministry during the Rendez-Vous With French Cinema market. The French Cinema Award was created in 2016 to honor actors, filmmakers and producers who have contributed to making French cinema shine abroad. Past recipients include actor Juliette Binoche, director Olivier Assayas and producers Aton Soumache and Dimitri Rassam, among others.
Poupaud started his career as a child actor in the 1980 and has worked with auteurs such as Raoul Ruiz, Eric Rohmer, James Ivory and Ozon, with whom he has made four movies. His latest film directed by Ozon, “By the Grace of God,” won the Silver Bear in Berlin and earned him a Cesar nomination for best actor. He also worked with several well-established female directors,...
- 1/4/2024
- by Elsa Keslassy
- Variety Film + TV
As an end-of-year gift to our writers and readers, we've compiled a user-friendly overview of our publishing highlights from 2023. The collection is broken down by category: essays, interviews, festival coverage, and recurring columns.Browse at your leisure, and raise a glass to our brilliant contributors!Meanwhile, you can catch up with all of our end-of-year coverage here.{{notebook_form}}ESSAYSContemporary Cinema:Cinema as Sacrament: The Limitations of Killers of the Flower Moon by Adam PironA Change of Season: Trần Anh Hùng and Frederick Wiseman's Culinary Cinema by Phuong LeWalking, Talking, & Hurting Feelings: Nicole Holofcener's Everyday Dramas by Rafaela BassiliThe Limits of Control: Lines of Power in Todd Field's Tár by Helen CharmanThe Art of Losing: Joanna Hogg's Haunted Houses by Laura StaabTreading Water: Avatar: The Way of Water by Evan Calder WilliamsThe African Accent and the Colonial Ear by Maxine SibihwanaTen Minutes, but a Few Meters Longer:...
- 1/3/2024
- MUBI
Ketchup Entertainment announced today that they have acquired North American rights to the critically-acclaimed and award-winning Memory, written and directed by the internationally acclaimed filmmaker Michel Franco. The film stars Academy Award ® winner Jessica Chastain, Peter Sarsgaard, Brooke Timber, Merritt Wever, Elsie Fisher, Jessica Harper and Josh Charles. It premiered in Competition at the 80th Venice Film Festival earning an eight-minute standing ovation, with Sarsgaard going on to receive the Volpi Cup for Best Actor from the Jury. It also screened to great acclaim at the Toronto International Film Festival. The film is screening at AFI this Saturday, October 28th with Franco and Sarsgaard in attendance and will open theatrically this December.
Memory follows Sylvia (Jessica Chastain) a social worker who leads a simple and structured life until Saul (Peter Sarsgaard) follows her home from their high school reunion. Their surprise encounter will profoundly impact both of them as they...
Memory follows Sylvia (Jessica Chastain) a social worker who leads a simple and structured life until Saul (Peter Sarsgaard) follows her home from their high school reunion. Their surprise encounter will profoundly impact both of them as they...
- 10/30/2023
- by Kristyn Clarke
- Age of the Nerd
Exclusive: Shooting has wrapped on Went Up the Hill, the psychological ghost story starring Cannes award winner Vicky Krieps and Stranger Things actor Dacre Montgomery.
Above is a first look at the Samuel Van Grinsven flick, which is headed for next week’s AFM via Bankside Films. Buyers in LA will be presented with a promo reel, with Bankside repping international sales and co-repping North American rights with CAA Media Finance.
The film was shot on location in New Zealand and was the latest collaboration between London-based Bankside and Causeway Films following their partnership on Danny & Michael Philippou’s Talk to Me, which is nearing $100M at the global box office. We first told you about it last year.
Went Up the Hill stars Montgomery as Jack and Krieps as Jill. Abandoned as a child, Jack ventures to remote New Zealand to attend the funeral of his estranged mother and there meets her grieving widow,...
Above is a first look at the Samuel Van Grinsven flick, which is headed for next week’s AFM via Bankside Films. Buyers in LA will be presented with a promo reel, with Bankside repping international sales and co-repping North American rights with CAA Media Finance.
The film was shot on location in New Zealand and was the latest collaboration between London-based Bankside and Causeway Films following their partnership on Danny & Michael Philippou’s Talk to Me, which is nearing $100M at the global box office. We first told you about it last year.
Went Up the Hill stars Montgomery as Jack and Krieps as Jill. Abandoned as a child, Jack ventures to remote New Zealand to attend the funeral of his estranged mother and there meets her grieving widow,...
- 10/24/2023
- by Jesse Whittock
- Deadline Film + TV
SAG-AFTRA may still be on strike, but studios are, nevertheless, pushing their Oscar contenders to garner the adequate (and allowed) attention they need to land nominations.
One of the main methods is getting industry voters out to screenings and making films available on the Academy Screening Room and BAFTA screening platforms. With the two significant organizations banning physical DVD screeners, voting members rely on the respective digital viewing portals to catch up on some of this year’s contenders vying for awards consideration.
Read: Variety’s Awards Circuit for the latest Oscars predictions in all categories.
The Academy performs a heavy vetting process for each film that chooses to submit for consideration. Historically, over 300 movies are in the running for best picture consideration, with more films joining the fray over the next several months. Distributors are the ultimate decision-makers of when a movie is placed in the Academy Screening Room for viewing.
One of the main methods is getting industry voters out to screenings and making films available on the Academy Screening Room and BAFTA screening platforms. With the two significant organizations banning physical DVD screeners, voting members rely on the respective digital viewing portals to catch up on some of this year’s contenders vying for awards consideration.
Read: Variety’s Awards Circuit for the latest Oscars predictions in all categories.
The Academy performs a heavy vetting process for each film that chooses to submit for consideration. Historically, over 300 movies are in the running for best picture consideration, with more films joining the fray over the next several months. Distributors are the ultimate decision-makers of when a movie is placed in the Academy Screening Room for viewing.
- 10/17/2023
- by Clayton Davis
- Variety Film + TV
Hélène Mouchet (Vicky Krieps) is probably dying. She has been diagnosed with an idiopathic fibrosis of the lungs, meaning none of her doctors really has much idea of how to treat her condition. They do know that it will eventually result in suffocation, unless she is able to undergo a lung transplant — which is far from certain to work. In “More Than Ever,” a thoughtful, well-acted drama from writer-director Emily Atef (changing the pace from her work on TV’s “Killing Eve”), this setup is the basis for an exploration, through the lens of one woman’s experience, of how serious disease might be faced, both medically and socially. Strand Releasing is bringing the film to U.S. audiences more than a year after its Un Certain Regard premiere in Cannes.
Hélène finds the awkward response of her social circle unendurable; people mean well, but are terrified of saying the wrong thing.
Hélène finds the awkward response of her social circle unendurable; people mean well, but are terrified of saying the wrong thing.
- 10/4/2023
- by Catherine Bray
- Variety Film + TV
Vicky Krieps is no ordinary actress. Paul Thomas Anderson knew that when he hired her to stand up to Daniel Day-Lewis in 2017’s “Phantom Thread.” After that breakout role, the Luxembourg-born actress was inundated with Hollywood offers. She chose to keep herself grounded with her German husband and two children (now 8 and 12) in Berlin, turning down the studio films — and a lot of potential paydays — that came her way. She never took on a Hollywood agent. Casting agents got the message, and she has been sent more quality fare ever since.
“I remember people saying I was stupid,” she told IndieWire during a recent interview, sitting on the lobby stairs in a quiet corner of the Fairmont Royal York in Toronto. Her indie Western, directed by and co-starring Viggo Mortensen, “The Dead Don’t Hurt,” was on offer at the annual festival.
“It was like a poison. I could feel people going,...
“I remember people saying I was stupid,” she told IndieWire during a recent interview, sitting on the lobby stairs in a quiet corner of the Fairmont Royal York in Toronto. Her indie Western, directed by and co-starring Viggo Mortensen, “The Dead Don’t Hurt,” was on offer at the annual festival.
“It was like a poison. I could feel people going,...
- 9/21/2023
- by Anne Thompson
- Indiewire
Each year, I am honored to have a chance to return to the beautiful city of Venice in Northern Italy to attend the Venice Film Festival and catch the latest films premiering there. This year's festival is now finished, so it's time to present my picks of my favorite films from Venice 2023. I've chosen 8 of the best of the fest films that deserve to be highlighted. This was my seventh year returning to Venice, I even stopped by back in 2020 during the pandemic as I didn't want to miss it. In total, I watched around 32 films at Venice this year, and while it wasn't the most spectacular line-up, I am always glad to have the chance to dive into this entrancing selection of new cinema every year anyway. The best of the festival this year, Poor Things, is also the same film that went on to win the Golden Lion top prize,...
- 9/19/2023
- by Alex Billington
- firstshowing.net
The Oldenburg Film Festival has picked two iconoclast filmmakers to honor for its 30th anniversary edition: French actor/director Isild Le Besco and Canadian producer Jen Gatien. Both women have carved out unique paths in independent cinema, defying conventions and expectations.
Le Besco has worked in front of the camera since she was eight, and by her early 20s was already a face of French auteur cinema, with two César nominations — for her performances in Benoît Jacquot’s Sade (2000) and Cédric Kahn’s Roberto Succo (2001) and a best actress honor in Venice for Jacquot’s L’Intouchable (2006).
Her directorial debut, 2004’s Demi-Tarif (Half-Price), the story of three young siblings, Romeo (Kolia Litscher), Launa (Lila Salet), and the youngest, Leo (Cindy David), left on their own in a rundown Paris apartment, was an unmediated look into the world of childhood and drew praise from the likes of Mia Hansen-Løve, whose review,...
Le Besco has worked in front of the camera since she was eight, and by her early 20s was already a face of French auteur cinema, with two César nominations — for her performances in Benoît Jacquot’s Sade (2000) and Cédric Kahn’s Roberto Succo (2001) and a best actress honor in Venice for Jacquot’s L’Intouchable (2006).
Her directorial debut, 2004’s Demi-Tarif (Half-Price), the story of three young siblings, Romeo (Kolia Litscher), Launa (Lila Salet), and the youngest, Leo (Cindy David), left on their own in a rundown Paris apartment, was an unmediated look into the world of childhood and drew praise from the likes of Mia Hansen-Løve, whose review,...
- 9/14/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
For more on Venice's standout films, read our dispatch coverage: "Biopics Reloaded" and "Hitmen, A.I., and Dangerous Women."Poor Things.Main Competition(Jury: Damien Chazelle (chair), Saleh Bakri, Jane Campion, Mia Hansen-Løve, Gabriele Mainetti, Martin McDonagh, Santiago Mitre, Laura Poitras, and Shu Qi)Golden Lion: Poor Things (Yorgos Lanthimos)Silver Lion Grand Jury Prize: Evil Does Not Exist (Ryusuke Hamaguchi)Silver Lion Best Director: Matteo Garrone (Io Capitano)Special Jury Prize: Green Border (Agnieszka Holland)Best Screenplay: Pablo Larraín and Guillermo Calderón (El Conde)Best Actress: Cailee Spaeny (Priscilla)Best Actor: Peter Sarsgaard (Memory)Marcello Mastroianni Award for Best New Young Actor or Actress: Seydou Sarr (Io Capitano)Explanation For Everything.HORIZONSJury: Jonas Carpignano (chair), Kaouther Ben Hania, Kahlil Joseph, Jean-Paul Salomé, and Tricia Truttle)Best Film: Explanation For Everything (Gábor Reisz)Best Director: Mika Gustafson (Paradise Is Burning)Special Jury Prize: Una Sterminata Domenica (Alain Parroni)Best Actress:...
- 9/12/2023
- MUBI
The 2023 Venice Film Festival persevered despite a dimmed Hollywood presence, with much of the onscreen talent sitting this year’s Lido event out due to the strikes. There in Italy, however, were directors like Michael Mann, David Fincher, Yorgos Lanthimos, Ava DuVernay, Wes Anderson, Ryusuke Hamaguchi, Richard Linklater, Sofia Coppola, and even Woody Allen to present their latest films and do the talking on behalf of their sidelined actors.
Saturday at the Sala Grande, the jury headed up by president Damien Chazelle revealed the winners of the 2023 competition awards. Jurors including Martin McDonagh, Jane Campion, and Mia Hansen-Løve saw 23 movies over the last week and a half, including Lanthimos’ raved-about “Poor Things,” Coppola’s well-liked “Priscilla,” Bertrand Bonello’s daring “The Beast,” Fincher’s assassin thriller “The Killer,” Bradley Cooper’s Oscar hopeful “Maestro,” Mann’s gripping “Ferrari,” and more.
Word on the Lido was highest for eventual Golden Lion winner “Poor Things,...
Saturday at the Sala Grande, the jury headed up by president Damien Chazelle revealed the winners of the 2023 competition awards. Jurors including Martin McDonagh, Jane Campion, and Mia Hansen-Løve saw 23 movies over the last week and a half, including Lanthimos’ raved-about “Poor Things,” Coppola’s well-liked “Priscilla,” Bertrand Bonello’s daring “The Beast,” Fincher’s assassin thriller “The Killer,” Bradley Cooper’s Oscar hopeful “Maestro,” Mann’s gripping “Ferrari,” and more.
Word on the Lido was highest for eventual Golden Lion winner “Poor Things,...
- 9/9/2023
- by Ryan Lattanzio
- Indiewire
“Vogter,” a psychological thriller directed by Gustav Möller, whose previous film “The Guilty” won the Audience Award at Sundance, has been pre-sold by Les Films du Losange to multiple territories.
“Vogter,” which was just completed and is now in post, has been picked up for Germany, Austria, Switzerland (Ascot Elite), Spain (La Aventura), Italy (Movies Inspired), Japan (Happinet Phantom Studios), Belgium, Netherlands, Luxembourg (Cineart), Estonia, Latvia, Lithuania (Kino Pavasaris) and Hungary (Vertigo). Les Films du Losange has closed these deals since unveiling the project at Cannes and is negotiating further sales in other key territories.
The film is headlined by Sidse Babett Knudsen, the BAFTA-winning actor of “Borgen,” as Eva, an idealistic prison officer, is faced with the dilemma of her life when a young man from her past gets transferred to the prison where she works. Without revealing her secret, Eva asks to be moved to the young man...
“Vogter,” which was just completed and is now in post, has been picked up for Germany, Austria, Switzerland (Ascot Elite), Spain (La Aventura), Italy (Movies Inspired), Japan (Happinet Phantom Studios), Belgium, Netherlands, Luxembourg (Cineart), Estonia, Latvia, Lithuania (Kino Pavasaris) and Hungary (Vertigo). Les Films du Losange has closed these deals since unveiling the project at Cannes and is negotiating further sales in other key territories.
The film is headlined by Sidse Babett Knudsen, the BAFTA-winning actor of “Borgen,” as Eva, an idealistic prison officer, is faced with the dilemma of her life when a young man from her past gets transferred to the prison where she works. Without revealing her secret, Eva asks to be moved to the young man...
- 9/7/2023
- by Elsa Keslassy
- Variety Film + TV
Corsage star Vicky Krieps is set to receive the TIFF Tribute Performer Award at the upcoming Toronto Film Festival.
Krieps is being recognized as she attends Toronto for the world premiere of Viggo Mortensen’s The Dead Don’t Hurt. The Luxembourg actress stars opposite Mortensen in the feminist Western romance drama as French-Canadian flower seller Vivienne Le Coudy, an irreverent and feisty young woman attempting to make a life for herself in a corrupt and violent Nevada town during the 1860s.
“Vicky’s transformative performances illuminate the screen, weaving emotions into a tapestry of storytelling. Her dedication to her craft and her ability to embody diverse roles with profound authenticity make her a true luminary in the realm of cinema,” Cameron Bailey, CEO of the Toronto Film Festival, said in a statement on Tuesday.
Krieps had a breakout role in Paul Thomas Anderson’s Phantom Thread, starring opposite Daniel Day-Lewis,...
Krieps is being recognized as she attends Toronto for the world premiere of Viggo Mortensen’s The Dead Don’t Hurt. The Luxembourg actress stars opposite Mortensen in the feminist Western romance drama as French-Canadian flower seller Vivienne Le Coudy, an irreverent and feisty young woman attempting to make a life for herself in a corrupt and violent Nevada town during the 1860s.
“Vicky’s transformative performances illuminate the screen, weaving emotions into a tapestry of storytelling. Her dedication to her craft and her ability to embody diverse roles with profound authenticity make her a true luminary in the realm of cinema,” Cameron Bailey, CEO of the Toronto Film Festival, said in a statement on Tuesday.
Krieps had a breakout role in Paul Thomas Anderson’s Phantom Thread, starring opposite Daniel Day-Lewis,...
- 9/5/2023
- by Etan Vlessing
- The Hollywood Reporter - Movie News
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.