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Things to Come (1936)
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Overview
Release Date:
31 March 1936 (Denmark) moreTagline:
What will the next hundred years bring to mankind? morePlot:
A story of 100 years: a decades-long second world war leaves plague and anarchy, then a rational state rebuilds civilization and tries space travel. full summary | add synopsisUser Comments:
Art Deco Science Fiction moreCast
(Complete credited cast)| Raymond Massey | ... | John Cabal / Oswald Cabal | |
| Edward Chapman | ... | Pippa Passworthy / Raymond Passworthy | |
| Ralph Richardson | ... | The Boss | |
| Margaretta Scott | ... | Roxana / Rowena (as Margueretta Scott) | |
| Cedric Hardwicke | ... | Theotocopulos | |
| Maurice Braddell | ... | Dr. Harding | |
| Sophie Stewart | ... | Mrs. Cabal | |
| Derrick De Marney | ... | Richard Gordon (as Derrick de Marney) | |
| Ann Todd | ... | Mary Gordon | |
| Pearl Argyle | ... | Catherine Cabal | |
| Kenneth Villiers | ... | Maurice Passworthy | |
| Ivan Brandt | ... | Morden Mitani | |
| Anne McLaren | ... | The Child | |
| Patricia Hilliard | ... | Janet Gordon | |
| Charles Carson | ... | Great Grandfather |
Additional Details
Also Known As:
H.G. Wells' Things to Come (UK) (complete title)The Hundred Years to Come (UK) (working title)
The Shape of Things to Come (UK) (working title)
Whither Mankind (UK) (working title)
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Parents Guide:
Add content advisory for parentsRuntime:
100 min | UK:117 min | Canada:91 min (VHS version) | UK:108 min (premiere cut) | UK:113 min (original version) | USA:92 min (cut version)Country:
UKLanguage:
EnglishColor:
Black and WhiteAspect Ratio:
1.37 : 1 moreSound Mix:
Mono (Western Electric Sound System Noiseless Recording)MOVIEmeter: 
Fun Stuff
Trivia:
Music recorded at The Scala Theatre, Charlotte Street, London, England UK moreGoofs:
Continuity: During the bombing of Everytown, a man in a top hat follows several people across the hood of a car in an attempt to escape. There are footprints clearly all over the hood. A later scene shows more people using the same car, But this time the hood is clean. moreQuotes:
Roxana: I don't suppose any man has ever understood any woman since the beginning of things. You don't understand our imaginations. moreSoundtrack:
Melodrama - Attack moreFAQ
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There are some film classics that we have almost lost. I don't mean the might-have-beens, like the von Stroheims or Laughton's "I Claudius," but films that were released and quite successful and are now in grave need of rescue. The hallmark of such films is the terrible quality of the available prints, perhaps because a title went into public domain and was abandoned by the studio or because the original "lavender" has disintegrated. "My Man Godfrey" and "Nothing Sacred" come to mind. And, of course, "Things to Come".
If the abstractions of the art deco aesthetic could be reified into a story, "Things to Come" might be the result. If the Chrysler Building really were a rocket ship and could fly past the the moon and stars and comets of art deco friezes...if we could look into those naive mindsets, whose visions of man's destiny were being energized by the discoveries of relativity, atomic energy and deep space...we might indeed embrace the images of "Things to Come".
Some of the scenes may strike us a corny - as might those of Fritz Lang's "Metropolis" - but they are no cornier in their context than those in "2001, a Space Odyssey" or, for that matter, "Starship Troopers". Here is an honest attempt to project the world into the future, not some silly cowboys-in-space flick.
"Things to Come" makes only a couple of demands: first, that we ditch our smug sophistication and presentist prejudices; second, that we have the discipline to see past the print quality. It may take repeated viewings, as it did with me, but in the end you will be rewarded by a unique odyssey, not into our future but into the future of history.