Dive into the deliciously dark side of cinema with our guide to “good for her” horror movies, where the leading ladies don’t just fight back, they bite back—with style. This isn’t just about scares; it’s about screams of triumph from female anti-heroes who redefine horror movie vengeance.
We’re slicing into tales that offer more than just good for her horror moments; these films are a banquet of revenge horror movies served with a side of female villains so badass, you’ll be cheering them on from behind your popcorn. So, pull up a chair, and let’s celebrate the women who turn nightmares into their playgrounds, proving that when it comes to settling scores, they’re monstrously good at it.
Oscilloscope 10. The Love Witch (2016)
Elaine (Samantha Robinson), our spellbinding protagonist, isn’t your typical witch. In her quest for love, she brews potions more potent than your grandma’s moonshine,...
We’re slicing into tales that offer more than just good for her horror moments; these films are a banquet of revenge horror movies served with a side of female villains so badass, you’ll be cheering them on from behind your popcorn. So, pull up a chair, and let’s celebrate the women who turn nightmares into their playgrounds, proving that when it comes to settling scores, they’re monstrously good at it.
Oscilloscope 10. The Love Witch (2016)
Elaine (Samantha Robinson), our spellbinding protagonist, isn’t your typical witch. In her quest for love, she brews potions more potent than your grandma’s moonshine,...
- 3/9/2024
- by Kimberley Elizabeth
Experimental French filmmaker Bertrand Mandico isn’t for everyone — i.e. an acquired taste whose visions push boundaries of cinematic expression — but he’s achieved something of a cult fandom over the last three decades. After last pairing with the director on 2022’s “After Blue” and 2017’s uninhibited Venice winner “The Wild Boys” — Cahiers du Cinéma’s top film of 2018 — the distributor Altered Innocence again teams with Mandico on another provocation. His 2023 Cannes premiere “She Is Conann,” nominated for the Queer Palm before going on to play at other festivals including Locarno, is an acid-trip transgressive riff on the Conan the Barbarian myth. IndieWire shares the trailer here.
Influences on the film include Tony Scott’s “The Hunger,” the works of Rainer Werner Fassbinder, Liliana Cavani’s “The Night Porter,” and Fellini’s “Satyricon.” Throw Ken Russell in there for good measure, with profane images in “She Is Conann” reminiscent of “The Devils.
Influences on the film include Tony Scott’s “The Hunger,” the works of Rainer Werner Fassbinder, Liliana Cavani’s “The Night Porter,” and Fellini’s “Satyricon.” Throw Ken Russell in there for good measure, with profane images in “She Is Conann” reminiscent of “The Devils.
- 1/4/2024
- by Ryan Lattanzio
- Indiewire
Following The Film Stage’s collective top 50 films of 2023, as part of our year-end coverage, our contributors are sharing their personal top 10 lists.
It’s been a great year to be a strange little guy. We’ve rolled on from Everything Everywhere All at Once sweeping the Oscars to the auspicious release of Yorgos Lanthimos’ sexy baby drama Poor Things. Our culture’s ever-increasing appetite for horror fueled hype for blockbusters about killer robot girls and homicidal animatronics. Genres were blended and transcended on and off the festival circuit, as major distributors embraced weirdness in films like Bottoms, May December, and the aforementioned Poor Things.
This has also been a year of extremes. In January Skinamarink, a $15,000 indie horror, made $2.1 million at the box office. Every favorite for Best Picture is at least 100 minutes long. Barbenheimer… happened. New heights of camp were achieved on larger scales than ever before. Casting...
It’s been a great year to be a strange little guy. We’ve rolled on from Everything Everywhere All at Once sweeping the Oscars to the auspicious release of Yorgos Lanthimos’ sexy baby drama Poor Things. Our culture’s ever-increasing appetite for horror fueled hype for blockbusters about killer robot girls and homicidal animatronics. Genres were blended and transcended on and off the festival circuit, as major distributors embraced weirdness in films like Bottoms, May December, and the aforementioned Poor Things.
This has also been a year of extremes. In January Skinamarink, a $15,000 indie horror, made $2.1 million at the box office. Every favorite for Best Picture is at least 100 minutes long. Barbenheimer… happened. New heights of camp were achieved on larger scales than ever before. Casting...
- 12/31/2023
- by Lena Wilson
- The Film Stage
This post is part of a series, Girlblogging. Read the introduction here. Maybe you have seen this image: five outlines of a head (turned sideways in profile), each holding (in its mind’s eye) one of four images of apples stamped (from left to right) in decreasing order of detail, except for the last head, which is empty. This is an image of images, an image about how imagination works. At its most basic level, imagination is image visualization. When you think of an apple, what do you see? In The Love Witch (2016), witchcraft looks a lot like imagination—energy concentrated […]
The post Girlblogging: The Love Witch first appeared on Filmmaker Magazine.
The post Girlblogging: The Love Witch first appeared on Filmmaker Magazine.
- 12/11/2023
- by Matilda Lin Berke
- Filmmaker Magazine-Director Interviews
This post is part of a series, Girlblogging. Read the introduction here. Maybe you have seen this image: five outlines of a head (turned sideways in profile), each holding (in its mind’s eye) one of four images of apples stamped (from left to right) in decreasing order of detail, except for the last head, which is empty. This is an image of images, an image about how imagination works. At its most basic level, imagination is image visualization. When you think of an apple, what do you see? In The Love Witch (2016), witchcraft looks a lot like imagination—energy concentrated […]
The post Girlblogging: The Love Witch first appeared on Filmmaker Magazine.
The post Girlblogging: The Love Witch first appeared on Filmmaker Magazine.
- 12/11/2023
- by Matilda Lin Berke
- Filmmaker Magazine - Blog
Clockwise from top left: Bram Stoker’s Dracula (Sony), Dracula (Universal), Only Lovers Left Alive (Sony), The Hunger (MGM/UA), Nosferatu The Vampyre (Shout Factory), Nosferatu (Kino Lorber) Graphic: AVClub
The vampire is cinema’s favorite monster. Ever since Nosferatu more than a century ago, bloodsuckers of every conceivable persuasion...
The vampire is cinema’s favorite monster. Ever since Nosferatu more than a century ago, bloodsuckers of every conceivable persuasion...
- 10/17/2023
- by Matthew Jackson
- avclub.com
SpectreVision, the production company behind horror films Mandy and Daniel Isn’t Real, and co-founders Elijah Wood and Daniel Noah have teamed up with streaming platform Pluto TV for a special Halloween treat: a horror movie marathon streaming event.
Wood and Noah are bringing their favorite horror and psychological films for Pluto TV viewers to enjoy for Free on Wednesday, October 18 on the Pluto TV Cult Films channel.
The theme of the evening is “Ladies’ Night,” celebrating women lead horror and to kick off the marathon at 8pm Et/5pm Pt, Wood and Noah will host a live stream-along on SpectreVision’s Instagram so viewers can watch along and hear special commentary. That means that not only can you watch their curated picks, but you can follow along and participate with the horror fun.
As for what to expect, the titles selected for this marathon include:
· The Babadook
· Beyond The Black Rainbow...
Wood and Noah are bringing their favorite horror and psychological films for Pluto TV viewers to enjoy for Free on Wednesday, October 18 on the Pluto TV Cult Films channel.
The theme of the evening is “Ladies’ Night,” celebrating women lead horror and to kick off the marathon at 8pm Et/5pm Pt, Wood and Noah will host a live stream-along on SpectreVision’s Instagram so viewers can watch along and hear special commentary. That means that not only can you watch their curated picks, but you can follow along and participate with the horror fun.
As for what to expect, the titles selected for this marathon include:
· The Babadook
· Beyond The Black Rainbow...
- 10/17/2023
- by Meagan Navarro
- bloody-disgusting.com
From an evil queen pondering “Mirror, mirror on the wall: Who is the fairest of them all?” to Three Weird Sisters chanting “Double, double toil and trouble! Fire burn, and cauldron bubble,” witchcraft has been something of a skeleton key across centuries of storytelling on screen and in print. As old as ghost stories themselves, witches are fabled beings — typically more human than creature, but sometimes vice versa — known for using magic to abuse and manipulate us mere mortals.
Some witches feed on children; see Roald Dahl‘s “The Witches” and its two film adaptations starring Anjelica Huston and Anne Hathaway respectively. Some witches just want to be loved; consider the appropriately-named “The Love Witch” or the middle chunk of “Harry Potter and the Half-Blood Prince.” Others crave beauty, youth, power, or something altogether more sinister; think the unending greed examined in Luca Guadagnino’s astounding re-imagining of Dario Argento’s “Suspiria.
Some witches feed on children; see Roald Dahl‘s “The Witches” and its two film adaptations starring Anjelica Huston and Anne Hathaway respectively. Some witches just want to be loved; consider the appropriately-named “The Love Witch” or the middle chunk of “Harry Potter and the Half-Blood Prince.” Others crave beauty, youth, power, or something altogether more sinister; think the unending greed examined in Luca Guadagnino’s astounding re-imagining of Dario Argento’s “Suspiria.
- 10/3/2023
- by Alison Foreman
- Indiewire
There are a lot of go-to platforms for seasonal streaming but do not forget what you presume are outliers to the spooky season cause. Take Mubi for instance. Regarded as a home for the arthouse and the autuer, Mubi is stacked to the rafters with quality programming. They also know that their suscribers like to get their spook on so they've curated a handful of terror-ific titles for the month of October to scratch that spooky itch. Mubi's seasonal programming will include two films from Masumura Yasuzo, Blind Beast and Irezumi - Spider Tattoo. Mubi has also put together a collection of film from female filmmakers, including Censor and The Love Witch. On the doc side they also have Rodney Ascher's A Glitch...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 9/29/2023
- Screen Anarchy
Unleash your inner scream queen and buckle up for a spine-tingling adventure where horror gets a fabulously feminine makeover! As audiences everywhere gear up for the release of Greta Gerwig’s Barbie movie, we’ve conjured up a killer list of 10 ‘Barbiecore’ horror movies that will have you shrieking with delight.
We’ve had Barbie on the brain for a while, just last week we released an article highlighting the best pink hued horror movies. Our list of Barbiecore horror movies is dripping with girly glamour and bursting with major girlboss energy, blending the spookiness of horror with the charm, allure, and unapologetic strength of femininity. So, slip into your most bewitching pink ensemble, get Ken to make you some popcorn, and pinky swear to scream your lungs out.
United Artists Carrie (1976)
Carrie White, a shy and introverted high school student with telekinetic powers, becomes the target of cruel classmates and her religiously fanatic mother.
We’ve had Barbie on the brain for a while, just last week we released an article highlighting the best pink hued horror movies. Our list of Barbiecore horror movies is dripping with girly glamour and bursting with major girlboss energy, blending the spookiness of horror with the charm, allure, and unapologetic strength of femininity. So, slip into your most bewitching pink ensemble, get Ken to make you some popcorn, and pinky swear to scream your lungs out.
United Artists Carrie (1976)
Carrie White, a shy and introverted high school student with telekinetic powers, becomes the target of cruel classmates and her religiously fanatic mother.
- 7/11/2023
- by Kimberley Elizabeth
Welcome to a world where terror meets the vibrant hue of magenta! In this list, we celebrate the mesmerizing and blood-curdling genre of pink horror movies. These films bring together the captivating intensity of horror with a touch of rosy surrealism with a vibrant color palette.
Get ready to immerse yourself in a realm where fear and the color pink collide! From classics to modern gems, here are 10 pink horror movies that will leave you spellbound.
International Classics Suspiria (1977)
Dario Argento's iconic masterpiece, Suspiria, sets the stage for our pink horror extravaganza. This kaleidoscope of nightmares takes place within a renowned ballet school plagued by supernatural forces. The film's vibrant color palette, particularly its vivid use of magenta, engulfs the audience in a surreal and unsettling atmosphere.
Focus Features Last Night in Soho (2021)
Edgar Wright's Last Night in Soho seamlessly weaves together horror, suspense, and… time travel! Set...
Get ready to immerse yourself in a realm where fear and the color pink collide! From classics to modern gems, here are 10 pink horror movies that will leave you spellbound.
International Classics Suspiria (1977)
Dario Argento's iconic masterpiece, Suspiria, sets the stage for our pink horror extravaganza. This kaleidoscope of nightmares takes place within a renowned ballet school plagued by supernatural forces. The film's vibrant color palette, particularly its vivid use of magenta, engulfs the audience in a surreal and unsettling atmosphere.
Focus Features Last Night in Soho (2021)
Edgar Wright's Last Night in Soho seamlessly weaves together horror, suspense, and… time travel! Set...
- 6/24/2023
- by Kimberley Elizabeth
Welcome to a world where terror meets the vibrant hue of magenta! In this list, we celebrate the mesmerizing and blood-curdling genre of pink horror movies. These films bring together the captivating intensity of horror with a touch of rosy surrealism with a vibrant color palette.
Get ready to immerse yourself in a realm where fear and the color pink collide! From classics to modern gems, here are 10 pink horror movies that will leave you spellbound.
International Classics Suspiria (1977)
Dario Argento's iconic masterpiece, Suspiria, sets the stage for our pink horror extravaganza. This kaleidoscope of nightmares takes place within a renowned ballet school plagued by supernatural forces. The film's vibrant color palette, particularly its vivid use of magenta, engulfs the audience in a surreal and unsettling atmosphere.
Focus Features Last Night in Soho (2021)
Edgar Wright's Last Night in Soho seamlessly weaves together horror, suspense, and… time travel! Set...
Get ready to immerse yourself in a realm where fear and the color pink collide! From classics to modern gems, here are 10 pink horror movies that will leave you spellbound.
International Classics Suspiria (1977)
Dario Argento's iconic masterpiece, Suspiria, sets the stage for our pink horror extravaganza. This kaleidoscope of nightmares takes place within a renowned ballet school plagued by supernatural forces. The film's vibrant color palette, particularly its vivid use of magenta, engulfs the audience in a surreal and unsettling atmosphere.
Focus Features Last Night in Soho (2021)
Edgar Wright's Last Night in Soho seamlessly weaves together horror, suspense, and… time travel! Set...
- 6/24/2023
- by Kimberley Elizabeth
The Etheria Film Festival, a showcase of new horror, science fiction, and fantasy films directed by women, turns 10 this year, and they’re celebrating accordingly. And Bloody Disgusting can exclusively unveil what’s in store for this year’s fest, along with a sneak peek trailer.
The annual festivities will kick off with a live event in Kansas City, Missouri, on Saturday, July 1, 2023, at the Screenland Armour Theater with filmmakers and special guests in person for an onstage Q and A followed by an official afterparty. If you’re not able to attend in person, don’t worry; Etheria reteams with Shudder this year, and the official festival lineup will stream exclusively on the streaming service from July 2 through July 31, 2023.
Horror actress and director Brinke Stevens will receive the 2023 Etheria Inspiration Award from special guest presenters in person at the event.
“These films are so good your eyes will melt out of your brain,...
The annual festivities will kick off with a live event in Kansas City, Missouri, on Saturday, July 1, 2023, at the Screenland Armour Theater with filmmakers and special guests in person for an onstage Q and A followed by an official afterparty. If you’re not able to attend in person, don’t worry; Etheria reteams with Shudder this year, and the official festival lineup will stream exclusively on the streaming service from July 2 through July 31, 2023.
Horror actress and director Brinke Stevens will receive the 2023 Etheria Inspiration Award from special guest presenters in person at the event.
“These films are so good your eyes will melt out of your brain,...
- 5/18/2023
- by Meagan Navarro
- bloody-disgusting.com
Walpurgisnacht, also known as Walpurgis Night or Hexennacht, is a pagan holiday celebrated on the night of April 30th. It is named after Saint Walpurga, an eighth-century nun who Christianized parts of Germany. However, the holiday has roots in pagan traditions that celebrate the coming of spring and the triumph of life over death. It is also associated with witchcraft and supernatural phenomena, making it a perfect occasion to indulge in some spine-chilling horror films.
So, grab some popcorn and get ready for a night of scares with these ten chilling recommendations for Walpurgisnacht.
1. Dracula (1931)
What better way to kick off Walpurgisnacht than with the most iconic vampire movie of all time? Dracula (1931) stars Bela Lugosi as the titular count who travels from Transylvania to England to spread his curse of the undead. The beginning of the film is actually set on Walpurgisnacht, as Renfield (Dwight Frye) arrives at Dracula...
So, grab some popcorn and get ready for a night of scares with these ten chilling recommendations for Walpurgisnacht.
1. Dracula (1931)
What better way to kick off Walpurgisnacht than with the most iconic vampire movie of all time? Dracula (1931) stars Bela Lugosi as the titular count who travels from Transylvania to England to spread his curse of the undead. The beginning of the film is actually set on Walpurgisnacht, as Renfield (Dwight Frye) arrives at Dracula...
- 4/30/2023
- by Kimberley Elizabeth
The Walking Dead Universe RPG: "Free League Publishing today announced the official The Walking Dead Universe RPG on Kickstarter. The game invites you to explore the unforgiving, post-apocalyptic world of the dead, where you must learn to survive. Together.
The crowdfunding campaign for the highly anticipated tabletop roleplaying game has already reached its initial funding goal. It is now running through a long list of stretch goals, such as Atlanta area map, Bonus Archetype: The Criminal, custom dice, a threat meter, adventure maps, pre-generated characters based on the TV series and a solo mode, with more on the way.
Find out more at The Walking Dead Universe RPG Kickstarter-page!
We have seen many stories take place in The Walking Dead Universe - now, the time has come to see yours. No matter what impossible choices and daunting challenges you may encounter, the hardest choice will always be the same: Who are you going to be?...
The crowdfunding campaign for the highly anticipated tabletop roleplaying game has already reached its initial funding goal. It is now running through a long list of stretch goals, such as Atlanta area map, Bonus Archetype: The Criminal, custom dice, a threat meter, adventure maps, pre-generated characters based on the TV series and a solo mode, with more on the way.
Find out more at The Walking Dead Universe RPG Kickstarter-page!
We have seen many stories take place in The Walking Dead Universe - now, the time has come to see yours. No matter what impossible choices and daunting challenges you may encounter, the hardest choice will always be the same: Who are you going to be?...
- 3/15/2023
- by Jonathan James
- DailyDead
Just when you thought filmmakers and creators had exhausted everything worth saying in American high school-set comedies and thrillers, along comes Chicago-based independent Jennifer Reeder, who seems devoted to this subgenre as if by a monastic oath. The high school movie––with its classic, standby imagery of jocks, lockers, and losers––seems to have passed through three main cycles in the ’80s, ’90s, and ’00s, and in spite of its absolute specificity to the US education system, has found itself weirdly comprehensible and translatable in many different cultures. With Ghost World a notable exception, it’s also never felt especially feminist, which is what makes Reeder’s perspective fresh and novel.
Reeder––whose independence from typical US film-financing structures, art school background, and genre inclinations make her comparable to Anna Biller (The Love Witch)––has devised a nifty, sometimes gnarly little horror-thriller with Perpetrator. Indebted to the two king Davids...
Reeder––whose independence from typical US film-financing structures, art school background, and genre inclinations make her comparable to Anna Biller (The Love Witch)––has devised a nifty, sometimes gnarly little horror-thriller with Perpetrator. Indebted to the two king Davids...
- 2/18/2023
- by David Katz
- The Film Stage
Even in the horror world there’s never been much love for torture porn, and with the possible exception of Canada’s Soska sisters, few female directors have been inclined to try to reclaim it. Jennifer Reeder’s Perpetrator, which premiered in the Berlin Film Festival’s Panorama section, begins with all the icky tropes of the genre—the blood-spattered credit sequence literally looks like the intro to a particularly grisly episode of CSI—and for a time it looks like it’s really going to go there. Instead, it proves to be something much more striking and bizarre, a high-school body-horror movie for the gender-fluid Bones and All generation.
As with Luca Guadagnino’s movie, the opening scenes will see off the faint-hearted, as a girl named Evelyn Tufts is drugged and abducted, waking to find a masked psychopath doing something unspeakably medical and worryingly lo-fi. Her tormentor warns her not to resist,...
As with Luca Guadagnino’s movie, the opening scenes will see off the faint-hearted, as a girl named Evelyn Tufts is drugged and abducted, waking to find a masked psychopath doing something unspeakably medical and worryingly lo-fi. Her tormentor warns her not to resist,...
- 2/17/2023
- by Damon Wise
- Deadline Film + TV
Roses are red. Violets are blue. We hate Valentine’s Day. How about you?
Ok, “hate” is an overstatement. At the very least, capitalism’s annual ode to the big L-o-v-e is an excellent excuse to revisit our favorite rom-coms and dramatic love stories. From “The Notebook” and “Moonlight” to “Notting Hill” and “Crazy Rich Asians,” the best movies about the highs and lows of finding The One can bring smiles to our faces and tears to our eyes. Arguably, it’s these films that make the most compelling arguments for a holiday wholly dedicated to flowers, greeting cards, and other displays of chocolate-dipped devotion.
Still, Valentine’s Day draws ire for its materialistic center and vaguely exclusionary culture. More than ever, singles, couples, and so-called “situationships” are foregoing the traditional dinner-for-two and enjoying Galentine’s, Palentine’s, and other counter culture celebrations on or around February 14. Whether you’re...
Ok, “hate” is an overstatement. At the very least, capitalism’s annual ode to the big L-o-v-e is an excellent excuse to revisit our favorite rom-coms and dramatic love stories. From “The Notebook” and “Moonlight” to “Notting Hill” and “Crazy Rich Asians,” the best movies about the highs and lows of finding The One can bring smiles to our faces and tears to our eyes. Arguably, it’s these films that make the most compelling arguments for a holiday wholly dedicated to flowers, greeting cards, and other displays of chocolate-dipped devotion.
Still, Valentine’s Day draws ire for its materialistic center and vaguely exclusionary culture. More than ever, singles, couples, and so-called “situationships” are foregoing the traditional dinner-for-two and enjoying Galentine’s, Palentine’s, and other counter culture celebrations on or around February 14. Whether you’re...
- 2/14/2023
- by Alison Foreman and Christian Zilko
- Indiewire
NYC Weekend Watch is our weekly round-up of repertory offerings.
Roxy Cinema
Coppola’s Dracula, The Ring, and The Love Witch all play on 35mm; Spanish Dracula plays with live guitar accompaniment from Gary Lucas on Saturday; Suspiria screens; “City Dudes” returns on Saturday.
Bam
The bold, brilliant, stomach-churning films of Shinya Tsukamoto screen in a new retrospective.
Anthology Film Archives
Shivers, Rabid, and The Brood all play on 35mm this weekend.
Museum of Modern Art
One of our greatest living filmmakers, Tsai Ming-liang, is subject of a career-spanning retrospective that contunes.
Museum of the Moving Image
See It Big: Extended Cuts! offers unique opportunity to see films in their original form, starting with Das Boot and Little Shop of Horrors; Nosferatu and Roger Corman’s Edgar Allan Poe adaptations also screen.
Film Forum
Isabelle Huppert, maybe our greatest actress, is celebrated in a retrospective having its last weekend; Breathless continues,...
Roxy Cinema
Coppola’s Dracula, The Ring, and The Love Witch all play on 35mm; Spanish Dracula plays with live guitar accompaniment from Gary Lucas on Saturday; Suspiria screens; “City Dudes” returns on Saturday.
Bam
The bold, brilliant, stomach-churning films of Shinya Tsukamoto screen in a new retrospective.
Anthology Film Archives
Shivers, Rabid, and The Brood all play on 35mm this weekend.
Museum of Modern Art
One of our greatest living filmmakers, Tsai Ming-liang, is subject of a career-spanning retrospective that contunes.
Museum of the Moving Image
See It Big: Extended Cuts! offers unique opportunity to see films in their original form, starting with Das Boot and Little Shop of Horrors; Nosferatu and Roger Corman’s Edgar Allan Poe adaptations also screen.
Film Forum
Isabelle Huppert, maybe our greatest actress, is celebrated in a retrospective having its last weekend; Breathless continues,...
- 10/28/2022
- by Nick Newman
- The Film Stage
New Press DieDieBooks Launches to Publish Killer Books on Horror Movies: "Created by and for horror fans, each book will focus on a different horror movie, with its initial run featuring Poltergeist, Threads, The Wolfman, Sleepaway Camp, and The Love Witch.
Today marks the official launch of the indie press DieDieBooks, which is currently raising funds on Kickstarter to publish a series of stylish, collectible books that bring different fans’ perspectives to their favorite horror movies.
The first books include a deep dive on the Hooper vs. Spielberg debate surrounding Poltergeist written by author Jacob Trussell, a primer on the nuclear apocalypse film Threads written by nuclear scholar and activist Bob Mielke, a queer perspective on the controversial slasher Sleepaway Camp by Bj and Harmony Colangelo, a portrait of Lon Chaney Jr.’s mental anguish during his performance in The Wolfman by Philip J Reed, and a love letter to...
Today marks the official launch of the indie press DieDieBooks, which is currently raising funds on Kickstarter to publish a series of stylish, collectible books that bring different fans’ perspectives to their favorite horror movies.
The first books include a deep dive on the Hooper vs. Spielberg debate surrounding Poltergeist written by author Jacob Trussell, a primer on the nuclear apocalypse film Threads written by nuclear scholar and activist Bob Mielke, a queer perspective on the controversial slasher Sleepaway Camp by Bj and Harmony Colangelo, a portrait of Lon Chaney Jr.’s mental anguish during his performance in The Wolfman by Philip J Reed, and a love letter to...
- 10/3/2022
- by Jonathan James
- DailyDead
After the 2000s seemingly kickstarted a new wave of independent horror, the 2010s (and beyond) were an exceptional time for new and emerging, as well as established, filmmakers to leave their own mark on the landscape of genre storytelling. One of the most notable aspects, or even trends, that I noticed while doing research for this entire series of retrospectives is how out of all of the decades, it feels like the 2010s was one of the best times for female filmmakers to get the opportunity to take the helm in comparison to other decades. The 1980s had a handful of women directors working in independent horror, but during both the ’90s and ’00s, it felt like the industry as a whole had taken a few steps backwards in providing female filmmakers the opportunity to tell the stories they wanted to tell.
Thankfully, though, the door swung back open in...
Thankfully, though, the door swung back open in...
- 4/30/2022
- by Heather Wixson
- DailyDead
Moviegoing Memories is a series of short interviews with filmmakers about going to the movies. Jane Schoenbrun's We're All Going to the World's Fair is Mubi Go's Film of the Week in the US for April 15, 2022. We're All Going to the World's Fair.Notebook: How would you describe your movie in the least amount of words? Jane Schoenbrun: “Le Fantasia Dysphoria.” Notebook: Where and what is your favorite movie theater? Why is it your favorite? Schoenbrun: The Brattle in Cambridge—a holy space for me where, during my college years, I watched many double features, unforgettable rep classics, independent first runs, and at least one Mount Eerie concert. Just a beautiful and peaceful room that I've got a ton of nostalgia for—the balcony especially.Notebook: What is the most memorable movie screening of your life? Why is it memorable? Schoenbrun: The Love Witch at the Maryland Film...
- 4/18/2022
- MUBI
Monia Chokri’s “Babysitter” is The story of middle-aged sex pest Cédric (Patrick Hivon), his over-compensating feminist brother Jean-Michel (Steve Laplante), his depressed wife Nadine — a new mother, played by Chokri herself — and their mysterious, youthful nanny Amy (Nadia Tereszkiewicz) who seems intent on spicing up their love life, the film arrives with thunderous, uncompromising energy that only lets up when Chorkri decides to veer into the phantasmagorical.
Adapted by Catherine Léger from her play of the same name, the French-Canadian satire opens on the verge of an overdose of testosterone and adrenaline, with Cédric and his skeevy pals Carlos (Stéphane Moukarzel) and Tessier (Hubert Proulx) ogling pictures of women on their cellphones while cheering on a bloody cage-fight. With rapid-fire close-ups of breasts, butts, and the trio’s leery eyes, Chokri, cinematographer Josée Deshaies, and editor Pauline Gaillard yank the audience into an uncomfortably ravenous sensory overload with a sickly,...
Adapted by Catherine Léger from her play of the same name, the French-Canadian satire opens on the verge of an overdose of testosterone and adrenaline, with Cédric and his skeevy pals Carlos (Stéphane Moukarzel) and Tessier (Hubert Proulx) ogling pictures of women on their cellphones while cheering on a bloody cage-fight. With rapid-fire close-ups of breasts, butts, and the trio’s leery eyes, Chokri, cinematographer Josée Deshaies, and editor Pauline Gaillard yank the audience into an uncomfortably ravenous sensory overload with a sickly,...
- 1/27/2022
- by Siddhant Adlakha
- Indiewire
‘After Blue’ Review: Erotic Lesbian Acid Trip Is Like ‘The Love Witch’ Set on Planet ‘Annihiliation’
If you unearthed a glittery demon with one hairy arm who awakened your deepest desires from the third eye between her legs, what lengths would you travel to find her again? This, and plenty more completely insane scenarios, are among the many posed in Bertrand Mandico’s seductive, ethereal, and bizarre epic “After Blue,” aptly subtitled “Dirty Paradise.”
Set on a fantasy planet where only women can survive the harsh climate, the adventure follows a mother and daughter on a grueling journey to find and kill the evil “Kate Bush,” rumored to be death herself. One part “Annihilation” and one part “The Love Witch,” and cast under the veneer of a sadistic “The NeverEnding Story,” the film
The fantastical fable is narrated by Roxy (Paula-Luna Breitenfelder), a petulant teenager with a bleached-blonde mullet, who stares blankly into the camera in conversation with a mysterious disembodied voice. “The Earth was sick,...
Set on a fantasy planet where only women can survive the harsh climate, the adventure follows a mother and daughter on a grueling journey to find and kill the evil “Kate Bush,” rumored to be death herself. One part “Annihilation” and one part “The Love Witch,” and cast under the veneer of a sadistic “The NeverEnding Story,” the film
The fantastical fable is narrated by Roxy (Paula-Luna Breitenfelder), a petulant teenager with a bleached-blonde mullet, who stares blankly into the camera in conversation with a mysterious disembodied voice. “The Earth was sick,...
- 10/7/2021
- by Jude Dry
- Indiewire
Horror fans don’t have to wait until October to celebrate the scary movies, but this month offers a welcome opportunity to embrace the form. Last year, when the pandemic made in-person film festivals hard to achieve, four respected genre festivals from around the country — Boston Underground, Brooklyn Horror, North Bend, and Overlook — joined forces for a virtual festival event called Nightstream. Blending traditional horror programming with broader examples of genre filmmaking, the lineup provided a welcome opportunity to bring the festival experience to audiences nationwide.
This year is no exception: The second edition of Nightstream begins tonight and runs through October 13, with an exciting online program of films and events accessible to anyone in the U.S. Badgeholders will be able to tune into conversations with David Lowery, “Malignant” writer Akela Cooper, and “Creepshow” showrunner Greg Nicotero, as well as recurring events like The Future of Film Is Female...
This year is no exception: The second edition of Nightstream begins tonight and runs through October 13, with an exciting online program of films and events accessible to anyone in the U.S. Badgeholders will be able to tune into conversations with David Lowery, “Malignant” writer Akela Cooper, and “Creepshow” showrunner Greg Nicotero, as well as recurring events like The Future of Film Is Female...
- 10/7/2021
- by Eric Kohn
- Indiewire
At over sixty years old now and screening over three hundred movies over the course of two weeks, the London Film Festival is a huge event on the film festival calendar. And it’s no surprise that female-directed horror movies will be ever present at this year’s London Film Festival. Not only has Prano Bailey-Bond’s Censor taken the festivals by storm this year but in the last five year’s or so, Karyn Kusama’s The Invitation, Julia Ducournau’s Raw, Anna Biller’s The Love Witch, Coralie Fargeat’s Revenge and many other great genre movies have been well received and made viewers take a closer look at female directors.
With that in mind, two debut features and a returning genre director will be at this year’s festival.
She Will, directed by Charlotte Colbert, stars both Malcom McDowell and John McCrea but it’s experienced actor...
With that in mind, two debut features and a returning genre director will be at this year’s festival.
She Will, directed by Charlotte Colbert, stars both Malcom McDowell and John McCrea but it’s experienced actor...
- 9/28/2021
- by Alain Elliott
- Nerdly
We are trying to provide you with as much alternative programming as we can against the regular routine of Valentine's Day next weekend. We already announced that Joe Bob Briggs was finally going to tackle Valentine's Day with a live special, Joe Bob Puts a Spell on You, next Friday, February 12th. Today we find out that The Love Witch's Anna Biller will be a special guest. Very cool. There is a trailer now, which you can find below. Still no word on what cinematic treasures Briggs will show during the special, but you can be sure they will be dandies. If you're somehow roped into doing a traditional Valentine's Day celebration and will miss the live broadcast do not worry. The special...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 2/4/2021
- Screen Anarchy
A new take on Edgar Allan Poe’s "The Fall of the House of Usher," Patrick Picard's The Bloodhound is one of the January releases on Arrow Video's streaming service ahead of its Blu-ray release on March 23rd, and we've been provided with an exclusive clip to share with Daily Dead readers.
You can watch a disturbing dream come to life in our exclusive clip below, as well as details on Arrow's January lineup:
Press Release: London, UK - Arrow Video is excited to announce the January 2021 lineup of their new subscription-based Arrow platform, available now in the US and Canada, coming soon to the UK. Building on the success of the Arrow Video Channel and expanding its availability across multiple devices and countries, Arrow boasts a selection of cult classics, hidden gems and iconic horror films, all curated by the Arrow team.
The lineup begins with...
You can watch a disturbing dream come to life in our exclusive clip below, as well as details on Arrow's January lineup:
Press Release: London, UK - Arrow Video is excited to announce the January 2021 lineup of their new subscription-based Arrow platform, available now in the US and Canada, coming soon to the UK. Building on the success of the Arrow Video Channel and expanding its availability across multiple devices and countries, Arrow boasts a selection of cult classics, hidden gems and iconic horror films, all curated by the Arrow team.
The lineup begins with...
- 1/22/2021
- by Derek Anderson
- DailyDead
The Love Witch, directed by Anna Biller, is a feminist horror film well-deserving of a revisit this October.
“In 2016, feminist film director Anna Biller released The Love Witch and it has been a part of my regular Halloween film viewing every year since. Not just because the film is gorgeous and emotionally riveting, but because of how Biller’s love of horror and the feminist gaze allows her to create a film that can bring forth tears of laughter and anguish.”
Read more at The Mary Sue.
Halloween may be a joyous annual celebration, but that doesn’t mean you shouldn’t be cautious. Case in point, a Long Island housewife handed arsenic to unsuspecting trick-or-treaters in the ’60s.
“On October 31, 1964, 13-year-old Elsie Drucker and her 15-year-old sister Irene returned to their Long Island home after an evening of trick-or-treating and dumped their spoils onto the table. Among the assortment...
“In 2016, feminist film director Anna Biller released The Love Witch and it has been a part of my regular Halloween film viewing every year since. Not just because the film is gorgeous and emotionally riveting, but because of how Biller’s love of horror and the feminist gaze allows her to create a film that can bring forth tears of laughter and anguish.”
Read more at The Mary Sue.
Halloween may be a joyous annual celebration, but that doesn’t mean you shouldn’t be cautious. Case in point, a Long Island housewife handed arsenic to unsuspecting trick-or-treaters in the ’60s.
“On October 31, 1964, 13-year-old Elsie Drucker and her 15-year-old sister Irene returned to their Long Island home after an evening of trick-or-treating and dumped their spoils onto the table. Among the assortment...
- 10/29/2020
- by Ivan Huang
- Den of Geek
Baccarin, Moseley, Wise & Shatner Fight To Your Last Death! Celebrated Voice Cast Bathes Animated Horror Film in Blood – Available Nationwide on Blu-ray October 6th from Quiver Distribution – Available Now on Digital HD and Cable VOD. Check out this stunning trailer:
“A strikingly animated, carnage-filled romp that mashes up genres and packs some nice surprises” — Dread Central
“a hyper violent thrill ride…wows with a clever script and remarkable vocal performances” — Film Threat
“Great animation that will have any horror or comic book fan happy” — Nightmarish Conjurings
Following a wildly successful run on the global film festival circuit, having netted over two dozen awards and 60 nominations, Coverage Ink and Quiver Distribution have announced the Blu-ray release of Jason Axinn’s To Your Last Death. The blood-splattered, timewarped animated family drama will be available nationwide October 6th on Blu-ray. It is currently available on a number of digital and cable platforms, including iTunes,...
“A strikingly animated, carnage-filled romp that mashes up genres and packs some nice surprises” — Dread Central
“a hyper violent thrill ride…wows with a clever script and remarkable vocal performances” — Film Threat
“Great animation that will have any horror or comic book fan happy” — Nightmarish Conjurings
Following a wildly successful run on the global film festival circuit, having netted over two dozen awards and 60 nominations, Coverage Ink and Quiver Distribution have announced the Blu-ray release of Jason Axinn’s To Your Last Death. The blood-splattered, timewarped animated family drama will be available nationwide October 6th on Blu-ray. It is currently available on a number of digital and cable platforms, including iTunes,...
- 9/14/2020
- by Tom Stockman
- WeAreMovieGeeks.com
Stars: Riley Egan, Elle Evans, Kate Mansi, Lou Ferrigno Jr., Max Decker, Jennie Fahn, Phil Abrams, Anthony Ray Parker, Mike Rad, Dave Vescio, Craig Gellis, Declan Joyce, Grant Walstrom, Jeanné Kietzmann | Written and Directed by John Burr
Painting and horror movies do occasionally meet and create something great. Recently Velvet Buzzsaw and Bliss have both been well received while covering the art world and blending it with some weird and twisted horror. Legend of the Muse tries to lead down a similar path.
We meet a painter, Adam (Riley Egan) who suddenly gets inspiration when he meets a ‘mythical and deadly spirit from Celtic lore who becomes his muse and lover’. His artwork starts to get noticed but the spirit brings along a whole host of other problems. Mainly that she murders people and leaves Adam to clear up the mess.
It’s a slowly paced movie that is occasionally...
Painting and horror movies do occasionally meet and create something great. Recently Velvet Buzzsaw and Bliss have both been well received while covering the art world and blending it with some weird and twisted horror. Legend of the Muse tries to lead down a similar path.
We meet a painter, Adam (Riley Egan) who suddenly gets inspiration when he meets a ‘mythical and deadly spirit from Celtic lore who becomes his muse and lover’. His artwork starts to get noticed but the spirit brings along a whole host of other problems. Mainly that she murders people and leaves Adam to clear up the mess.
It’s a slowly paced movie that is occasionally...
- 8/10/2020
- by Alain Elliott
- Nerdly
The writer/director of The Love Witch talks about her favorite classic women’s pictures.
Show Notes: Movies Referenced In This Episode
The Love Witch (2016)
Baby Face (1933)
Stromboli (1950)
Europa ’51 (1951)
Fear (1951)
Duel In The Sun (1946)
The Scarlet Empress (1934)
Blonde Venus (1932)
Nora Prentiss (1947)
Woman On The Run (1950)
Wait Until Dark (1967)
Rosemary’s Baby (1968)
Imitation of Life (1969)
Little Women (2019)
Emma (2020)
My Cousin Rachel (2017)
Sex and the City (2008)
Mamma Mia! (2008)
Mildred Pierce (1945)
The Reckless Moment (1949)
Sudden Fear (1952)
Torch Song (1953)
Captain Marvel (2019)
Other Notable Items
The Captain Trips virus in Stephen King’s novel The Stand (1978)
Marlene Dietrich
Mae West
Jennifer Jones
Joan Crawford
Joan Bennett
Gene Tierney
Barbara Stanwyck
The Hays Code
Cary Grant
Marilyn Monroe
Ingrid Bergman
Roberto Rossellini
The Academy Awards
Bette Davis
Jennifer Jones
Gregory Peck
Joseph Cotten
Travis Banton
Josef von Sternberg
Catherine the Great
The Criterion Collection
Kent Smith
Dan Duryea
Douglas Sirk
Jane Austen
Mildred Pierce TV miniseries...
Show Notes: Movies Referenced In This Episode
The Love Witch (2016)
Baby Face (1933)
Stromboli (1950)
Europa ’51 (1951)
Fear (1951)
Duel In The Sun (1946)
The Scarlet Empress (1934)
Blonde Venus (1932)
Nora Prentiss (1947)
Woman On The Run (1950)
Wait Until Dark (1967)
Rosemary’s Baby (1968)
Imitation of Life (1969)
Little Women (2019)
Emma (2020)
My Cousin Rachel (2017)
Sex and the City (2008)
Mamma Mia! (2008)
Mildred Pierce (1945)
The Reckless Moment (1949)
Sudden Fear (1952)
Torch Song (1953)
Captain Marvel (2019)
Other Notable Items
The Captain Trips virus in Stephen King’s novel The Stand (1978)
Marlene Dietrich
Mae West
Jennifer Jones
Joan Crawford
Joan Bennett
Gene Tierney
Barbara Stanwyck
The Hays Code
Cary Grant
Marilyn Monroe
Ingrid Bergman
Roberto Rossellini
The Academy Awards
Bette Davis
Jennifer Jones
Gregory Peck
Joseph Cotten
Travis Banton
Josef von Sternberg
Catherine the Great
The Criterion Collection
Kent Smith
Dan Duryea
Douglas Sirk
Jane Austen
Mildred Pierce TV miniseries...
- 5/19/2020
- by Kris Millsap
- Trailers from Hell
As the coronavirus runs wild across the globe, more and more people are ending up stuck at home, either from self-isolating to stop the spread after possibly coming into contact with the virus, or from their place of work shutting down to keep as many people as possible away from each other.
It’s one thing to stay indoors because you choose to, but quite another when you have no other option if you want to maintain your own safely and that of others, and so frustration can quickly set in without enough stimulus. In the hope of countering the latter, streaming service Shudder has begun offering the use of their site free for thirty days.
If you’re unfamiliar with Shudder, it’s slightly different from larger platforms such as Netflix or Amazon Prime, as its content consists entirely of genre output, the scores of movies and TV shows...
It’s one thing to stay indoors because you choose to, but quite another when you have no other option if you want to maintain your own safely and that of others, and so frustration can quickly set in without enough stimulus. In the hope of countering the latter, streaming service Shudder has begun offering the use of their site free for thirty days.
If you’re unfamiliar with Shudder, it’s slightly different from larger platforms such as Netflix or Amazon Prime, as its content consists entirely of genre output, the scores of movies and TV shows...
- 3/17/2020
- by Andrew Marshall
- We Got This Covered
A brief preamble. This is a piece about my favourite films from the last ten years. Not the “best”. These are simply the films that I’ve enjoyed the most; the ones which have moved me the most, thrilled me the most. I’ll start with some reflections and honourable mentions, before moving onto my highly subjective list.
Outside the comic book juggernaut, franchise cinema had a shaky ride during the 2010s. But for every pointless Godzilla sequel, Universal Monsters false start, or extra nail in the Terminator coffin, there was a glimmer of gold. Sam Mendes’ Skyfall (2012) was an exceptionally intelligent and stirring James Bond instalment, and comfortably the best of a sometimes-uncomfortable franchise. And Matt Reeves’ War for the Planet of the Apes (2017) was everything I want from a blockbuster: gorgeous, smart, fun, thoughtful, and philosophically substantial.
But I think I’m with Mr Scorsese on the comic...
Outside the comic book juggernaut, franchise cinema had a shaky ride during the 2010s. But for every pointless Godzilla sequel, Universal Monsters false start, or extra nail in the Terminator coffin, there was a glimmer of gold. Sam Mendes’ Skyfall (2012) was an exceptionally intelligent and stirring James Bond instalment, and comfortably the best of a sometimes-uncomfortable franchise. And Matt Reeves’ War for the Planet of the Apes (2017) was everything I want from a blockbuster: gorgeous, smart, fun, thoughtful, and philosophically substantial.
But I think I’m with Mr Scorsese on the comic...
- 12/27/2019
- by Rupert Harvey
- Nerdly
In some ways, the 2010s belonged to women in Hollywood. The last ten years saw a renewed resurgence of conversations about diversity and inclusion in Hollywood. Actresses and filmmakers sharing their stories of sexual assault or exploitation became among the first to usher in the #MeToo movement and change the way the public talks about gender violence and discrimination. Yet, for all the many strides these past several years, there continues to be a lack of women behind and in front of the camera and throughout several branches of craft and technical fields of the business.
Women characters have yet to reach on-screen parity with their male counterparts, actresses’ careers have impossibly shorter shelf lives than their male co-stars, and women still face a daunting wage gap throughout the industry. There’s a lot of work left to be done on and off the screen, but for now, let’s...
Women characters have yet to reach on-screen parity with their male counterparts, actresses’ careers have impossibly shorter shelf lives than their male co-stars, and women still face a daunting wage gap throughout the industry. There’s a lot of work left to be done on and off the screen, but for now, let’s...
- 12/15/2019
- by Monica Castillo
- The Wrap
Even as the temperature outside continues to climb, the folks at Shudder are intent to send shivers down the spines of their loyal viewers. They have a particularly frightening slate of bone-chillers planned for August, including the the first six installments of the iconic A Nightmare on Elm Street franchise all dropping on the first of the month.
As if those flicks aren’t enough to make people bite their nails, there are many more scary projects coming to the platform soon. Here are what subscribers can expect to find on the terrifying streaming service over the coming weeks:
August 1st: Raising Cain August 5th: The Slumber Party Massacre, Slumber Party Massacre II August 8th: NOS4A2 (first episode only with additional episodes being added every Thursday through October 10th) August 12th: Chopping Mall, Get My Gun, Why Horror? August 15th: Incident in a Ghostland August 19th: Bad Moon, Hell Night...
As if those flicks aren’t enough to make people bite their nails, there are many more scary projects coming to the platform soon. Here are what subscribers can expect to find on the terrifying streaming service over the coming weeks:
August 1st: Raising Cain August 5th: The Slumber Party Massacre, Slumber Party Massacre II August 8th: NOS4A2 (first episode only with additional episodes being added every Thursday through October 10th) August 12th: Chopping Mall, Get My Gun, Why Horror? August 15th: Incident in a Ghostland August 19th: Bad Moon, Hell Night...
- 7/26/2019
- by Evan Lewis
- We Got This Covered
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’re highlighting the noteworthy titles that have recently hit platforms. Check out this week’s selections below and an archive of past round-ups here.
Birds of Passage (Cristina Gallego and Ciro Guerra)
It probably says more about Ciro Guerra’s last film than this inimitable new offering (which he co-directed with his long-serving producer Christina Gallego) to suggest that fans of Embrace of the Serpent might find Birds of Passage just a little on the linear side. However, to compare the two is surely akin to comparing the varying potency of two strains of class-a hallucinogens. Set in Columbia in the 1960s, this violent, operatic, and sparsely trippy film follows the early days of marijuana trafficking in the region. Don’t worry if that all sounds a touch familiar. – Rory O.
Birds of Passage (Cristina Gallego and Ciro Guerra)
It probably says more about Ciro Guerra’s last film than this inimitable new offering (which he co-directed with his long-serving producer Christina Gallego) to suggest that fans of Embrace of the Serpent might find Birds of Passage just a little on the linear side. However, to compare the two is surely akin to comparing the varying potency of two strains of class-a hallucinogens. Set in Columbia in the 1960s, this violent, operatic, and sparsely trippy film follows the early days of marijuana trafficking in the region. Don’t worry if that all sounds a touch familiar. – Rory O.
- 5/10/2019
- by Jordan Raup
- The Film Stage
Netflix may get most of the attention, but it’s hardly a one-stop shop for cinephiles who are looking to stream essential classic and contemporary films. Each of the prominent streaming platforms — and there are more of them all the time — caters to its own niche of film obsessives. From chilling horror fare on Shudder, to the boundless wonders of the Criterion Channel, and esoteric (but unmissable) festival hits on the newly launched Ovid.tv, IndieWire’s monthly guide will highlight the best of what’s coming to every major streaming site, with an eye towards exclusive titles that may help readers decide which of these services is right for them.
Here’s the best of the best for May 2019.
Amazon Prime
Amazon Prime continues to be among the best streaming platform for exclusive streaming access to “first-run” arthouse and foreign films that you may have just missed in theaters.
Here’s the best of the best for May 2019.
Amazon Prime
Amazon Prime continues to be among the best streaming platform for exclusive streaming access to “first-run” arthouse and foreign films that you may have just missed in theaters.
- 5/8/2019
- by David Ehrlich
- Indiewire
The incredible producer Gale Anne Hurd will be honored for her many accomplishments in film and television at this year's Etheria Film Night. Also in today's Highlights: Head Count trailer and release details and new casting details for Spirit Reckoning.
Etheria Film Night and Inspiration Award Details: "Etheria Film Night is proud to present the 2019 Official Lineup of Shorts on Saturday, June 29. Eight Short Films will be screened at the Egyptian Theatre in Hollywood, CA followed by a Q&A with directors in attendance conducted by Rebekah McKendry (Blumhouse’s Shock Waves Podcast). The 2019 Inspiration Award will be presented to producer Gale Anne Hurd at the live ceremony by legendary filmmaker Roger Corman. The 2019 Stephanie Rothman Fellowship winner will be announced.
Etheria Film Night is the world’s most respected annual showcase of genre films directed by women for an audience including producers, managers, showrunners, distributors, and genre fans. Past...
Etheria Film Night and Inspiration Award Details: "Etheria Film Night is proud to present the 2019 Official Lineup of Shorts on Saturday, June 29. Eight Short Films will be screened at the Egyptian Theatre in Hollywood, CA followed by a Q&A with directors in attendance conducted by Rebekah McKendry (Blumhouse’s Shock Waves Podcast). The 2019 Inspiration Award will be presented to producer Gale Anne Hurd at the live ceremony by legendary filmmaker Roger Corman. The 2019 Stephanie Rothman Fellowship winner will be announced.
Etheria Film Night is the world’s most respected annual showcase of genre films directed by women for an audience including producers, managers, showrunners, distributors, and genre fans. Past...
- 5/8/2019
- by Tamika Jones
- DailyDead
Today’s film-makers seem to be avoiding them – and all too often they are awkward and problematic. But some sex scenes are defining moments in cinema
Cut! Why have films got so prudish?
The subject of sex scenes in films is surrounded by evasive pieties: from the male critics who affect to find them “boring” (their noses aren’t their only tumescent part) to female stars whose characters are glimpsed having supposedly uninhibited sex, but wearing a bra because of no-nudity clauses. Anna Biller’s gloriously lush exploitation homage The Love Witch, starring Samantha Robinson and unashamedly in love with empowered sexiness, is almost one long sex scene in itself, though there is one particular moment that stands out when a man is drugged by the witch’s love potion. It is not very explicit, or even protracted, but like the rest of the film is almost unique in that...
Cut! Why have films got so prudish?
The subject of sex scenes in films is surrounded by evasive pieties: from the male critics who affect to find them “boring” (their noses aren’t their only tumescent part) to female stars whose characters are glimpsed having supposedly uninhibited sex, but wearing a bra because of no-nudity clauses. Anna Biller’s gloriously lush exploitation homage The Love Witch, starring Samantha Robinson and unashamedly in love with empowered sexiness, is almost one long sex scene in itself, though there is one particular moment that stands out when a man is drugged by the witch’s love potion. It is not very explicit, or even protracted, but like the rest of the film is almost unique in that...
- 4/12/2019
- by Peter Bradshaw
- The Guardian - Film News
Amazon Prime Video has confirmed that several original shows will be debuting new episodes on the streaming service in April, including the fifth season of the crime drama “Bosch,” the sophomore season of the comedy “The Tick” and the first edition of the children’s animated show “Bug Diaries.”
Likewise, there will be plenty of movies making their first appearances on Amazon Prime Video in April including the Oscar-nominated horror film “A Quiet Place,” a slew of films in the Bond franchise and all three entries in the “Blade” trilogy.
Below is the full schedule of everything that is coming to Amazon Prime Video in April 2019. Unlike Netflix, Amazon does not disclose the shows and movies leaving the service in any given month. We’ve done some digging and unearthed a few titles that will be exiting Amazon Prime Video in the first week of April.
See Netflix schedule: Here...
Likewise, there will be plenty of movies making their first appearances on Amazon Prime Video in April including the Oscar-nominated horror film “A Quiet Place,” a slew of films in the Bond franchise and all three entries in the “Blade” trilogy.
Below is the full schedule of everything that is coming to Amazon Prime Video in April 2019. Unlike Netflix, Amazon does not disclose the shows and movies leaving the service in any given month. We’ve done some digging and unearthed a few titles that will be exiting Amazon Prime Video in the first week of April.
See Netflix schedule: Here...
- 4/1/2019
- by Paul Sheehan
- Gold Derby
Filmmakers and cinephiles undoubtedly remain haunted by certain urban legends in film. When my mother told me about Snuff, an alleged South American snuff film that screened in the 70s in New York, it haunted me to my core for years. A few weeks ago I caught it at Quad Cinema’s “Rated X” series and found it to be a hilariously unwatchable mess, but that’s a story for another review.
Porno has a terrific concept and effective execution for much of its first half: a group of religious high school students working at their majestic local downtown twin movie theater stumble across a secret basement screening room where they find a satanic porno that might very well be a lost Alejandro Jodorowsky film or an upcoming sequel to The Love Witch.
Set in 1992 when the only options at this mini-multiple are Encino Man and A League of Their Own,...
Porno has a terrific concept and effective execution for much of its first half: a group of religious high school students working at their majestic local downtown twin movie theater stumble across a secret basement screening room where they find a satanic porno that might very well be a lost Alejandro Jodorowsky film or an upcoming sequel to The Love Witch.
Set in 1992 when the only options at this mini-multiple are Encino Man and A League of Their Own,...
- 3/24/2019
- by John Fink
- The Film Stage
With Halloween just around the corner, Streaming Observer decided to figure out the film most commonly considered people’s favorite horror movie in each of the 50 states. The results prove America has some great taste when it comes to the horror genre, with classics like “The Shining” and “The Exorcist” being named alongside some pretty surprising additions like Ana Lily Amirpour’s excellent “A Girl Walks Home Alone at Night” and Ti West’s throwback horror “The House of the Devil.”
Streaming Observer first culled a list of the most popular horror movies of all time using critical reviews from Rotten Tomatoes and data provided by Amazon MTurk surveying and other public sources (which might help explain why films like “This Is the End” have been categorized as horror). When the list was finalized, the company partnered with Mindnet Analytics and studied streaming trends using Google Trends to determine which...
Streaming Observer first culled a list of the most popular horror movies of all time using critical reviews from Rotten Tomatoes and data provided by Amazon MTurk surveying and other public sources (which might help explain why films like “This Is the End” have been categorized as horror). When the list was finalized, the company partnered with Mindnet Analytics and studied streaming trends using Google Trends to determine which...
- 10/16/2018
- by Zack Sharf
- Indiewire
Enter worlds filled with magic and terror in John Burr's fantasy horror film Muse that will see a U.S. digital release on August 21st. Also in today's Highlights: the Blu-ray debut for Hammer Horror: The Warner Bros. Years, ScareHouse 2018 opening day details, and Hell House LLC, II: The Abbadon Hotel release details.
Muse Release Details: "TriCoast Entertainment’s horror division, DarkCoast, will finally release John Burr’s eight-time winning fantasy horror Muse onto U.S. digital streaming platforms on August 21st.
Written and directed by John Burr, Muse is described as a twisted, haunted fairytale that combines elements of a psychological thriller, the supernatural, and past Irish legends and mythological influences. Shot entirely in 15 days, Muse is a gripping, psychological thriller that ultimately examines how inspiration can be the downfall of any great artist. “If you have the opportunity, See. This. Movie.” - Nightmarish Conjurings
Muse credits its fantastic editing to longtime,...
Muse Release Details: "TriCoast Entertainment’s horror division, DarkCoast, will finally release John Burr’s eight-time winning fantasy horror Muse onto U.S. digital streaming platforms on August 21st.
Written and directed by John Burr, Muse is described as a twisted, haunted fairytale that combines elements of a psychological thriller, the supernatural, and past Irish legends and mythological influences. Shot entirely in 15 days, Muse is a gripping, psychological thriller that ultimately examines how inspiration can be the downfall of any great artist. “If you have the opportunity, See. This. Movie.” - Nightmarish Conjurings
Muse credits its fantastic editing to longtime,...
- 8/9/2018
- by Tamika Jones
- DailyDead
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not likely to see in a theater again anytime soon, and many of which are, also, on 35mm. If you have a chance to attend any of these, we’re of the mind that it’s time extremely well-spent.
Film Society of Lincoln Center
The lush, inventive, enveloping cinema of Luchino Visconti is highlighted in a new, extensive series.
Anthology Film Archives
Films by Orson Welles, Satyajit Ray, Claire Denis, Manoel de Oliveira and more play in “Documentarists for a Day.”
Metrograph
Two generations of Coppola: Dementia 13 and Lick the Star play on a two-for-one bill.
Film Society of Lincoln Center
The lush, inventive, enveloping cinema of Luchino Visconti is highlighted in a new, extensive series.
Anthology Film Archives
Films by Orson Welles, Satyajit Ray, Claire Denis, Manoel de Oliveira and more play in “Documentarists for a Day.”
Metrograph
Two generations of Coppola: Dementia 13 and Lick the Star play on a two-for-one bill.
- 6/7/2018
- by Nick Newman
- The Film Stage
Educational distributor Kanopy has struck a deal with Paramount Pictures, adding 100 classic films from the studio’s library to the on-demand streaming service. Twenty-five of those titles – including “Bill & Ted’s Excellent Adventure,” “Harold and Maude,” “Sunset Boulevard,” and “Saturday Night Fever” — are available to stream now. The other 75 titles will be added in the coming weeks and months. (The full list is at the bottom of this article.)
Kanopy has been a pioneer in the educational market, first in its move away from physical media and toward a streaming app that is available on Roku, Chromecast, Apple TV, Amazon Fire Tablet, and iOS and Android devices. Last year, they also expanded beyond universities and institutions and started to aggressively strike deals with public libraries making Kanopy available to a far wider percentage of the population. Now those with a public library card can access the free streaming service in a number of major cities,...
Kanopy has been a pioneer in the educational market, first in its move away from physical media and toward a streaming app that is available on Roku, Chromecast, Apple TV, Amazon Fire Tablet, and iOS and Android devices. Last year, they also expanded beyond universities and institutions and started to aggressively strike deals with public libraries making Kanopy available to a far wider percentage of the population. Now those with a public library card can access the free streaming service in a number of major cities,...
- 6/6/2018
- by Chris O'Falt
- Indiewire
The lineup of the ten shorts set to debut at Etheria Film Night 2018 have been released as well as a stellar list of guests and the recipient of the 2018 Inspiration Award. Also in today's Highlights: Film Independent at Lacma's Night of the Living Dead Bring the Noise event, a look at the Distorted trailer, new Luz photos, first details for The Haunting of Mia Moss, and The Hollow Child's theatrical release.
Etheria Film Night 2018: Press Release: "(Hollywood, CA – May 9, 2018) Etheria Film Night (www.etheriafilmnight.com) is proud to present the 2018 Official Lineup of Shorts on Saturday, June 16. Ten Short Films will be screened at the Egyptian Theatre in Hollywood, CA followed by a Q&A with directors Maria Alice Arida (“Instinct”), Devi Snively (“Bride of Frankie”), Naledi Jackson (“The Drop In”), Mac Montero ("The Agency"), Anca Vlasan (“C U Later Tuesday”), Cidney Hue (“Ovum”), Jocelyn Stamat (“Laboratory...
Etheria Film Night 2018: Press Release: "(Hollywood, CA – May 9, 2018) Etheria Film Night (www.etheriafilmnight.com) is proud to present the 2018 Official Lineup of Shorts on Saturday, June 16. Ten Short Films will be screened at the Egyptian Theatre in Hollywood, CA followed by a Q&A with directors Maria Alice Arida (“Instinct”), Devi Snively (“Bride of Frankie”), Naledi Jackson (“The Drop In”), Mac Montero ("The Agency"), Anca Vlasan (“C U Later Tuesday”), Cidney Hue (“Ovum”), Jocelyn Stamat (“Laboratory...
- 5/10/2018
- by Tamika Jones
- DailyDead
Homages are nothing new in today’s genre market. While most films in this category pay tribute to icons of the ’80s with blaring synths and comic book storylines, the occasional echo from the ’70s will cross our paths. There is a difference between homages and stylistic recreations, however. Where one approach ends up feeling like fan fiction, the other pays attention to detail in a way that only a talented filmmaker can manage. This applies to Michael Tully, who has made a name for himself with unclassifiable but fascinating indie films. He marks his first full-fledged descent into horror with a charming, chilling callback to Gothic masterpieces from Europe.
Ominously titled Don’t Leave Home, the film begins with a character doing just that. Desperate for money after a bad review, talented miniature artist Melanie (Anna Margaret Hollyman) travels to Ireland, the country that inspired her latest series, after...
Ominously titled Don’t Leave Home, the film begins with a character doing just that. Desperate for money after a bad review, talented miniature artist Melanie (Anna Margaret Hollyman) travels to Ireland, the country that inspired her latest series, after...
- 4/27/2018
- by Ben Larned
- DailyDead
Stars: Peter Capaldi, Hugh Grant, Amanda Donohoe, Catherine Oxenberg, Sammi Davis, Stratford Johns, Paul Brooke, Imogen Claire, Chris Pitt, Gina McKee | Written and Directed by Ken Russell
This very British monster movie from 1988 is based on the final, unfinished novel by Bram Stoker. The book was apparently written in a state of sweaty delirium, so it’s easy to see why enfant terrible Ken Russell was drawn to it.
Starring Hugh Grant and Peter Capaldi (both remarkably fresh-faced) and some dodgy regional accents, the setting is rural Derbyshire, and the enemy is a mythical giant worm that lives in a cave. Scottish archaeology student Angus (Capaldi) comes to stay in a guest house owned by the Trent sisters, Mary (Sammi Davis) and Eve (Catherine Oxenberg). After digging up the skull of an oversized reptile, he discovers that the Trents’ parents went mysteriously missing a year ago. Could these events be related?...
This very British monster movie from 1988 is based on the final, unfinished novel by Bram Stoker. The book was apparently written in a state of sweaty delirium, so it’s easy to see why enfant terrible Ken Russell was drawn to it.
Starring Hugh Grant and Peter Capaldi (both remarkably fresh-faced) and some dodgy regional accents, the setting is rural Derbyshire, and the enemy is a mythical giant worm that lives in a cave. Scottish archaeology student Angus (Capaldi) comes to stay in a guest house owned by the Trent sisters, Mary (Sammi Davis) and Eve (Catherine Oxenberg). After digging up the skull of an oversized reptile, he discovers that the Trents’ parents went mysteriously missing a year ago. Could these events be related?...
- 3/15/2018
- by Rupert Harvey
- Nerdly
Will Brit hopefuls Lady Macbeth and The Death of Stalin triumph? And will Daniel Day-Lewis get a final gong before retiring? Our chief critic places his bets
The Baftas are almost here, exciting news for the truly excellent British films which could well be rewarded: Lady Macbeth, The Death of Stalin, God’s Own Country. There could well be a final Bafta for one of Britain’s great screen actors, Daniel Day-Lewis (although he has dual citizenship with the Republic of Ireland) who is bowing out with a sensational performance, in fact one of his very best, as the enigmatic 1950s fashion designer Reynolds Woodcock in Paul Thomas Anderson’s Phantom Thread. My guess is that Guillermo Del Toro’s swooning romance The Shape of Water will be the big winner, but that Greta Gerwig’s tremendous autobiographical coming-of-age comedy Lady Bird will have a real showing, largely because of...
The Baftas are almost here, exciting news for the truly excellent British films which could well be rewarded: Lady Macbeth, The Death of Stalin, God’s Own Country. There could well be a final Bafta for one of Britain’s great screen actors, Daniel Day-Lewis (although he has dual citizenship with the Republic of Ireland) who is bowing out with a sensational performance, in fact one of his very best, as the enigmatic 1950s fashion designer Reynolds Woodcock in Paul Thomas Anderson’s Phantom Thread. My guess is that Guillermo Del Toro’s swooning romance The Shape of Water will be the big winner, but that Greta Gerwig’s tremendous autobiographical coming-of-age comedy Lady Bird will have a real showing, largely because of...
- 2/18/2018
- by Peter Bradshaw
- The Guardian - Film News
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