Cooley High director Michael Schultz will be honored October 24 by the Black Hollywood Education and Resource Center as part of its 26th annual African American Film Marketplace and the S.E. Manly Short Film Showcase, which runs from October 23-November 29.
“Michael represents the best of the best in Hollywood, a true genius at what he does,” said Bherc president Sandra Evers-Manly. “Cooley High is a classic that launched the careers of several phenomenal actors and inspired a generation of filmmakers. A renaissance professional, Michael has placed an indelible imprint on the stage, film and television industries.”
Cooley High was “so important during its time because of the cultural content as well as its box office performance,” she said. “It’s a comedy turned drama coming-of-age story of high school friends that reached beyond communities and lines of color and gave voice and validation to lives never explored on the big screen.
“Michael represents the best of the best in Hollywood, a true genius at what he does,” said Bherc president Sandra Evers-Manly. “Cooley High is a classic that launched the careers of several phenomenal actors and inspired a generation of filmmakers. A renaissance professional, Michael has placed an indelible imprint on the stage, film and television industries.”
Cooley High was “so important during its time because of the cultural content as well as its box office performance,” she said. “It’s a comedy turned drama coming-of-age story of high school friends that reached beyond communities and lines of color and gave voice and validation to lives never explored on the big screen.
- 10/16/2020
- by David Robb
- Deadline Film + TV
Oscilloscope Finally Releases ‘Cane River,’ and a Son Seeks His Father’s Long-Lost Filmmaking Legacy
Barely released in 1982 and all but unseen for over three decades, Horace B. Jenkins’ “Cane River” was an independent-film anomaly: a race and colorism-themed love story with an all-black cast, written and directed by a black filmmaker, financed by wealthy black backers. Sadly, Jenkins died the same year — long before the film resurfaced in 2013, when its original negative was discovered in the vault of New York City’s DuArt Film & Video. Seven years later, “Cane River” is getting the release it deserved.
The film first premiered in New Orleans in May 1982. Richard Pryor, then shooting “The Toy” in Baton Rouge, attended the screening in disguise. He loved it so much that he offered to use his star power to help get it out. But the backers, the New Orleans’ Rhodes family — owners of a successful funeral business that has specialized in serving Black families since the Civil War — passed on the offer,...
The film first premiered in New Orleans in May 1982. Richard Pryor, then shooting “The Toy” in Baton Rouge, attended the screening in disguise. He loved it so much that he offered to use his star power to help get it out. But the backers, the New Orleans’ Rhodes family — owners of a successful funeral business that has specialized in serving Black families since the Civil War — passed on the offer,...
- 2/7/2020
- by Tambay Obenson
- Indiewire
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.