Reese Witherspoon’s Hello Sunshine banner is set to produce feature documentary Fanmade: Enhypen about K-pop group Enhypen and their fandom, Engene.
The new production shingle from Trainwreck: Woodstock ’99 filmmakers William Swann and Casey Feldman, Good-People, is set to produce alongside the Candle Media owned Hello Sunshine. Caroline Suh, who was behind K-pop doc Blackpink: Light Up the Sky, will direct.
The description of the film notes that the doc will highlight the band’s fans “putting them at the heart of the concert creation process.”
The synopsis continues: “The documentary highlights the Engene community, following five female fans as they co-create new material alongside the band, ignite the fanbase to collaborate, and revel in the joy of putting their passion out into the world. Dancing between Enhypen fans and the band themselves, the film utilizes unprecedented and intimate access alongside the band members as they travel across the...
The new production shingle from Trainwreck: Woodstock ’99 filmmakers William Swann and Casey Feldman, Good-People, is set to produce alongside the Candle Media owned Hello Sunshine. Caroline Suh, who was behind K-pop doc Blackpink: Light Up the Sky, will direct.
The description of the film notes that the doc will highlight the band’s fans “putting them at the heart of the concert creation process.”
The synopsis continues: “The documentary highlights the Engene community, following five female fans as they co-create new material alongside the band, ignite the fanbase to collaborate, and revel in the joy of putting their passion out into the world. Dancing between Enhypen fans and the band themselves, the film utilizes unprecedented and intimate access alongside the band members as they travel across the...
- 5/8/2024
- by Mia Galuppo
- The Hollywood Reporter - Movie News
Early on in Cara Mones and Caroline Suh’s documentary about Louis Ck, we see the man himself onstage, talking about peanut allergies. The audience, aware of the dare, perhaps buying into the tired old line that one could be arrested and taken to jail for saying the same in day to day life, laughs in relief as he suggests that maybe people with such allergies were not meant to live. What is palpably missing, however, is the corollary. If all you can do is try to shock by repeating, whilst middle class and on a stage, remarks one sees a dozen times a day on the internet, maybe you were not meant to be a comedian.
What is comedy? Jokes, wit, humour, shaggy dog stories – all these things have their place, though they are less and less visible in the big bucks world of stadium gigs and Netflix specials.
What is comedy? Jokes, wit, humour, shaggy dog stories – all these things have their place, though they are less and less visible in the big bucks world of stadium gigs and Netflix specials.
- 3/30/2024
- by Jennie Kermode
- eyeforfilm.co.uk
Fall has officially arrived, and while the season is marked in Hollywood by a flurry of film festivals, it also marks the anniversary of the explosion of #MeToo across this industry. While the power brokers with skeletons in their closets hoped that this would be a passing fad, six years later this is our new normal. You never know where, or when, a shoe is going to drop — as it did in a big way this month for Russell Brand.
The extraordinary evolution of #MeToo is that not only is it surfacing harassment and assault, but it’s also challenging the power structures that have forever benefitted cis white men. It’s about bringing stories that have been diminished by those in power to light, as is the case with the buzzy new documentary “Copa 71” that I saw at the Toronto International Film Festival.
The documentary tells the story...
The extraordinary evolution of #MeToo is that not only is it surfacing harassment and assault, but it’s also challenging the power structures that have forever benefitted cis white men. It’s about bringing stories that have been diminished by those in power to light, as is the case with the buzzy new documentary “Copa 71” that I saw at the Toronto International Film Festival.
The documentary tells the story...
- 9/27/2023
- by Melissa Silverstein
- The Wrap
When it comes to the buzzier titles at any film festivals, traditional narrative cinema often hogs the spotlight. But the Toronto International Film Festival, held in Toronto, Canada in September 2023, has also provided an impressive array of non-fiction films, movies that take a look at the real-life workings of humanity. From sports documentaries and intimate explorations of war, to films about legendary musicians and meditative dives into family history, this year's crop of TIFF documentaries has a little something for everyone.
The best documentaries offer audiences a new perspective on the world around them, shedding light on important issues that might otherwise go unnoticed, or even just paying homage to the careers of beloved stars. Without the dramatic flourishes of narrative films, which embellish even stories based on real life, documentaries are able to prevent a much more authentic vision of the world -- albeit subject to the specific viewpoint of their filmmakers.
The best documentaries offer audiences a new perspective on the world around them, shedding light on important issues that might otherwise go unnoticed, or even just paying homage to the careers of beloved stars. Without the dramatic flourishes of narrative films, which embellish even stories based on real life, documentaries are able to prevent a much more authentic vision of the world -- albeit subject to the specific viewpoint of their filmmakers.
- 9/24/2023
- by Audrey Fox
- Slash Film
No institution can dodge Louis C.K.’s comedic legacy and sexual allegations, TIFF included, where he appeared immediately pre-#MeToo with his film I Love You, Daddy. I squirmed slightly recalling C.K.’s appearance at the festival as I watched Cara Mones and Caroline Suh unpacking the case, his survivors, and his humor in Sorry/Not Sorry. The documentary follows entertainment journalists re-contextualizing the controversial comedian’s achievements in the present, along with testimonies from his assault survivors (and talented comedians in their own right) Jen Kirkman, Abby Schnacher, and Megan Koester.
The documentary’s talking-head and archival-footage aesthetic allows for a long runway to observe ethical conundrums in entertainment. Is it okay to be offensive under the guise of comedy? How much truth should be involved in a joke? And how much does that matter? If art is subjective, can the professional remain separate from the personal? While Sorry/Not Sorry proposes intriguing,...
The documentary’s talking-head and archival-footage aesthetic allows for a long runway to observe ethical conundrums in entertainment. Is it okay to be offensive under the guise of comedy? How much truth should be involved in a joke? And how much does that matter? If art is subjective, can the professional remain separate from the personal? While Sorry/Not Sorry proposes intriguing,...
- 9/20/2023
- by Edward Frumkin
- The Film Stage
What should we do with people who have admitted to sexual misconduct? Especially if that person has legions of fans who can fill Madison Square Garden? Should we object? Or simply pretend it isn’t happening?
The comedian Louis C.K. became an outcast in 2017, the year of #MeToo, after the New York Times — led by three intrepid female reporters — revealed that he masturbated in front of at least five women. And probably a whole lot more.
C.K. quickly admitted it. Yes, he said that was me. And then he wrote a long mea culpa and essentially said he needed to go away for a while and listen.
But then what? “Sorry/Not Sorry,” a documentary by Caroline Suh and Cara Mones playing at the Toronto International Film Festival, explores the difficult and nuanced question that has become an unspoken part of the #MeToo fallout. How should we treat someone like C.
The comedian Louis C.K. became an outcast in 2017, the year of #MeToo, after the New York Times — led by three intrepid female reporters — revealed that he masturbated in front of at least five women. And probably a whole lot more.
C.K. quickly admitted it. Yes, he said that was me. And then he wrote a long mea culpa and essentially said he needed to go away for a while and listen.
But then what? “Sorry/Not Sorry,” a documentary by Caroline Suh and Cara Mones playing at the Toronto International Film Festival, explores the difficult and nuanced question that has become an unspoken part of the #MeToo fallout. How should we treat someone like C.
- 9/13/2023
- by Sharon Waxman
- The Wrap
Amid a Toronto Film Festival light on sales, Greenwich Entertainment has nabbed domestic distribution for a documentary on Louis C.K., TheWrap has learned.
The film, “Sorry/Not Sorry,” details the stand-up’s downfall after he was accused in a 2017 New York Times article of sexual misconduct by five women. It also deals with C.K.’s attempts at a post-scandal comeback — including a Grammy win in 2021 — along with backlash faced by the accusers. The sale came hours after the film’s TIFF world premiere.
Directed by Caroline Suh and Cara Mones, “Sorry/Not Sorry” is a New York Times production. Financial terms have not been disclosed, but Greenwich’s Andy Bohn negotiated the acquisition with CAA Media Finance on behalf of The New York Times.
“We couldn’t be happier to be partnering with Greenwich in the release of ‘Sorry/Not Sorry,'” Suh stated. “Their support means that the film – and the...
The film, “Sorry/Not Sorry,” details the stand-up’s downfall after he was accused in a 2017 New York Times article of sexual misconduct by five women. It also deals with C.K.’s attempts at a post-scandal comeback — including a Grammy win in 2021 — along with backlash faced by the accusers. The sale came hours after the film’s TIFF world premiere.
Directed by Caroline Suh and Cara Mones, “Sorry/Not Sorry” is a New York Times production. Financial terms have not been disclosed, but Greenwich’s Andy Bohn negotiated the acquisition with CAA Media Finance on behalf of The New York Times.
“We couldn’t be happier to be partnering with Greenwich in the release of ‘Sorry/Not Sorry,'” Suh stated. “Their support means that the film – and the...
- 9/11/2023
- by Scott Mendelson
- The Wrap
Greenwich Entertainment has picked up Sorry/Not Sorry, a new documentary that examines the sexual misconduct scandal that engulfed comedian Louis C.K. and its aftermath, hours after the film had its world premiere at the Toronto Film Festival.
Greenwich took North American rights to the film, co-directed by Caroline Suh and Cara Mones. Sorry/Not Sorry is based on the expose of Louis C.K. published by The New York Times, with the Times also producing together with Left/Right. Suh, Mones and Kathleen Lingo produced the film. New York Times journalists Melena Ryzik, Cara Buckley and Jodi Kantor, authors of the original 2017 article, served as consulting producers. Sam Dolnick, Jason Stallman, Ken Druckerman and Banks Tarver executive produced.
Sorry/Not Sorry drew a mixed response from critics in Toronto. The Hollywood Reporter found the documentary “struggled to find a new perspective” on the Louis C.K. scandal and the issue of whether he,...
Greenwich took North American rights to the film, co-directed by Caroline Suh and Cara Mones. Sorry/Not Sorry is based on the expose of Louis C.K. published by The New York Times, with the Times also producing together with Left/Right. Suh, Mones and Kathleen Lingo produced the film. New York Times journalists Melena Ryzik, Cara Buckley and Jodi Kantor, authors of the original 2017 article, served as consulting producers. Sam Dolnick, Jason Stallman, Ken Druckerman and Banks Tarver executive produced.
Sorry/Not Sorry drew a mixed response from critics in Toronto. The Hollywood Reporter found the documentary “struggled to find a new perspective” on the Louis C.K. scandal and the issue of whether he,...
- 9/11/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Exclusive: In one of the first acquisition deals at Toronto, Greenwich Entertainment today announced it has picked up Sorry/Not Sorry, the documentary about the Louis C.K. sexual misconduct scandal and its aftermath, hours after the film’s TIFF world premiere.
The deal covers North American distribution rights to the film directed by Caroline Suh and Cara Mones. Sorry/Not Sorry is a production of The New York Times.
“In 2017, The New York Times published an article in which five women accused comedian Louis C.K. of sexual harassment,” notes a description of the film. “Nine months later, he returned to the stage and went on to win a Grammy in 2021. Sorry/Not Sorry examines the cultural fixation with Louis C.K. and his comeback while revealing the backlash faced by the women who spoke up about his behavior.”
Collider, in its review of the film, wrote, “While there have been plenty of...
The deal covers North American distribution rights to the film directed by Caroline Suh and Cara Mones. Sorry/Not Sorry is a production of The New York Times.
“In 2017, The New York Times published an article in which five women accused comedian Louis C.K. of sexual harassment,” notes a description of the film. “Nine months later, he returned to the stage and went on to win a Grammy in 2021. Sorry/Not Sorry examines the cultural fixation with Louis C.K. and his comeback while revealing the backlash faced by the women who spoke up about his behavior.”
Collider, in its review of the film, wrote, “While there have been plenty of...
- 9/11/2023
- by Matthew Carey
- Deadline Film + TV
The thing about “open secrets” is: Everyone knows what the secret is, but no one wants to acknowledge or talk about it. Not really, at least — if somebody’s peers and colleagues are all privy to some forbidden or socially unacceptable facts, and bringing it up forces them to reckon with some complicated feelings, then hey, why do we need to bring any of that up? For years, it was more or less an open secret within the comedy community that Louis C.K. had done things and said things that made female comedians feel uncomfortable.
- 9/11/2023
- by David Fear
- Rollingstone.com
At some point in our culture, we began to see male comedians as philosophers. Invoking the legacies of George Carlin, Richard Pryor and Bill Hicks, comedy fans have labeled funny men as paternalistic truth tellers that we all must revere. Never mind the fact that these men are no longer alive and thus have no opportunity to challenge the way their work has been framed and which living comics they are compared to.
Louis C.K. is one such comedian who has often been spoken of in the same breath as these men, despite lacking the often political edge of their work. C.K. and comics like Chris Rock and Dave Chappelle are the confirmed gold standard of comedy, standing at the top of the mountain looking down at the rest of us. There’s no denying their talent and insight, but they are very much still human, despite the prevailing...
Louis C.K. is one such comedian who has often been spoken of in the same breath as these men, despite lacking the often political edge of their work. C.K. and comics like Chris Rock and Dave Chappelle are the confirmed gold standard of comedy, standing at the top of the mountain looking down at the rest of us. There’s no denying their talent and insight, but they are very much still human, despite the prevailing...
- 9/11/2023
- by Jourdain Searles
- The Hollywood Reporter - Movie News
In 2017, like a lot of Louis C.K. fans, filmmaker Caroline Suh wasn’t sure what to make of the allegations of sexual misconduct against the comedian that were detailed in a New York Times story. The report included female comics’ accounts of C.K. exposing himself to them, which he admitted to, and led FX, Netflix and C.K.’s management company, 3Arts, to drop him.
“I watched his show religiously,” Suh says. “And when the article came out, I was surprised and honestly thought, ‘Is it really that bad that he should be banished from the scene?’ I didn’t really know how to think about it.”
Nearly six years later, now that C.K. has sold out Madison Square Garden and won two Grammys for his comedy albums, Suh and her co-director, Cara Mones, interrogate questions about sex and power raised by the comic’s downfall and comeback in their new documentary,...
“I watched his show religiously,” Suh says. “And when the article came out, I was surprised and honestly thought, ‘Is it really that bad that he should be banished from the scene?’ I didn’t really know how to think about it.”
Nearly six years later, now that C.K. has sold out Madison Square Garden and won two Grammys for his comedy albums, Suh and her co-director, Cara Mones, interrogate questions about sex and power raised by the comic’s downfall and comeback in their new documentary,...
- 9/9/2023
- by Rebecca Keegan
- The Hollywood Reporter - Movie News
Next Goal Wins (Taika Waititi, 2023).The lineup is being unveiled for the 2023 edition of the Toronto International Film Festival, starting with 60 selections from the Gala and Special Presentations programs. The festival takes place from September 7–17, 2023.Gala PRESENTATIONSConcrete Utopia (Um Tae-Hwa)Dumb Money (Craig Gillespie)Fair Play (Chloe Domont)Flora and Son (John Carney)Hate to Love: Nickelback (Leigh Brooks)Lee (Ellen Kuras)Next Goal Wins (Taika Waititi)Nyad (Elizabeth Chai Vasarhelyi, Jimmy Chin)Punjab ’95 (Honey Trehan)Solo (Sophie Dupuis)The End We Start From (Mahalia Belo)The Movie Emperor (Ning Hao)The New Boy (Warwick Thornton) The Royal Hotel (Kitty Green)The Holdovers.Special Presentationsa Difficult Year (Éric Toledano, Olivier Nakache)A Normal Family (Hur Jin-ho)American Fiction (Cord Jefferson)Anatomy of a Fall (Justine Triet)Close to You (Dominic Savage)Days of Happiness (Chloé Robichaud)The Rescue (Daniela Goggi)Ezra (Tony Goldwyn)Fingernails (Christos Nikou)Four Daughters (Kaouther Ben Hania...
- 8/14/2023
- MUBI
On Monday, TIFF announced the gala and special presentation titles for this year’s festival, which runs from September 7 through 17. Now the documentary slate has been revealed, which includes 93-year-old veteran filmmaker Frederick Wiseman’s French restaurant doc Menus-Plaisirs Les Troisgros, Errol Morris’s John le Carré exploration The Pigeon Tunnel, Roger Ross Williams’s anti-blackness investigation Stamped From the Beginning, co-directors Caroline Suh and Cara Mones’s Louis C.K. takedown Sorry/Not Sorry, Pierre-Henri Gibert’s Agnès Varda tribute Viva Varda! and more. TIFF’s opening night doc film will be Copa 71, Rachel Ramsay and James Erskine’s film about an international women’s soccer tournament […]
The post TIFF 2023 Documentary Lineup Includes Films by Frederick Wiseman, Errol Morris, Roger Ross Williams and More first appeared on Filmmaker Magazine.
The post TIFF 2023 Documentary Lineup Includes Films by Frederick Wiseman, Errol Morris, Roger Ross Williams and More first appeared on Filmmaker Magazine.
- 7/26/2023
- by Filmmaker Staff
- Filmmaker Magazine - Blog
On Monday, TIFF announced the gala and special presentation titles for this year’s festival, which runs from September 7 through 17. Now the documentary slate has been revealed, which includes 93-year-old veteran filmmaker Frederick Wiseman’s French restaurant doc Menus-Plaisirs Les Troisgros, Errol Morris’s John le Carré exploration The Pigeon Tunnel, Roger Ross Williams’s anti-blackness investigation Stamped From the Beginning, co-directors Caroline Suh and Cara Mones’s Louis C.K. takedown Sorry/Not Sorry, Pierre-Henri Gibert’s Agnès Varda tribute Viva Varda! and more. TIFF’s opening night doc film will be Copa 71, Rachel Ramsay and James Erskine’s film about an international women’s soccer tournament […]
The post TIFF 2023 Documentary Lineup Includes Films by Frederick Wiseman, Errol Morris, Roger Ross Williams and More first appeared on Filmmaker Magazine.
The post TIFF 2023 Documentary Lineup Includes Films by Frederick Wiseman, Errol Morris, Roger Ross Williams and More first appeared on Filmmaker Magazine.
- 7/26/2023
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
Following the Galas and Special Presentations line-up at Toronto International Film Festival, they’ve now unveiled their documentary lineup, which includes Frederick Wiseman’s restaurant doc Menus-Plaisirs Les Troisgros, Errol Morris’ John le Carré film The Pigeon Tunnel, Raoul Peck’s Silver Dollar Road, Roger Ross Williams’ Stamped From the Beginning, and more.
“There’s no question it’s been a very challenging year and I think we’re waiting for the moment, for the market to correct itself for people to realize that their viewers are going to need something more than just celebrity profiles and true crime [docs],” Powers told Deadline. “There’s quite a few sales titles this year that are coming in with strong representation from companies like CAA, UTA, Submarine, Dogwoof, Cinephil, et cetera,” Powers noted. “I think that’s a sign of the strength of what these companies hope are going to have some broad appeal of these films.
“There’s no question it’s been a very challenging year and I think we’re waiting for the moment, for the market to correct itself for people to realize that their viewers are going to need something more than just celebrity profiles and true crime [docs],” Powers told Deadline. “There’s quite a few sales titles this year that are coming in with strong representation from companies like CAA, UTA, Submarine, Dogwoof, Cinephil, et cetera,” Powers noted. “I think that’s a sign of the strength of what these companies hope are going to have some broad appeal of these films.
- 7/26/2023
- by Leonard Pearce
- The Film Stage
Programme opens with world premiere of Copa 71 from Rachel Ramsay and James Erskine.
Toronto has announced its TIFF Docs line-up, a crop of 22 features at time of writing which includes premieres of new work by Lucy Walker, Errol Morris, and Raoul Peck.
The section opens with the world premiere of Copa 71 from Rachel Ramsay and James Erskine, a timely tale about a 1971 international women’s football tournament in Mexico City which drew record crowds and has been largely erased from sports history.
Walker’s Mountain Queen: The Summits Of Lhakpa Sherpa gets its world premiere and profiles a single mother...
Toronto has announced its TIFF Docs line-up, a crop of 22 features at time of writing which includes premieres of new work by Lucy Walker, Errol Morris, and Raoul Peck.
The section opens with the world premiere of Copa 71 from Rachel Ramsay and James Erskine, a timely tale about a 1971 international women’s football tournament in Mexico City which drew record crowds and has been largely erased from sports history.
Walker’s Mountain Queen: The Summits Of Lhakpa Sherpa gets its world premiere and profiles a single mother...
- 7/26/2023
- by Jeremy Kay
- ScreenDaily
The Toronto International Film Festival announced its lineup of documentaries this morning, a slate that includes the world premiere of a film on uncancelled comedian Louis C.K., as well as fresh work from nonfiction greats Raoul Peck, Frederick Wiseman, Errol Morris, Lucy Walker, and Roger Ross Williams.
Sorry/Not Sorry, directed by Caroline Suh and Cara Mones, foregrounds women comedians who accused Louis C.K. of sexual harassment and the consequences they faced as a result. C.K. admitted in 2017 that he had exposed himself and masturbated in front of several women, which appeared to cancel his thriving standup and acting career. But after a pause he resumed standup performances before sold out crowds.
Louis C.K.
“It’s a really nuanced telling of the story produced by the New York Times,” TIFF chief documentary programmer Thom Powers told Deadline. “It’s been six years since the original New York Times reporting on this case.
Sorry/Not Sorry, directed by Caroline Suh and Cara Mones, foregrounds women comedians who accused Louis C.K. of sexual harassment and the consequences they faced as a result. C.K. admitted in 2017 that he had exposed himself and masturbated in front of several women, which appeared to cancel his thriving standup and acting career. But after a pause he resumed standup performances before sold out crowds.
Louis C.K.
“It’s a really nuanced telling of the story produced by the New York Times,” TIFF chief documentary programmer Thom Powers told Deadline. “It’s been six years since the original New York Times reporting on this case.
- 7/26/2023
- by Matthew Carey
- Deadline Film + TV
The soccer documentary Copa 71, from executive producers Serena Williams and Venus Williams, is set to open the Toronto Film Festival’s Docs sidebar as it recounts the 1971 Women’s World Cup tournament in Mexico City.
The documentary from directors Rachel Ramsay and James Erskine will have its world premiere at TIFF. New Black Films, Dogwoof and Westbrook Studios are producing.
Toronto also booked world premieres for Raoul Peck’s Silver Dollar Road, about a Black family fighting to save their North Carolina property from land-grabbing developers; Anand Patwardhan’s The World is Family, which recounts the director’s parents helping lead India’s independence movement; and Karim Amer’s Defiant, about Ukraine’s foreign minister Dmytro Kuleba and his battle against disinformation.
There’s also a world premiere for Caroline Suh and Cara Mones’ Sorry/Not Sorry, a portrait of women who accused comedy giant Louis C.K. of sexual harassment,...
The documentary from directors Rachel Ramsay and James Erskine will have its world premiere at TIFF. New Black Films, Dogwoof and Westbrook Studios are producing.
Toronto also booked world premieres for Raoul Peck’s Silver Dollar Road, about a Black family fighting to save their North Carolina property from land-grabbing developers; Anand Patwardhan’s The World is Family, which recounts the director’s parents helping lead India’s independence movement; and Karim Amer’s Defiant, about Ukraine’s foreign minister Dmytro Kuleba and his battle against disinformation.
There’s also a world premiere for Caroline Suh and Cara Mones’ Sorry/Not Sorry, a portrait of women who accused comedy giant Louis C.K. of sexual harassment,...
- 7/26/2023
- by Etan Vlessing
- The Hollywood Reporter - Movie News
New films from legendary documentarians Frederick Wiseman and Errol Morris and new work from directors Raoul Peck, Lucy Walker, Roger Ross Williams and Karim Amer will screen at the 2023 Toronto International Film Festival, which announced its TIFF Docs lineup on Wednesday.
The 93-year-old Wiseman will present the North American premiere of “Menus – Plaisirs Les Troisgros,” a four-hour deep dive into a fabled Michelin-starred restaurant in France. Morris will have the international premiere of “The Pigeon Tunnel,” which is built around a Morris interview with John le Carre that turned out to be the last interview the espionage novelist gave before his death in 2020.
The 22 films announced on Wednesday include 10 world premieres, including Amer’s “Defiant,” Walker’s “Mountain Queen: The Summits of Lhakpa Sherpa,” Peck’s “Silver Dollar Road,” Williams’ “Stamped From the Beginning” and Caroline Suh and Cara Mones’ “Sorry/Not Sorry.” Of the 26 directors represented by those films,...
The 93-year-old Wiseman will present the North American premiere of “Menus – Plaisirs Les Troisgros,” a four-hour deep dive into a fabled Michelin-starred restaurant in France. Morris will have the international premiere of “The Pigeon Tunnel,” which is built around a Morris interview with John le Carre that turned out to be the last interview the espionage novelist gave before his death in 2020.
The 22 films announced on Wednesday include 10 world premieres, including Amer’s “Defiant,” Walker’s “Mountain Queen: The Summits of Lhakpa Sherpa,” Peck’s “Silver Dollar Road,” Williams’ “Stamped From the Beginning” and Caroline Suh and Cara Mones’ “Sorry/Not Sorry.” Of the 26 directors represented by those films,...
- 7/26/2023
- by Steve Pond
- The Wrap
South Korean girl group Blackpink are getting their very own Netflix documentary, Blackpink: Light Up the Sky, which dropped its first trailer on Tuesday. The film premieres October 14th on the streaming platform.
Directed by Caroline Suh, who also directed the Netflix docuseries Salt, Fat, Acid, Heat, and produced by Cara Mones, the documentary follows Blackpink members Jisoo, Jennie, Rosé, and Lisa as they tour sold-out arenas and prepare to become the first Korean female group to perform at California’s Coachella festival in 2019.
“All I wanted was for people...
Directed by Caroline Suh, who also directed the Netflix docuseries Salt, Fat, Acid, Heat, and produced by Cara Mones, the documentary follows Blackpink members Jisoo, Jennie, Rosé, and Lisa as they tour sold-out arenas and prepare to become the first Korean female group to perform at California’s Coachella festival in 2019.
“All I wanted was for people...
- 10/6/2020
- by Claire Shaffer
- Rollingstone.com
Netflix has announced that a documentary about the K-pop group Blackpink will premiere on Oct. 14.
“Blackpink: Light Up the Sky” will follow group members Jennie, Jisoo, Lisa and Rosé’s recording process, their everyday lives as K-pop stars, as well as their history-making performance at last year’s Coachella festival. The film will feature exclusive interviews and footage of the quartet.
Netflix teased the possibility of a Blackpink project back in February, when fans wondered about its existence on Twitter. Netflix then replied to a fan’s speculation, “We currently don’t have any info on when that’ll be released. Make sure to follow our social handle for updates though!”
“Blackpink: Light Up the Sky” joins the streaming service’s growing library of music documentaries and concert films, including Beyonce’s “Homecoming,” Taylor Swift’s “Miss Americana” and Lady Gaga’s “Five Foot Two.”
The upcoming film is directed by Caroline Suh,...
“Blackpink: Light Up the Sky” will follow group members Jennie, Jisoo, Lisa and Rosé’s recording process, their everyday lives as K-pop stars, as well as their history-making performance at last year’s Coachella festival. The film will feature exclusive interviews and footage of the quartet.
Netflix teased the possibility of a Blackpink project back in February, when fans wondered about its existence on Twitter. Netflix then replied to a fan’s speculation, “We currently don’t have any info on when that’ll be released. Make sure to follow our social handle for updates though!”
“Blackpink: Light Up the Sky” joins the streaming service’s growing library of music documentaries and concert films, including Beyonce’s “Homecoming,” Taylor Swift’s “Miss Americana” and Lady Gaga’s “Five Foot Two.”
The upcoming film is directed by Caroline Suh,...
- 9/9/2020
- by Janet W. Lee
- Variety Film + TV
Netflix is getting into K-pop as the streamer is set to launch a documentary about rising girl group Blackpink.
The SVOD service will launch Blackpink: Light Up The Sky on October 14. The film will chart the rise of the band, which has found itself in the Billboard Hot 100 with Ice Cream, its recent collaboration with Selena Gomez.
Directed by Caroline Suh, director of Netflix’s Salt Fat Acid Heat, and produced by RadicalMedia, the film features exclusive interviews with members Jisoo, Jennie, Rosé and Lisa and never-before-seen footage.
It will look at the band’s recording process, the highs and lows of being a K-pop idol, culminating with their 2019 performance at Coachella.
“The K-pop phenomenon has been sweeping the globe and Blackpink has arguably become the most recognizable and most popular girl group in the world.” said Netflix’s Adam Del Deo, VP Documentary Features. “Director Caroline Suh’s trusted relationship with Jisoo,...
The SVOD service will launch Blackpink: Light Up The Sky on October 14. The film will chart the rise of the band, which has found itself in the Billboard Hot 100 with Ice Cream, its recent collaboration with Selena Gomez.
Directed by Caroline Suh, director of Netflix’s Salt Fat Acid Heat, and produced by RadicalMedia, the film features exclusive interviews with members Jisoo, Jennie, Rosé and Lisa and never-before-seen footage.
It will look at the band’s recording process, the highs and lows of being a K-pop idol, culminating with their 2019 performance at Coachella.
“The K-pop phenomenon has been sweeping the globe and Blackpink has arguably become the most recognizable and most popular girl group in the world.” said Netflix’s Adam Del Deo, VP Documentary Features. “Director Caroline Suh’s trusted relationship with Jisoo,...
- 9/9/2020
- by Peter White
- Deadline Film + TV
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