I wanted Clive Owen to channel Bogart without imitating him. I wanted to feel both post WWII France as well as one struggling in Algeria and SE Asia. I wanted that France to be intense and atmosheric. I wanted characters that I cared about. I wanted film noir in color.
I got everything I wanted and this is everything I hoped it would be.
I think too that all this may play against the ultimate popularity of this series. Some will see Owen as half of Bogart, lacking depth, perhaps, and missing the slow burn that Bogie brought to the screen. Others, sadly, may have never seen Humphrey Bogart as Sam Spade and wonder why they aren't seeing a more recognizable Clive Owen.
Either way you look at it, if you watched episode one this clearly interests you, and good, bad, or indifferent we all owe it to modern noir to see it through if we ever want to see anyone continue to pursue the genre. And yes, I loved Perry Mason also, and watched every episode of an all too short run.
I got everything I wanted and this is everything I hoped it would be.
I think too that all this may play against the ultimate popularity of this series. Some will see Owen as half of Bogart, lacking depth, perhaps, and missing the slow burn that Bogie brought to the screen. Others, sadly, may have never seen Humphrey Bogart as Sam Spade and wonder why they aren't seeing a more recognizable Clive Owen.
Either way you look at it, if you watched episode one this clearly interests you, and good, bad, or indifferent we all owe it to modern noir to see it through if we ever want to see anyone continue to pursue the genre. And yes, I loved Perry Mason also, and watched every episode of an all too short run.