7/10
A bit uneven but a good take on the absurdity of McCarthyism
4 December 2021
With his country in revolt, King Shahdov escapes to New York. His funds soon start to run dry so he uses his fame to make money appearing in advertisements. He helps a boy who has run away from home but this lands him in trouble with the communist witch-hunt of the time.

A Charlie Chaplin comedy that, like many of his comedies, contains some interesting social commentary.

It starts entertainingly enough, with King Shahdov's escape and his settling into New York. The "forthcoming attractions" during his visit to a cinema are hilarious and made me think this could rival Chaplin's classic comedies like City Lights, Modern Times, The Gold Rush, The Kid, The Circus and The Great Dictator.

Unfortunately, however, the comedy, and the film in general, is a bit uneven. There's some very funny moments but then also some scenes that just fall flat, e.g. The scenes involving his appearance at the school were largely quite irritating. The appearance of Dawn Addams as Ann Kay was a major positive though...

The drama side is also a bit weak and the sub-plot involving the boy initially seemed to more rely on empty sentimentality and some silly hijinks than anything else. However, this does evolve into a decent examination on the absurdity of the communist witch-hunts of the late-40s and early-50s. The subject is quite a personal one for Chaplin as the FBI used these witch-hunts as part of their campaign against Chaplin and this drove him out of the US.

Unfortunately, while the McCarthyism sub-plot is reasonably profound and has a satisfactory conclusion, it is resolved far too quickly, making it seem like a quaint little add-on to the main plot. Chaplin could have done much more with this and made it the main focus of the film. Considering how personal the topic was for him, I'm surprised he didn't.

Ultimately a reasonably entertaining and profound film.
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