1/10
Poor Bergman
29 August 2021
Under the pretext of subtlety, the film avoids any conflict, any emotion, any depth. The characters roam the surface of life, without ever diving into it. A sort of bourgeois hell.

Moreover, the awkward realization absolutely does not pay homage to the supposed beauty of the landscapes. Of the whole movie, two or even three frames are correct. The rest is just platitude. Camera movements never make sense.

I end up thinking about the title. In fine, a tout. I have no doubt that one day soon, an uninspired director will name his dish of buttery shells "Kubrick Paradise" or "Godard Bedroom", in order, on a misunderstanding, to attract some victims in the theaters.
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