An inventor demonstrates a device that can project images of people onto a screen, where they seem to come alive. Unfortunately, the screen representations are not always flattering... Figuring out what Georges Méliès was trying to say with this odd short silent film is challenging. The initial projections are 'true' representations of the subjects but the projection of the dignified older woman shows her as the head of a toothless hag and the image of her consort is some kind of grimacing monkey-like creature. Whether these transformations are just for silly laughs, whether Méliès was mocking the upper-class pretentions, or whether the images are supposed to embody the person's true nature (ala Dorian Gray) is unclear. As the older woman's dress suddenly and inexplicitly disappears later in the film, I lean to the slapstick comedy explanation but more complex theories about class and gender stereotypes have been put forward. Typical for a Méliès fantasy, the characters kinetically mime and exaggerate every movement as they set up the various 'money shots' and the special effects include the usual double exposures and substitution-splices (by 1908, these basic camera tricks were getting routine). The most noteworthy aspect of the film is the prediction of a device that can transmit images wirelessly (although the earliest experimental transmissions of images were contemporaneous) but the images changing or 'coming to life' was pure fantasy.