"Ladies in Love" is a light comedy romance set in Budapest in the 1920s. The best thing about it is a cast loaded with talent of the day. Most of the cast were well established on the silver screen, but a couple were early in their careers. While the plot is light and just fairly interesting, the cast makes it worth watching. That's so especially for movie buffs, who know and recognize a considerable list of actors and actresses. This film affords an opportunity to see several of them in their early years of the sound era. And, most of the roles are good.
Janet Gaynor and Loretta Young give the best performances as Martha and Susie, respectively. Constance Bennett's Yoli Haydn has been on the party circuit with wealthy men who come to the city for short periods of leisure and enjoyment. She joins the other two so the three can pool their funds to afford an upscale apartment while they work and party with men until each finds her "mister right."
Yoli is waiting for the rich guy who will deck her with jewels, and while she is escorting one now, she doesn't want to bare her feelings toward him because he will be returning to South America and his mines in the wilds. Susie would like to be able to have her own ladies shop and then meet a Prince Charming who will sweep her off her feet. Martha is the more practical one who wants a man she can love and care for, who will love her in return, and provide a home and family.
A fourth woman enters the story in Simone Simon as Marie Armand. She's 26 years old but plays an older teenager. Simon made three dozen movies in America and Europe before she quit acting in middle age.
The story has some drama as well, but the light nature persists as these women meet the various men who will be in their lives - and then out of them for a couple. The best comedy by far occurs between Gaynor's Martha and two men in her life. Don Ameche plays a young psychologist, Dr. Rudi Imre; and Alan Mowbray plays a master magician, Paul Sandor. Paul Lukas has the largest male role as John Barta, the South American mining mogul, who has come to Budapest to find a wife. Tyrone Power is a young duke and acquaintance of Barta.
Surprisingly, most of this cast had a considerable portfolio by 1936. One of them had already won an Oscar - Janet Gaynor in 1929. Loretta Young was the youngest female of the cast - just 23, but she had more films than any of the rest to her credit - 65 since she began in silent films as a child star. She would win an Oscar in 1948 and add two Golden Globes and three Emmys to her career honors.
Two of the men would also win Oscars in their careers. Paul Lukas was the oldest member of the cast at 41, and he would win an Oscar in 1944. Don Ameche is one of the newcomers - having made just four films before this. But his star would rise fast and he would win an Oscar late in his career - in 1986. Of the remaining cast, Tyrone Power was in just his sixth film, and the 22-year-old within a year would become the leading male in all of his pictures, and a super star by the time of his early death from a heart attack at age 44 in 1958.
Power and Young would be in half a dozen movies together. Ameche and Young were in half a dozen; and all three where in two films. Another reviewer noted a sort of surprise ending for this film. Well, it's not the usual Hollywood happy ending, but it seems about right for the people here. It's not sad, but more down to earth and real.
Here are some favorite lines from this film.
Martha Kerenye, "What he does takes just as much science as raising rabbits." Dr. Rudi Imre, "I'm using these for experiments. That's not raising them." Martha, "Well, you started with only two and now you've got 24." Dr. Imre, "Well, that's only a biological coincidence."
Martha Kerenye, "And you're gonna try and explain my feelings to me!" Dr. Rudi Imre, "Well don't you wanna be able to understand your emotional responses?" Martha, "I do understand them." Dr. Imre, "Not thoroughly. See, what we have is a fairly common occurrence. Young woman - type B, with maternal instincts. Comes in contact with masculine type B - temperamental, but exotic personality. Result - young woman is dazzled. Her original drive to protect is transferred into romantic love. It's profoundly simple." Martha, "I am not dazzled." Dr. Imre, "Oh yes, you are. But you don't know it."
Janet Gaynor and Loretta Young give the best performances as Martha and Susie, respectively. Constance Bennett's Yoli Haydn has been on the party circuit with wealthy men who come to the city for short periods of leisure and enjoyment. She joins the other two so the three can pool their funds to afford an upscale apartment while they work and party with men until each finds her "mister right."
Yoli is waiting for the rich guy who will deck her with jewels, and while she is escorting one now, she doesn't want to bare her feelings toward him because he will be returning to South America and his mines in the wilds. Susie would like to be able to have her own ladies shop and then meet a Prince Charming who will sweep her off her feet. Martha is the more practical one who wants a man she can love and care for, who will love her in return, and provide a home and family.
A fourth woman enters the story in Simone Simon as Marie Armand. She's 26 years old but plays an older teenager. Simon made three dozen movies in America and Europe before she quit acting in middle age.
The story has some drama as well, but the light nature persists as these women meet the various men who will be in their lives - and then out of them for a couple. The best comedy by far occurs between Gaynor's Martha and two men in her life. Don Ameche plays a young psychologist, Dr. Rudi Imre; and Alan Mowbray plays a master magician, Paul Sandor. Paul Lukas has the largest male role as John Barta, the South American mining mogul, who has come to Budapest to find a wife. Tyrone Power is a young duke and acquaintance of Barta.
Surprisingly, most of this cast had a considerable portfolio by 1936. One of them had already won an Oscar - Janet Gaynor in 1929. Loretta Young was the youngest female of the cast - just 23, but she had more films than any of the rest to her credit - 65 since she began in silent films as a child star. She would win an Oscar in 1948 and add two Golden Globes and three Emmys to her career honors.
Two of the men would also win Oscars in their careers. Paul Lukas was the oldest member of the cast at 41, and he would win an Oscar in 1944. Don Ameche is one of the newcomers - having made just four films before this. But his star would rise fast and he would win an Oscar late in his career - in 1986. Of the remaining cast, Tyrone Power was in just his sixth film, and the 22-year-old within a year would become the leading male in all of his pictures, and a super star by the time of his early death from a heart attack at age 44 in 1958.
Power and Young would be in half a dozen movies together. Ameche and Young were in half a dozen; and all three where in two films. Another reviewer noted a sort of surprise ending for this film. Well, it's not the usual Hollywood happy ending, but it seems about right for the people here. It's not sad, but more down to earth and real.
Here are some favorite lines from this film.
Martha Kerenye, "What he does takes just as much science as raising rabbits." Dr. Rudi Imre, "I'm using these for experiments. That's not raising them." Martha, "Well, you started with only two and now you've got 24." Dr. Imre, "Well, that's only a biological coincidence."
Martha Kerenye, "And you're gonna try and explain my feelings to me!" Dr. Rudi Imre, "Well don't you wanna be able to understand your emotional responses?" Martha, "I do understand them." Dr. Imre, "Not thoroughly. See, what we have is a fairly common occurrence. Young woman - type B, with maternal instincts. Comes in contact with masculine type B - temperamental, but exotic personality. Result - young woman is dazzled. Her original drive to protect is transferred into romantic love. It's profoundly simple." Martha, "I am not dazzled." Dr. Imre, "Oh yes, you are. But you don't know it."