I like to believe that neither movie viewing nor reviewing should be excessive..; and ideally.. by living a disciplined life that is spiritually unfettered by name-brand fashion wear and/or speciality breads from French bakeries.., one can, with restraint and the beatific blessing of "The Universe" ride a perpetual wave of beautiful, magical synchronicity, where one can watch their personal life mirrored in the movies one sees. Simply put.., there MUST be rewards for walking the way of the peasant. To wit.....
Though my own departure from mafia life was in fact quite cordial (and we remain on good terms), Wonder Wheel, for example, (my previously viewed movie) did accurately reflect both my unhealthy attraction to dangerous men, as well as my inexplicable semi-loyalty to my husband, who was, in fact, also a carny who operated a merry-go-round back in the day -- well, ok, it was actually a used car lot.., but the similarities were uncanny. Thus (keep your eye on the Queen).., mid viewing of Mary And Martha, I was not surprised to see that the plot was largely about malaria.., in that only a few days earlier, I was told (in the bread aisle) that my ex-pastor's daughter (a missionary to Africa) had contracted and struggled precariously with malaria for several weeks. This happens all the time, is normal for me, and the main reason why I've never watched Texas Chainsaw Massacre.
Now.., if one wants to believe that this film is merely a plaintive cry against malaria, that's fine.., in which case it did a pretty great job..; and thus, if one so chooses, they/you can dig out your checkbook, and send a donation to some vague, off-shore, corporate charity, possibly concocted by the same vague Illuminati overlords, who both probably financed this film.. and brought us, for example, the World Wildlife Fund and its ever-lovable founder, Prince Philip, a swell monarch, and the single most prolific slayer of endangered African species this side of the Temple Bar.
In other words.., imho, like most (Hollywood) movies of recent decades, Mary and Martha was more propaganda than plot, more indoctrination about obsoleting inter-gender relationships than soliciting empathy over third-world diseases. While superficially about malaria-related deaths in Africa, it seemed clear to me early on.. that Mary and Martha was basically just another hit piece against males.. drowning us in a mist of firebrand rhetoric aimed at "liberating" women even further from (white) male oppression -- eloquently providing more and more rationalizations for downgrading a wife's role in marriage to a take-it-or-leave-it pastime, bidding her to drift whichever way the wind blows, and poetically claiming responsibility for whatever strums her heart strings, while scorning her obviously supercilious and demeaning role as wife.. as well as her tedious and tunnel-visioned husband, who selfishly sees his function as merely working doggedly.. (to put specialty breads from French bakeries on the table).
For gift-wrapping these messages, we have (oh, let's see) a Hillary Swank (usually considered delicious) as Mary.., while her diffident, seldom-smiling, not-very-appealing husband wore a barely tolerable physiognomy, which otherwise would never be cast as a leading man. The same goes for her father (James Woods). From there.., most of the other slips and dips of indoctrination are far more subtle and veiled.. as is usually the case, and de rigueur for effective Hollywood propaganda.
It gets even worse later on.., as Martha (a polite and seemingly good-natured Brit) comes center stage.., where the unfortunate, albeit (we must remember) insufferable male characters now get double-teamed, as it were -- Mary and Martha calmly portraying strong, patient women who've borne many a care, enduring their men's man-speak and insensitivities with forbearing smiles.., while their countenances hint at borderline disgust. The visual subtext could just as well have been one of exchanging thinly veiled winks, denoting their thinly stretched tolerance of men.. suspended in a tincture of perpetual suffering. I think you get my drift.
But I am nothing.. if not fair. And my next cinematic goal is to locate and review a counterpoint film -- something perhaps showing a gentle, noble, virtuous male (who, let's say, works for Doctors Without Borders).. ensnared and tormented in the clutches of a shallow, petty, entitled, and vindictive wife. I bid you.. wish me well.., as currently I'm having difficulty finding the existence of any such movie.
Postscript: There is an irony in all this -- namely, that the unfortunately unconvincing but nonetheless REAL globalist agenda.. is not concerned about the continent of Africa or its people. Never was. That is.., historically, the corporatized NWO overlords have only cared about Africa's resources, not its people, except as a source of cheap labor to extract said resources. The agenda, as expressed, say, in Agenda 21 or 2030.. and/or the Georgia Guidestones in fact calls for at least an 80% reduction in global population. Africa will not be a priority. So, if anyone has any plan to address the malaria problem in Africa.., it's probably to send more mosquitoes.
cheers!!😇
Though my own departure from mafia life was in fact quite cordial (and we remain on good terms), Wonder Wheel, for example, (my previously viewed movie) did accurately reflect both my unhealthy attraction to dangerous men, as well as my inexplicable semi-loyalty to my husband, who was, in fact, also a carny who operated a merry-go-round back in the day -- well, ok, it was actually a used car lot.., but the similarities were uncanny. Thus (keep your eye on the Queen).., mid viewing of Mary And Martha, I was not surprised to see that the plot was largely about malaria.., in that only a few days earlier, I was told (in the bread aisle) that my ex-pastor's daughter (a missionary to Africa) had contracted and struggled precariously with malaria for several weeks. This happens all the time, is normal for me, and the main reason why I've never watched Texas Chainsaw Massacre.
Now.., if one wants to believe that this film is merely a plaintive cry against malaria, that's fine.., in which case it did a pretty great job..; and thus, if one so chooses, they/you can dig out your checkbook, and send a donation to some vague, off-shore, corporate charity, possibly concocted by the same vague Illuminati overlords, who both probably financed this film.. and brought us, for example, the World Wildlife Fund and its ever-lovable founder, Prince Philip, a swell monarch, and the single most prolific slayer of endangered African species this side of the Temple Bar.
In other words.., imho, like most (Hollywood) movies of recent decades, Mary and Martha was more propaganda than plot, more indoctrination about obsoleting inter-gender relationships than soliciting empathy over third-world diseases. While superficially about malaria-related deaths in Africa, it seemed clear to me early on.. that Mary and Martha was basically just another hit piece against males.. drowning us in a mist of firebrand rhetoric aimed at "liberating" women even further from (white) male oppression -- eloquently providing more and more rationalizations for downgrading a wife's role in marriage to a take-it-or-leave-it pastime, bidding her to drift whichever way the wind blows, and poetically claiming responsibility for whatever strums her heart strings, while scorning her obviously supercilious and demeaning role as wife.. as well as her tedious and tunnel-visioned husband, who selfishly sees his function as merely working doggedly.. (to put specialty breads from French bakeries on the table).
For gift-wrapping these messages, we have (oh, let's see) a Hillary Swank (usually considered delicious) as Mary.., while her diffident, seldom-smiling, not-very-appealing husband wore a barely tolerable physiognomy, which otherwise would never be cast as a leading man. The same goes for her father (James Woods). From there.., most of the other slips and dips of indoctrination are far more subtle and veiled.. as is usually the case, and de rigueur for effective Hollywood propaganda.
It gets even worse later on.., as Martha (a polite and seemingly good-natured Brit) comes center stage.., where the unfortunate, albeit (we must remember) insufferable male characters now get double-teamed, as it were -- Mary and Martha calmly portraying strong, patient women who've borne many a care, enduring their men's man-speak and insensitivities with forbearing smiles.., while their countenances hint at borderline disgust. The visual subtext could just as well have been one of exchanging thinly veiled winks, denoting their thinly stretched tolerance of men.. suspended in a tincture of perpetual suffering. I think you get my drift.
But I am nothing.. if not fair. And my next cinematic goal is to locate and review a counterpoint film -- something perhaps showing a gentle, noble, virtuous male (who, let's say, works for Doctors Without Borders).. ensnared and tormented in the clutches of a shallow, petty, entitled, and vindictive wife. I bid you.. wish me well.., as currently I'm having difficulty finding the existence of any such movie.
Postscript: There is an irony in all this -- namely, that the unfortunately unconvincing but nonetheless REAL globalist agenda.. is not concerned about the continent of Africa or its people. Never was. That is.., historically, the corporatized NWO overlords have only cared about Africa's resources, not its people, except as a source of cheap labor to extract said resources. The agenda, as expressed, say, in Agenda 21 or 2030.. and/or the Georgia Guidestones in fact calls for at least an 80% reduction in global population. Africa will not be a priority. So, if anyone has any plan to address the malaria problem in Africa.., it's probably to send more mosquitoes.
cheers!!😇