4/10
Very Disappointing!
8 September 2016
Warning: Spoilers
The only thing I can really say in praise of this very disappointing waste of effort, money and time, is that I really enjoyed the delightfully inappropriate Viennese music score directed and conducted by Louis Silvers. The script by Melville Baker (who later wrote the excellent "Above Suspicion") can only be described as a screaming bore. Admittedly, Baker probably didn't have much to start with in Ladislaus Bus-Fekete's 1930 Hungarian stage play which was translated by Victor Katona and Guy Bolton (of all people!) and which was published by Dutton of New York in 1937 - that is AFTER the movie was released. Presumably, Dutton anticipated that the movie would be a really big hit. It was certainly packed with star power: Janet Gaynor, Loretta Young, Constance Bennett, Simone Simon, Don Ameche, Paul Lukas, Tyrone Power... Alas, Only Alan Mowbray really delivers (and perhaps Simone Simon). The director, Edward H. Griffith, was not exactly a director of renown. And even if he was, almost everyone else assigned to this movie seems to be working at half steam, including my favorite photographer, Hal Mohr.
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