7/10
No masterpiece but no disaster either.
27 June 2015
Someone once described "A King in New York" as the worst film ever made by a major artist. I can think of many worse examples and while this late Chaplin picture may lack the genius of his earlier work, (it was his penultimate film; he made it several years after "Limelight" and before "A Countess from Hong Kong"), it is an often very funny satire on what Chaplin perceived as 'the modern age'. Driven out of America by McCarthyism, Chaplin constructed his New York in a British studio and typical of its writer, director, star and composer it makes no apology for its attack on right-wing politics, in particular the HUAC, as well as television, Cinemascope and plastic surgery. It's also less sentimental than it might have been, (always Chaplin's biggest fault), but the plot involving a child played by Chaplin's own son Michael, does the film no favours. On the other hand, Chaplin himself is superb and Dawn Adams is surprisingly good as a television star. No masterpiece, then but not quite the disaster some people have said of it either.
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