Roman Polanski's tongue-in-cheek look at classic Gothic vampire stories takes a rather bizarre approach to its material by giving us two bumbling vampire hunters who seem to always lose their prey and never seem to be aware of their immediate surroundings. Is this supposed to be funny?
Apparently so, but because it is so unique in its approach, it will divide viewers and I happen to fall on the negative side. The story takes too long to set up before it lands at the setting where it is supposed to and Polanski and Jack MacGowran's acting leave something to be desired.
The only true bright spot of the film is the luminous presence of Sharon Tate, who shows with her flaming red hair and soft, pale complexion why Polanski fell for her and the potential she had as an actress. Knowing her grim destiny only adds to the heaviness of this picture, which is certainly one to forget amongst the Polanski oeuvre.
Apparently so, but because it is so unique in its approach, it will divide viewers and I happen to fall on the negative side. The story takes too long to set up before it lands at the setting where it is supposed to and Polanski and Jack MacGowran's acting leave something to be desired.
The only true bright spot of the film is the luminous presence of Sharon Tate, who shows with her flaming red hair and soft, pale complexion why Polanski fell for her and the potential she had as an actress. Knowing her grim destiny only adds to the heaviness of this picture, which is certainly one to forget amongst the Polanski oeuvre.