No Fireworks Despite Violent Action.
Science fiction films that reflect quality are scarce indeed, largely because transposal of imaginative themes from the genre to the screen too often falls short of effective execution as a result of insufficient funding or inadequate invention, and unfortunately for its producers, this work is lacking on both counts, woefully so in the case of the latter. With essentially no budget with which to operate, it is a grave mistake to attempt the depiction of such a gamut of events as those within this scenario and, in particular, special effects of space opera warfare which appear only clownish, while seeds from the scriptors' imagination lie fallow due to some of the most fatuous misunderstanding of basic scientific principles to be found. Among these are frequent firing of weapons within a sealed environment, and a wayward law of gravity which enables freedom of movement of cast members while inanimate objects float weightlessly, but it is easier to accept these than it is to pretend that any of the episodes have a basis in plausibility. The plot involves an escape of life sentenced prisoners from a space station penal colony to a waste landfill upon our moon and their various attempts to obtain passage back to Earth, with some few capable players present who are execrably directed by first-timer Paolo Mazzucato, whose production team wastes effort upon such as holographic pornography while ignoring a pressing and basic requirement for the creation of states of suspense and of impetus.
Science fiction films that reflect quality are scarce indeed, largely because transposal of imaginative themes from the genre to the screen too often falls short of effective execution as a result of insufficient funding or inadequate invention, and unfortunately for its producers, this work is lacking on both counts, woefully so in the case of the latter. With essentially no budget with which to operate, it is a grave mistake to attempt the depiction of such a gamut of events as those within this scenario and, in particular, special effects of space opera warfare which appear only clownish, while seeds from the scriptors' imagination lie fallow due to some of the most fatuous misunderstanding of basic scientific principles to be found. Among these are frequent firing of weapons within a sealed environment, and a wayward law of gravity which enables freedom of movement of cast members while inanimate objects float weightlessly, but it is easier to accept these than it is to pretend that any of the episodes have a basis in plausibility. The plot involves an escape of life sentenced prisoners from a space station penal colony to a waste landfill upon our moon and their various attempts to obtain passage back to Earth, with some few capable players present who are execrably directed by first-timer Paolo Mazzucato, whose production team wastes effort upon such as holographic pornography while ignoring a pressing and basic requirement for the creation of states of suspense and of impetus.