After so many films/ series about same subject, it is difficult to not admit than the motif to see this film is, the first one, the presence of Jessica Chastain and Eddie Redmayne. As admirer of the last one, my expectations were not very high about subject and its development ( after Coma by Michael Crichton, I suppose, it is not just easy to innovate on this theme) so the target was the manner to play with the pieces defining his character of Redmayne.
No dissapointment.
Sure, a real case and fair end, admirable acting and a story proposing a fist of questions to viewer, the nice reflection about healthcare workers and a not bidimensional portrait of Charles Cullen, a fair image of the silence of hospitals and the single mother, assuming terrible risks.
Against the impression about a too slow story , not very credible details, you do not regret the time dedicated to see this film .Yes, indeed, the first motif are the main actors.
.
No dissapointment.
Sure, a real case and fair end, admirable acting and a story proposing a fist of questions to viewer, the nice reflection about healthcare workers and a not bidimensional portrait of Charles Cullen, a fair image of the silence of hospitals and the single mother, assuming terrible risks.
Against the impression about a too slow story , not very credible details, you do not regret the time dedicated to see this film .Yes, indeed, the first motif are the main actors.
.