The script is relatively simple, classic black and white duo mode, trying to achieve a revival of fashion action movies (or just back to the light? Type elements are readily available. The gray area of the foot is not the center of gravity (not to mention the design only for the establishment of character image, neither of them has more development). The focus is on the strength of the fists and precision design of the fight, both sides with full anger to maintain an idea, have to burst into a fierce enough scene. The church fight in the third act has obvious sublimation intentions at the end, but the empty body can no longer be filled. Cherish Director Chen's memory!
Review of Raging Fire
