Raging Fire is a gripping cops-and-robbers action movie that is elevated by late director Benny Chan's attentive direction of its drama and explores its theme earnestly. Donnie Yen's riveting action sequences set a new standard for Hollywood-level production values in a Hong Kong action film.
Bong, an officer of the Regional Crime Unit, is an outcast in the police force due to his overly righteous attitude and a refusal to conform to the legal grey zone, much to the frustration of his superiors. Bong is left out of a police drug bust, where the entire police team is massacred by a masked gang of thieves.
The crew is led by Ngo, an ex-cop-turned-criminal and former protege of Bong. Ngo once beat an informant to death and Bong's unwillingness to lie in court cost him a five-year prison sentence. Ngo sets on exacting vengeance on Bong and the police department.
Benny Chan directs the drama with delicate hands, surrounding star Donnie Yen with character actors Ray Lui and the always underrated Patrick Tam. Chan effectively brings the audience deep into Yen's character moral dilemma, "Is it justifiable to do a bad thing to do some good?" Yen's cop says no while Tse's thief says yes.
Benny Chan ensures that every fight is dramatically motivated. The action sequences, including gun fights, car chases and martial arts, leap off the screen in a glorious adrenaline-pumping fashion and consistently feel dangerous. Through a combination of shooting on-location and CGI, the film makes great use of the Hong Kong locales that brings a consistent tactility and realism. It is also doubly fun if you know Hong Kong.
Nicholas Tse, despite putting in a huge effort in giving a complex performance, never finds proper footing for his villain. He acts as the calm and cool collected mastermind but goes completely unhinged in other moments. The film does a solid job earning the audience's sympathy by showing Ngo's backstory as a cop. However, that crumbles in the present story as we witness who the villain has become and the incongruities in his grand plan. Is the character desperate for revenge, wanting to score cash, or just completely nuts? It all falls somewhere between. As the third act rolls in, there's no more time for the script to clarify Tse's intentions.
That being said, Raging Fire has a lot to offer. Nostalgic Hong Kong action movie fans will walk away satisfied. The film ultimately won me over with its overwhelming ambition to break new ground. I wonder now what Benny Chan would have done with his next action picture.
Rest in peace, Benny Chan.
Bong, an officer of the Regional Crime Unit, is an outcast in the police force due to his overly righteous attitude and a refusal to conform to the legal grey zone, much to the frustration of his superiors. Bong is left out of a police drug bust, where the entire police team is massacred by a masked gang of thieves.
The crew is led by Ngo, an ex-cop-turned-criminal and former protege of Bong. Ngo once beat an informant to death and Bong's unwillingness to lie in court cost him a five-year prison sentence. Ngo sets on exacting vengeance on Bong and the police department.
Benny Chan directs the drama with delicate hands, surrounding star Donnie Yen with character actors Ray Lui and the always underrated Patrick Tam. Chan effectively brings the audience deep into Yen's character moral dilemma, "Is it justifiable to do a bad thing to do some good?" Yen's cop says no while Tse's thief says yes.
Benny Chan ensures that every fight is dramatically motivated. The action sequences, including gun fights, car chases and martial arts, leap off the screen in a glorious adrenaline-pumping fashion and consistently feel dangerous. Through a combination of shooting on-location and CGI, the film makes great use of the Hong Kong locales that brings a consistent tactility and realism. It is also doubly fun if you know Hong Kong.
Nicholas Tse, despite putting in a huge effort in giving a complex performance, never finds proper footing for his villain. He acts as the calm and cool collected mastermind but goes completely unhinged in other moments. The film does a solid job earning the audience's sympathy by showing Ngo's backstory as a cop. However, that crumbles in the present story as we witness who the villain has become and the incongruities in his grand plan. Is the character desperate for revenge, wanting to score cash, or just completely nuts? It all falls somewhere between. As the third act rolls in, there's no more time for the script to clarify Tse's intentions.
That being said, Raging Fire has a lot to offer. Nostalgic Hong Kong action movie fans will walk away satisfied. The film ultimately won me over with its overwhelming ambition to break new ground. I wonder now what Benny Chan would have done with his next action picture.
Rest in peace, Benny Chan.